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Shakira performs onstage during the Pepsi Super Bowl LIV Halftime Show at Hard Rock Stadium on February 02, 2020 in Miami, Florida. (Photo by Jeff Kravitz/FilmMagic)

Shakira Brought Afro-Colombian Dance to the Super Bowl

The singer danced Champeta during her performance of "Waka Waka," as well as Mapalé.

At last night's Super Bowl LIV in Miami, Shakira and Jennifer Lopez hit the stage during the halftime show and both brought their respective Latinx cultures to the forefront during their performance.

Shakira hit the stage first, running through tracks like her hit record "Hips Don't Lie," and more. The Colombian singer later returned to the stage following Jennifer Lopez's performance for a rendition of her 2008 World Cup smash hit "Waka Waka (This Time for Africa" (a remake of the 1986 song "Zamina Mina" by Cameroonian makossa group Zangaléwa).


After opening with the song, the singer notably danced Champeta, a dance and musical genre that originated from the African descendants of Colombia's coastal regions, including Barranquilla, where the singer is from. She performed the dance breakdown to the Congolese soukous song "Icha" by Syran Mbenza.

According to Billboard, earlier in the performance, the singer danced Mapalé, another Afro-Colombian dance, known for its swift and rapid movements that are meant to flow with the beat of the drum.

Ahead of her performance on Sunday night, Shakira took to Instagram to introduce Liz Dany Campo Díaz, the young dancer from her hometown who taught her Champeta for the show.

Another memorable part of the show was Shakira's mid-performance "tongue-wag," which it turns out, was more than just a playful gesture. Several on Twitter pointed out that the artist, whose father is Lebanese, was actually delivering a zaghrouta, a celebratory Arabic vocal expression and chant.


It was fun to see Shakira bring several multicultural elements to the big stage during the performance. If you missed it, you can check out the full 2020 Super Bowl halftime performance below.

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Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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