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South Africa Set to Resume International Film Productions Amidst New COVID-19 Regulations

South Africa's international television and industry production houses have announced that they are to resume film and television productions following the government's new international COVID-19 travel regulations.

According to Variety, South Africa is set to resume international television and film productions across the country. This comes after the South African government implemented new COVID-19 travel regulations. International travellers entering South Africa will need to provide proof of negative results from COVID-19 tests. International film and television productions were brought to a halt earlier in the year as the country entered into a national lockdown which lasted several months. The new travel regulations have been welcomed by South African production houses who have been hard hit by the pandemic.

Read: South Africa's Film and Television Industry Resumes Amid COVID-19 Outbreak

According to the Centre for Disease Control, international cast and crew will have to test three days before departure and carry proof of the tests upon entering South Africa. Most international production houses are in Cape Town, in the Western Cape. Moonlight Films, which has serviced over 100 international productions, said that resumption off productions is an opportunity to test, refine and adapt COVID-19 protocols. The production house reportedly offers services to international clients such as Warner Bros and current Netflix favourite, The Crown. Moonlight Films opened up production in October and is reportedly set to start full production in Febraury of next year. Film Afrika, which has provided production services on projects including the Amazon Studios and ITV drama The Widow starring Kate Beckinsale, is reportedly also looking forward to "a very busy first half of 2021".

South African television and film industry has been in the news because of the economic blow caused by the COVID-19 pandemic. Government's lack of financial support for the entertainment industry was made apparent. Artists and industry members were understandably dissatisfied with government's COVID-19 relief fund dispensation. These new travel regulations are set to boost not only the film and television industry but also tourism. Domestic film and television productions commenced in May, roughly six weeks after South African President Cyril Ramaphosa enforced the initial lockdown.


6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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