Sites and Sounds From South Africa's Back To The City Festival

This year's Back to the City Festival—South Africa's biggest and best hip-hop throw-down was a riot of style and cutting edge performances. Here are the pictures.

South Africa’s biggest street culture and hip-hop festival, Back To The City, took place last Thursday—Freedom Day. Now in its 11th year, the festival boasts an attendance of approximately 25,000 hip-hop heads from across South Africa.

The biggest challenge for a fan during the event is catching acts from across all three stages – given performances on the festival are an average of 15 minutes. We stuck to the main stage, where most of our favorite acts were performing.

Back To The City focusses on all four elements of hip-hop – so, as usual, there were graffiti artists embellishing the concrete pillars of the bridge that runs about Mary Fitzgerald Square in Newtown, Johannesburg. There were break dancers, skateboarders, ‘ballers, and an array of deejays such as DJ Switch, DJ Papercutt, DJ Kenzhero, Themba Lunacy, DJ Sliqe and more.


The best thing about Back To The City is that it caters for all of rap music’s sub-genres. Most hip-hop events either focus on mainstream or “underground” rap—never both. It’s only at Back To The City where you will get to witness Tha Hymphatic Thabs and Emtee on one stage. It’s always interesting watching how the audience reacts to these different kinds of artists, and it says a lot about South African hip-hop fans’ tastes and knowledge of the genre.

American artists such as Apollo Brown & Skyzoo, Mazzi, Cappadonna (Wu Tang), added another flavor to the prevalently South African line-up. South African rap superstars such as Cassper Nyovest, Emtee, Stogie T, and more niche artists such as N’Veigh, Smerf Illest, Yugen Blakrok, Mr. Beef, Big Zulu, and Uno July, graced the main stage, and impressed. The more left-field artists such as ByLwansta and Revivolultion were on the Play Stage, where the MC and beat battles were taking place.

There was also, as usual, the Hip-Hop Summit before the performances, where hip-hop scholars and artists such as Skyzoo, Andile Mathobela (founder of, Keke Mokeona (artist manager), T-Lee Moiloa (artist manager) and more, shared what they know about the game to an audience of up-and-coming artists and media peeps.

Even though better than compared to previous years, time management at the festival was an issue–some performances were cut short, while some–most notably Kwesta and Kid X–didn’t happen at all.

The sound was crisp, and the atmosphere was robust, as usual, the place was teeming with cool kids dressed in the most colorful outfits and kicks, puffing marijuana and downing beers like there was no tomorrow.

Our favourite performances came from Tha Hymphatic Thabs, Zola, Stogie T, Priddy Ugly, Mr. Beef, Cassper Nyovest, Reason, Tweezy, Patty Monroe. Not to say everyone else didn’t rock–most of artists on the main stage were impressive.

As the platitude goes, hip-hop won.


A Candid Conversation With Olamide & Fireboy DML

We talk to the Nigerian stars about the hardest lessons they've learned, best advice they've ever been given and what Nigeria means to them.

Olamide and Fireboy DML have been working together for three years, but the first time they sit down to do an interview together is hours after they arrive in New York City on a promo tour.

It's Fireboy's first time in the Big Apple — and in the US — and the rain that's pouring outside his hotel doesn't hinder his gratitude. "It's such a relief to be here, it's long overdue," he tells OkayAfrica. "I was supposed to be here last year, but Covid stopped that. This is a time to reflect and refresh. It's a reset button for me."

Olamide looks on, smiling assuredly. Since signing Fireboy to his YBNL Nation label in 2018, he's watched the soulful young singer rise to become one of Nigeria's most talked-about artists — from his breakout single, "Jealous," to his debut album Laughter, Tears & Goosebumps, hit collabs with D.Smoke and Cuppy, and his sophomore release, Apollo, last year.

Even while he shares his own latest record, UY Scuti, with the world, Olamide nurtures Fireboy's career with as much care and attention as he does his own, oscillating between his two roles of artist and label exec seamlessly. His 2020 album Carpe Diem is the most streamed album ever by an African rap artist, according to Audiomack, hitting over 140 million streams. When Olamide signed a joint venture with US-based record label and distribution company, Empire, in February last year he did so through his label, bringing Fireboy and any other artist he decides to sign along for the ride, and establishing one of the most noteworthy deals on the continent.

Below, Olamide & Fireboy DML speak to OkayAfrica about their mutual admiration for each other, what makes them get up in the morning and how they switch off.

Keep reading... Show less

get okayafrica in your inbox


Adekunle Gold Is Living His Best Life

We speak to the Nigerian star about how marriage and fatherhood have led him to find both newfound happiness and newfound freedom as an artist.