This Chicago Artist's Photo Series of Haute Coiffure Is on View at Brooklyn's MoCADA

Shani Crowe's 'BRAIDS' is currently on display until July 10 at the MoCADA Museum.

If you find yourself in the NYC area, then there’s still time left to view Chicago-based artist Shani Crowe’s exquisite photo series BRAIDS currently on display at the Museum of Contemporary African Diasporic Art (MoCADA) Museum until July 10.

BRAIDS is a 10-piece collection of Crowe’s labyrinthine cornrows, drawing from different time periods, that she describes as, “an amalgamation of inspiration from ancient artifacts, traditional African braid styles, popular culture, and Afro-futurism, filtered through my perspective” in her artist statement on MoCADA's site. Adding, “each portrait can be appreciated at face value, but the imagery conjures a specific nostalgia for African American women who remember both having their hair braided and braiding someone else’s.”

Despite what white media publications would have you believe, Crowe’s style of intricate braiding isn’t called “box braids,” and it’s not a new trend started by Kim Kardashian. Cornrows’ long history originates on the continent, and it’s an art form that has been used to denote African identity and status from religion to kinship and ethnicity to age as well as communicate cultural values and social bonds between generations and among friends.

When Refinery 29 asked Crowe her opinion of the cultural appropriation term, “box braids,” she says, “I’ve learned that spending efforts to change someone’s opinion is often mute. The only person I control is me, and I choose to create and photograph beautiful braids to honor Black women and hopefully foster connectivity and Black unity.”

"Shakere" by Shani Crowe

Crowe, also a creator of ink illustrations, collages, plush items, and experimental videos, says she first learned how to braid as a child from her relatives, but as she tells Refinery 29, “when I was around 11, and my aunts couldn’t execute the designs I wanted, I began braiding [on] my own. I was a walking advertisement for myself, and ended up attracting clientele.”

Even Okayafrica favorite Erykah Badu has taken notice of what the Howard University alumna calls her "unapologetic assertion of my pride in my braid art, my culture, and my African ancestry." One of Crowe’s portraits from the exhibition has been featured on the concert promo poster for the Summer Spirit Festival in Washington, D.C., which Badu is headlining along with Jill Scott.

See, things work out when you sit your sensitive ass down lol. life is good, love is great! Thank you! ☺️

A photo posted by Shani Crowe (@crowezilla) on

Crowe’s haute coiffure can be viewed at MoCADA’s Window Gallery on South Portland Avenue in Brooklyn, NY. See her impeccable work below.

BRAIDS: Photography by Roy Rochlin, courtesy of MoCADA


"Fingerwaves Saint" by Shani Crowe

"Above All" by Shani Crowe

"The Breadth We All Share" by Shani Crowe

A photo posted by Shani Crowe (@crowezilla) on

Photo credit should read KELVIN IKPEA/AFP via Getty Images

The Netherlands Returns Nigeria's Centuries-Old Stolen Artefact

The Netherlands has returned to Nigeria a 600-year-old stolen artefact, the Ife Terracotta, which has been received by Nigeria's Minister of Information and Culture, Alhaji Lai Mohammed.

According to The Guardian Nigeria, the Netherlands has returned a 600-year-old artefact to Nigeria. This comes after the artefact was reportedly smuggled using fraudulent papers through Ghana to the Dutch country. Netherlands ambassador to Nigeria, Harry van Dijk, handed over the Ife Terracotta to Alhaji Lai Mohammed, Nigeria's Minister of Information and Culture. The repatriation of the small but "priceless" Ife Terracotta has been a long journey considering it was reportedly smuggled out of Nigeria in 2019.

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