Thandi Ntuli. Photo by Sabelo Mkhabela.

The Best South African Music of The Month

The SA songs you need to hear this month, featuring Thandi Ntuli, Batuk, The Muffinz, Sun-El Musician & More

Every month, we highlight the best tracks, videos, albums, EPs and mixtapes from South Africa through our Best South African Music column.

This month saw a torrent of releases from artists of all genres, and below we list what impressed our ears, in no particular order. We opted to make things easier for you and split our picks into two sections: Tracks & Videos and Albums & EPs.

Read ahead for the Best SA Music of the Month.

Tracks and Videos

Stilo Magolide "A Minute" (ft. Jay Claude)

Stilo Magolide's latest single, "A Minute," from his 2017 album is a fitting release for the month of love. It references old-school R&B through a hook sung by Jay Claude over mellow keys, and lovey-dovey rhymes by Stilo.

Blaklez ft. Cassper Nyovest "Saka Nyuka"

Blaklez and Cassper Nyovest do this new age kwaito thing so well, you wonder why they won't just record a collaborative album already. "Saka Nyuka" is perfect in all ways imaginable. It just deserved a better video.

The Muffinz "Where You Are"

After shedding their bassist Karabo Moeketsi in 2017, The Muffinz' music has taken a more electronic route than their previous offerings. The soul is not lost, though. "Where You Are" is built around a funky guitar melody, which is completed by vocals that vary in texture.

Batuk "Move!"

"Move!" is an oxymoron in that it's nostalgic and futuristic at the same time—it's EDM, kwaito and pop all in one. Nothing unexpected with Spoek Mathambo on the boards. The band's lead vocalist Manteiga dominates the song with her personality on her two verses and the hook, while Spoek appears on one verse with his swaggering delivery.

Big Star "Time Of My Life"

Raising a middle finger to the rules and what's popular, Big Star proves he's more than a rapper. The celebratory "Time of my Life" boasts trumpet squelches, ambient keys and bass lines, with 808s to give it the 2018 feel. This is Big Star, and South African mainstream hip-hop, like you've never heard before.

Nakhane "Presbyteria"

Nakhane is a god—his layered vocals on the first single to his upcoming album are smooth yet candid. And they are accompanied by eerie piano keys and a thumping kick.

Kid Tini "Movie"

By now you should know that Kid Tini's throwing jabs at A-Reece on his latest single. This is Kid Tini at his cockiest and that makes for great egocentric raps, which we are here for. Tini is a seasoned lyricist at just 20.

Deslynn Malotana "Black Love" (ft. Andy Mkosi)

"Black Love" is oozing with soul and lyrics rooted in self-love. A smooth verse from the rapper Andy Mkosi completes what the singer set out to accomplish.

Priddy Ugly "02Hero" (ft. Shane Eagle)

Priddy Ugly released the Shane Eagle-assisted "02Hero," the strongest song from his debut album E.G.Y.P.T, as a single. The song's accompanied by an impressive music video, which is as fancy as the two rapper's verses and the bass-heavy instrumental they flex over.

Sun-El Musician "Bamthathile" (ft. Mlindo)

After the smashing success of his 2017 single with Samthing Soweto, "Akanamali," Sun-El Musician returns with another potential hit. The recipe is the same—sing blues about the downs of love over electronic production with touches of soul and a distinct South African sound. This will blow up. Just watch.

Saudi "Make You Proud"

From his stellar debut album, D.R.U.G.S Inc, Saudi drops "Make You Proud" as a single with a fitting video. "Make You Proud" is relatable because who doesn't want to make their parent(s) proud?

Da L.E.S "Train Rides"

"Train Rides" is clearly not about train rides—the rapper, for the single's video, is on a private jet eating Chicken Licken and drinking bottles you and I can't afford; like, fam, it doesn't get any triller. North God is indeed a god.

Stogie T "Honey and Pain"

Stogie T's video for his latest single "Honey and Pain" is a showcase of the man's globetrotting tendencies. He raps about the dichotomies of poverty and wealth over a Miriam Makeba sample.

B3nchMarQ "Wifey"

"Wifey" is B3nchMarQ as we've grown to know them—a combination of melodies and raps over eardrum-wracking trap beats, and it sounds like money.

Riky Rick "Pick You Up" (ft. A-Reece)

The latest single from Stay Shining, Riky Rick's 2017 EP, features a show-stealing verse from A-Reece and authoritative presence from King Kotini.

Nelz "Backseat Loving"

Nelz' "Backseat Loving" is steamy both lyrically ("Started with a handshake, now you making my knees shake") and sonically—nothing says 'sexy' more than those airy pads and that thick bass line that pretty much carries the song.

Albums and EPs

Zaki Ibrahim The Secret Life of Planets

Zaki Ibrahim just released her first album since 2012's Every Opposite. The Secret Life of Planets has a vintage soul and R&B feel to it, with sprinkles of both nostalgia and future by way of synthesizers and 808s. The singer tells stories of love and being, using a lot of scientific references.

Professor Composed By Jesus

Durban kwaito star Professor sticks to his guns on his third album, Composed By Jesus. There's nothing innovative or new here—the party is still going on the way it does in Durban. Expect synth-based kwaito dance floor packers with lean bass lines and high-tempo drums. The lyrics are tongue-in-cheek and designed to be memorized on first listen as per Durban kwaito fashion.

Thandi Ntuli Exiled

Jazz musician Thandi Ntuli's sophomore album is a collection of impressive compositions by the artist and her collaborators. Unlike on her debut album The Offering (2014), Ntuli sings more on Exiled. She even renders some spoken word. And that Lebo Mashile appearance is monumental.

Mabuta Welcome To This World

This is one of the most dynamic jazz albums you'll hear in a very long time. Horns are dominant here, but to elude monotony, the rhythms and textures are varied. There's a lot of layers embedded in the albums' eight tracks to chew on.

Radio 123 Manga Manga

The Joburg-based duo call their genre Mandela Pop, because, according to them, it's a sound that reflects the rainbow spectrum that South Africa has become. On Manga Manga, they blend pop, jazz, funk, rock and even hip-hop. If you are educated enough to understand IsiZulu and kasi slang, you'll sure get a full experience of what Radio 123 are about—celebrating who they are without defining it or caring if you understand it.

Espacio Dios Percussive Planet

Percussive Planet is Espacio Dios' most focused project to date, and a culmination of the artist's genre bending attempts. The project boasts drums and percussion that support thumping electronic bass lines and synths, pads and marimbas.

Cara Frew Flame

A majority of the lyrics on Cara Frew's album, Flame, explore the dynamics of love. This she does over a pop and EDM soundscape that's characterized by breezy pads and crude synths, which makes this a great project for a night out, a road trip and the club.

Zingah For The Level

Zingah, formerly Smashis, is one of those few artists who managed to make a worthy comeback after a hiatus. He sounds up-to-date without being a caricature of what's currently popular. On For The Level, his first project since his transition, he brags ("I can hit up Maphorisa to send it to Diplo for a remix, now that's a plug") and sends subliminals ("All I hear is rich n*ggas making poor music") like it's not a thing. He has seriously solid features too—A-Reece and KLY shine! And the beats knock really hard.

Moonga K Wild Solace

According to Moonga K, we are all just walking emojis. Wild Solace is just another instance of modern music that can't be boxed into one genre. You hear more than two genres in one song even. If you are looking for honest lyrics and a dynamic vocal spectrum, Wild Solace is for you.

Asa's 'Lucid" album cover

Asa Releases Her Highly-Anticipated New Album, 'Lucid'

Listen to the celebrated Nigerian singer's first album in five years.

After a five year hiatus Asa, one of Nigeria's most celebrated artists, has released her fourth studio album Lucid.

The 14-track album, includes the previously released singles "Good Thing" and "The Beginning" which the singer dropped earlier this year to positive reviews.

The singer and songwriter took to social media to thank fans for their ongoing support over the weekend, writing "I have looked forward to sharing this with you for sometime now but I wanted it to be special, that much I owe you. For being with me from the beginning, thank you from my soul. I hope this makes you happy, brings you joy and somehow, you can find yourself in these songs."

She also shared a live studio performance of the album's first track "Murder in the USA,' check It out below.

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Photo by Hamish Brown

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In 'My Name Is Why,' the 2019 PEN Pinter award winner passionately advocates for children in the institutional care system, and in turn tells a unique story of identity and the power in discovering one's heritage.

It took the author Lemn Sissay almost two decades to learn his real name. As an Ethiopian child growing up in England's care system, his cultural identity was systematically stripped from him at an early age. "For the first 18 years of my life I thought that my name was Norman," Sissay tells OkayAfrica. "I didn't meet a person of color until I was 10 years of age. I didn't know a person of color until I was 16. I didn't know I was Ethiopian until I was 16 years of age. They stole the memory of me from me. That is a land grab, you know? That is post-colonial, hallucinatory madness."

Sissay was not alone in this experience. As he notes in his powerful new memoir My Name Is Why, during the 1960s, tens of thousands of children in the UK were taken from their parents under dubious circumstances and put up for adoption. Sometimes, these placements were a matter of need, but other times, as was the case with Sissay, it was a result of the system preying on vulnerable parents. His case records, which he obtained in 2015 after a hardfought 30 year campaign, show that his mother was a victim of child "harvesting," in which young, single women were often forced into giving their children up for adoption before being sent back to their native countries. She tried to regain custody of young Sissay, but was unsuccessful.

Whether they end up in the foster system out of need or by mistake, Sissay says that most institutionalized children face the same fate of abuse under an inadequate and mismanaged system that fails to recognize their full humanity. For black children who are sent to white homes, it often means detachment from a culturally-sensitive environment. "There are too many brilliant people that I know who have been adopted by white parents for me to say that it just doesn't work," says Sissay. "But the problem is the amount of children that it doesn't work for."

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Cameroonian-born singer-songwriter Laetitia Tamko, better known as her stage name Vagabon, has been spoiling us with delights as of late. First, the crooner teased us with two singles, "Flood" and "Water Me Down" from her forthcoming sophomore album, Vagabon, a work she wrote and produced herself. And today, she surprised us with a new single and video for "Every Woman"—a track Tamko claims is the "thesis of the album," as per a press statement reported by The Fader magazine

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