This Chicago Artist's Photo Series of Haute Coiffure Is on View at Brooklyn's MoCADA

Shani Crowe's 'BRAIDS' is currently on display until July 10 at the MoCADA Museum.

If you find yourself in the NYC area, then there’s still time left to view Chicago-based artist Shani Crowe’s exquisite photo series BRAIDS currently on display at the Museum of Contemporary African Diasporic Art (MoCADA) Museum until July 10.

BRAIDS is a 10-piece collection of Crowe’s labyrinthine cornrows, drawing from different time periods, that she describes as, “an amalgamation of inspiration from ancient artifacts, traditional African braid styles, popular culture, and Afro-futurism, filtered through my perspective” in her artist statement on MoCADA's site. Adding, “each portrait can be appreciated at face value, but the imagery conjures a specific nostalgia for African American women who remember both having their hair braided and braiding someone else’s.”

Despite what white media publications would have you believe, Crowe’s style of intricate braiding isn’t called “box braids,” and it’s not a new trend started by Kim Kardashian. Cornrows’ long history originates on the continent, and it’s an art form that has been used to denote African identity and status from religion to kinship and ethnicity to age as well as communicate cultural values and social bonds between generations and among friends.

When Refinery 29 asked Crowe her opinion of the cultural appropriation term, “box braids,” she says, “I’ve learned that spending efforts to change someone’s opinion is often mute. The only person I control is me, and I choose to create and photograph beautiful braids to honor Black women and hopefully foster connectivity and Black unity.”

"Shakere" by Shani Crowe

Crowe, also a creator of ink illustrations, collages, plush items, and experimental videos, says she first learned how to braid as a child from her relatives, but as she tells Refinery 29, “when I was around 11, and my aunts couldn’t execute the designs I wanted, I began braiding [on] my own. I was a walking advertisement for myself, and ended up attracting clientele.”

Even Okayafrica favorite Erykah Badu has taken notice of what the Howard University alumna calls her "unapologetic assertion of my pride in my braid art, my culture, and my African ancestry." One of Crowe’s portraits from the exhibition has been featured on the concert promo poster for the Summer Spirit Festival in Washington, D.C., which Badu is headlining along with Jill Scott.

See, things work out when you sit your sensitive ass down lol. life is good, love is great! Thank you! ☺️

A photo posted by Shani Crowe (@crowezilla) on

Crowe’s haute coiffure can be viewed at MoCADA’s Window Gallery on South Portland Avenue in Brooklyn, NY. See her impeccable work below.

BRAIDS: Photography by Roy Rochlin, courtesy of MoCADA


"Fingerwaves Saint" by Shani Crowe

"Above All" by Shani Crowe

"The Breadth We All Share" by Shani Crowe

A photo posted by Shani Crowe (@crowezilla) on


Kofi Jamar Switches Lanes In 'Appetite for Destruction'

The Ghanaian rapper and "Ekorso" hitmaker presents a different sound in his latest EP.

The drill scene in Ghana has been making waves across the continent for some time now. If you're hip to what a crop of young and hungry artists from the city of Kumasi in Ghana and beyond have been doing over the past year, then you already know about rapper Kofi Jamar.

Towards the end of November last year he dropped one of the biggest drill songs to emerge from Ghana's buzzing drill scene, the popular street anthem "Ekorso." In the December and January that followed, "Ekorso" was the song on everyone's lips, the hip-hop song that took over the season, with even the likes of Wizkid spotted vibing to the tune.

Currently sitting at over 10 million streams across digital streaming platforms, the song topped charts, even breaking records in the process. "Ekorso" maintained the number one spot on Apple Music's Hip-Hop/Rap: Ghana chart for two months uninterrupted, a first in the history of the chart. It also had a good stint at number one of the Ghana Top 100 chart as well, among several other accolades.

Even though he's the creator of what could be the biggest song of Ghana's drill movement till date, Kofi Jamar doesn't plan on replicating his past music or his past moves. He has just issued his second EP, a 6-track project titled Appetite for Destruction, and it would surprise you to know that there isn't a single drill song on it. Although drill played a huge role in his meteoric rise, he wants to be known as way more than just a drill rapper. He wants to be known as a complete and versatile artist, unafraid to engage in any genre — and he even looks forward to creating his own genre of music during the course of his career.

We spoke to Kofi Jamar about his latest EP, and he tells us about working with Teni, why he's gravitating away from drill to a new sound, and more. Check out our conversation below.

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