25 South African Rappers Under 25 Killing the Game

Meet the next generation of South African hip-hop.

For the 25th day of Youth Month, we present you with the 25 South African rappers under 25 killing the game right now.

And while many of SA's biggest stars—from Cassper Nyovest and Gigi Lamayne to Fifi Cooper, Stilo Magolide, Emtee, Anatii and Duncan are all 25 or under—you already knew that. This list is something different. From Cape Town's"boom bap" emcees, Joburg's trappers, to Durban's innovators and the rest, these are the best of South Africa’s next generation of hip-hop.

Nasty C

Photo: Sabelo Mkhabela

Age: 20

Nasty C’s verse on the remix for his “Juice Back” single was one of the best of 2015. The only thing the Durbanite doesn’t have is an album. He has the big singles (“Hell Naw,” “Juice Back”) and he's collaborated with stars (Tumi, Cassper Nyovest, Davido, DJ Speedsta, Emtee, Anatii). Nasty’s one of the most impressive lyricists of our time. He doesn’t just have a high-precision delivery, he has impressive lines and can tell a story. He displayed all those dynamics on his Price City mixtape. With co-signs from the likes of DJ Fresh, and a rumoured deal with Jay Z’s Roc Nation, a Best Freshman South African Hip Hop Awards (2015) nod under his belt, all eyes are on the Durban rapper whose rise has been nothing short of amazing.


Courtesy of Ambitiouz Ent

Age: 19

A-Reece’s “Couldn’t” single, featuring his Ambitiouz Ent label-mate and hook machine Emtee, is buzzing. But the 19-year-old from Pretoria has been dope for a minute. His 2014 “Stan”-style track “Cassper Picture” to Cassper Nyovest revealed an honest young rapper with skills rappers ten years his senior only dream of. The Browniez EP released in the same year, under the producer PH’s Raw X label, saw the rapper maintaining his skill––fluid flows, audible enunciation, blending vernac and English the way Khuli Chana does––over blunt boom bap kicks and subtle horns. In pure backpack rapper fashion, he made some references to the likes of Nas and Rakim. According to A-Reece, all he did was email his music to Ambitiouz Ent, they called him in, gave him the beat to “Couldn’t,” and the rest is history. Even though his latest material leans more towards trap than boom bap, lyrically, the rapper still carries those backpack sensibilities––his rhymes are fraught with battle-ready punchlines, metaphors and similes.

Patty Monroe

Photo: Sabelo Mkhabela

Age: 21

Patty Monroe was introduced to South African hip-hop fans through “High Fashion,” a single that blends house and rap so well you ask yourself why there isn’t a house-hop subgenre. The single was produced by house maestro Culoe De Song. The track led to house singer Busiswa giving Patty a slot during her Wits Freshers performance this year. The rapper went on to release “Talk” in 2015, produced by Durban producer Sketchy Bongo, who is also the man behind the smash-hit “Back To The Beach” by Shekinah. The Cape Town rapper has shared the stage with the likes of Rick Ross, AKA, Busiswa, K.O. and more, and has performed at Back To The City in 2015 and 2016. She’s on the right path to be one of the few Cape Town hip-hop artists to make it big nationally. Apart from raps, Patty Monroe has charisma, a great stage presence and a striking image that sets her apart from the rest.


Photo: Sabelo Mkhabela

Age: 24

In the past year or so, Youngsta, the rapper who reps Cape Town like no other, fell into many heads’ radar. From DJ Switch’s “Way It Go,” Revivolution’s “DTK,” to Priddy Ugly’s “Come To My Kasi,” his guest verses have been show-stealers. His journey begins a few years back, however. Between dropping more than 20 mixtapes in a period of one year from 2010 to 2011, an album with respected producer Arsenic in 2013, opening for Lil Wayne in 2011 and performing at the Cape Town International Jazz Festival in 2014 and Rocking The Daisies in 2012, Youngsta’s been busy. This year, he gave one of the most outstanding performances at Back To The City. His stage game has always been on point: lively antics, a vicious delivery and always a freestyle––a real freestyle, not an unreleased verse. He’ll tell the crowd to lift objects up, and he’ll kick rhymes about those. South African hip-hop needs this guy.


Photo: Sabelo Mkhabela

Age: 23

Ever since his rendition of AKA’s “Jealousy” hit, FonZo has been one of SA’s most promising hip-hop acts. His discography of mixtapes and EPs beats that of many. The man’s skills on the mic are unquestionable. He shows no remorse when featured (peep E-Jay’s “Hosh” remix). FonZo is an outstanding writer––he tells his story with a wide vocabulary and razor-sharp delivery. His diverse beat selection and versatile flows have seen him rhyme over trap, boom bap and everything in between, and coming victorious. A year ago, he quit his science degree at the University of the Western Cape to study sound engineering at SAE. There, he met up with like-minded musicians and they formed the label/ band AKMG. Their first EP, Vol1: Return of the Boss Don, recorded with all live instrumentation, remains one of South African hip-hop’s hidden treasures.


Courtesy of Ambitiouz Ent

Age: 21

Ambitiouz Ent––the indie label home to Emtee, Fifi Cooper and A-Reece––recently signed another young artist by the name of Saudi. The Soweto-born rapper delivers auto-tuned sing-songy flows over trap beats on his first Ambitiouz Ent single, “There She Go,” which features A-Reece, as well as the Ambitiouz posse cut “Ameni.” While two tracks might not be enough to judge an artist’s longevity, Ambitiouz Ent’s track record (in the form of Emtee and Fifi Cooper) should be enough to convince that Saudi will be making some noise, and might just hijack the industry. Get familiar, if you aren’t already.


Photo: Sabelo Mkhabela

Age: 20

ByLwansta’s frustrated. Take a listen to his single “The Sigh,” and hear how unsatisfied he is with where his career currently is. But for a 20-year-old, the Eastern Cape-born (by way of Kokstad) Durban-based rapper is doing great. His 2012 mixtape NORMVL contested against tapes by DJ Switch, E-Jay, Fratpack and Gigi Lamayne for Mixtape Of The Year at the 2014 South African Hip-Hop Awards. It was a solid offering––and included the ominous video single “Lindiwe.”

ByLwansta’s running his own lane––his music and videos aren’t tailored for mainstream radio and television. His heartfelt rhymes are delivered with an Eminem-esque conviction and emotion. He has appeared on the South African Hip Hop Awards’ BET Hip Hop Awards-style cipher The Corner, performed at Back To The City, Hype Magazine’s Leader of The New Skool, among others. His song “The Year”––a reflective piece on 2014, a year his career saw a lot of highs––was produced by one of the most sought-after producers, Tweezy. It’s only a matter of time until ByLwansta is up there with the best of them.

Andy Mkosi

Photo: Sabelo Mkhabela

Age: 25

Cape Town’s Andy Mkosi is a silent killer. She’s performed in major Cape Town hip-hop festivals and events like African Hip Hop Indaba, Cape Town’s Most Wanted, Mayibuye Hip Hop Festival, The Ready D Show Live and more. Andy cut her teeth in ciphers and park jams around Cape Town, and has maintained a boom bap style that’s set her apart. Her 2015 EP, iPressure, was a catchment of all the pressures she was dealing with, from sexuality, to money, the rap game and race. Andy’s poetic and simple flow ensures you hear every word she spits. And she’s got a fitting beat-selection from musical water-benders like Mokhele Ntho, Arsenic, FiveSix, among others. Outside of rapping, Andy documents the Cape Town hip-hop scene through her photography and as a radio show host. She’s also part of the monthly events series Jam That Session. Andy doesn’t sleep.


Photo: Tseliso Monaheng

Age: 24

Tweezy’s claim to fame was the production he lent to AKA’s 2014 album, Levels. AKA’s hit singles “Run Jozi,” “Sim Dope,” “All Eyez On Me,” “The Baddest,” were all Tweezy productions. Prior to being known as the producer behind Super Mega’s mega hits, Tweezy was a rapper/producer alongside E-Jay as part of the Ghetto Prophecy crew. He launched his first solo track since being on the limelight this year, and the future seems bright for him as a solo rapper. And let’s not get started on his hook-writing skills––he did the hook on L-Tido’s “Dlala Kayona,” Kwesta’s “Day Ones” and Benchmarq’s “Get Lit.” Tweezy has nothing to prove behind the boards––he has platinum-selling album (Levels) and gold-selling singles bearing his credits. But as a rapper, he still has a lot of convincing to do. With the clout he has, though, it shouldn’t be that difficult. Only time will tell. Keep a watchful eye.


Photo: Sabelo Mkhabela

Age: 24

Yoma’s from George, a small town in the Western Cape. She’s currently signed to Katalis––the same label as one of the most visible Afrikaans rappers, HemelBessem. Earlier this year, Yoma performed at Afrikaanse Kultuurfees Amsterdam, a music, film, literature and dance festival in the Dutch capital. Yoma has a fluid flow, simple yet clever wordplay, and her content is uplifting. Yoma is steadily coming up, and has great potential. A few years from now she’ll be one of the key players in the Afrikaans hip-hop scene. Check out her display of skill and charisma in her single, “Sin.”

Sipho The Gift

Photo: Simnikiwe Buhlungu

Age: 23

Sipho The Gift came from nowhere and dropped a few freestyles. After introducing himself through “Somewhere,” in which he was rapping in English, his banging single, "Phanda More," proved he could go street, and spit some vicious Xhosa rhymes. His 2015 debut album, Coming Of Age, showed that the rapper can do this whole being dope thing over and over again, and that he could hold his own behind the boards, as he produced most of the album. The album had appearances from Congolese rappers (and cousins) Alec Lomami and Well$. Sipho The Gift is one of the best examples of an internet hustle that goes beyond spamming your Facebook friends with Datafilehost links.


Courtesy of Rouge

Age: 23

Hailing from Pretoria, Rouge has Congolese roots. She's one of the fastest-rising rappers in South Africa, having managed to build a buzz off a few singles. She’s collaborated with Reason, BigStar Johnson, Moozlie, among others. She’s rapped over beats by some of the most respected producers in South Africa––Tweezy, Ganja Beatz and more. Last year, she was handpicked by AKA to be among the top women in South African rap on his “Baddest” remix. Rouge is one lyricist to watch––she can rap spheres around your favorite. Very impressive for a person who only started rapping five years ago. The rapper isn’t planning to drop an EP or mixtape, but a full album. Hopefully in the near future.

Darne Maćino

Photo: Alain Kassa. Courtesy of Darne Maćino

Age: 20

AKA has a campaign called #ComeUpKingdom where he asks up-and-coming artists to tweet links to their SoundCloud pages, and he gives his feedback. After listening to Darne’s music, AKA tweeted: “I look forward to hearing more from you bro… Best ‘all round’ artist I’ve listened to today on #ComeUpKingdom,” in March. The AKA co-sign has done a lot for the Carletonville-born rapper. A swipe through his SoundCloud page will turn to a listening session––his music will grab your attention, like it has to Cassper Nyovest and publications like The Sowetan and Hype magazine. Darne’s music will resonate with ambitious kids who want to live the high life of VIPs and fat bank accounts––as demonstrated on his “Alcoholix” single. He raps with conviction over warm thumping 808-based beats, and croons on most of his hooks. According to his Facebook page, his album is due for release sometime this year.

BigStar Johnson

Age: 25

BigStar Johnson impressed the public and a panel of judges, including AKA, Tumi Molekane and Khuli Chana, when he won the TV competition The Hustle last year. He was the most well-rounded of the contestants––he’s a great storyteller, freestylist, can perform, and can sing his own hooks. The win came with a signing with Vth Season––a label affiliated with AKA and Da L.E.S. BigStar Johnson hasn’t slowed down. His latest single, “My Year,” a blithe breezy summer anthem that unfortunately came in winter, features popular Durban rapper Aewon Wolf. BigStar’s sing-songy flows have blessed songs by the likes of Rouge, Priddy Ugly and a few more. It’ll be interesting to see what this versatile artist will do in the near future.

Kid Tini

Courtesy of Kid Tini

Age: 18

Probably the youngest doing it, Kid Tini, who’s from Butterworth in the Eastern Cape, came out of nowhere and released a coherent mixtape called Coming Of Age. On the tape, the young rapper spits with a consistent solid delivery––he doesn’t fumble once. He doesn’t swallow his words or sound uncomfortable. Kid Tini is signed to TinismDotC0m, the indie label previous home to well-known artists such as Flex Boogie and Ginger Trill. A Tumi co-sign doesn’t come easy, and Kid Tini got it for Coming Of Age. His single, “Shayiwei,” is slowly penetrating the airwaves. Keep a watchful eye.

Miss Celaneous

Photo: Andiswa Mkosi

Age: 25

Miss Celaneous’ latest single, “State Of Mind,” leans towards EDM and pop, but there’s more to Miss Celaneous than that. The Cape Town rapper has been on a grind, churning out unapologetically trap bangers like “Trap’Em,” “#1,” “All I Do” and more. Miss Celaneous raps the way she speaks––with a mix of English and Cape Coloured slang. Apart from being an adept rapper, she has charisma, and a fashion sense you and I only can dream of. She’s behind the up-and-coming clothing label Tsak Appeal and hosts a hip-hop events series, #WeLoveHipHop, alongside Goodhope FM radio host Celeste Mitchell. Miss Celanous has been consistent, collaborating with Youngsta, Patty Monroe, Kita Keez, G-Baby Da Silva and more. She also made a cameo on Cassper Nyovest and Riky Rick’s “Mpitse” video. Don’t sleep.

Priddy Ugly

Photo: Sabelo Mkhabela

Age: 25

Priddy Ugly’s brilliant video for his equally brilliant “Bula Boot” single set him apart from SA hip-hop’s customary rapping in front of a car or house with a swimming pool surrounded by half naked models video. His EP, You Don’t Know Me Yet, should make a list of the most slept on South African hip-hop releases of 2016. The man raps effortlessly in both English and vernacular, with light auto-tune on his vocals, making his voice blend with the spacious cloud trap provided by his producer, Whichi 1080. His live performance game is strong too––he’s light on his feet, and exudes a natural confidence that puts him in a league of his own. Priddy Ugly has performed at Back To The City, collaborated with HHP, Youngsta, Refi Sings, Ginger Trill and more. Definitely one of the most exciting acts currently out.


Courtesy of J-oNE

Age: 23

J-oNE is an outstanding producer, with credits on projects by some of Cape Town’s finest––Camo, Ill Skillz, Indo and Innuendos, among others. His jazzy keys and pads, coupled with some 808s and ambient basslines, formed the basis for Ill Skillz’s Notes From The Native Yards album, for which he was the main producer. It was on the same album that he dropped a few impressive verses. He is part of the Indo & Innuendos duo alongside another skilled emcee, M’Tunez-i. J-oNE, who grew up between Bethlehem (Free State province) and Lesotho, is currently based in Cape Town, where he’s studying sound at SAE. Through the work he’s done with Indo & Innuendos, and a few solo joints, he’s soon to join the list of ambidextrous artists who rap and produce, and are great at both.

Robin Thirdfloor

Courtesy of Post Post

Age: 23

Robin Thirdfloor is broke. His chain is fake. Well, at least that’s what he told the world on his 2015 mixtape, Sounds Empty Pockets Make. The Durban rapper’s currently signed to the indie label Post Post alongside Moonchild, Elo and Fortune Shumba. He performed at this year’s Back To The City, and is currently working on a mixtape he can’t seem to stop talking about. Robin Thirdfloor sings most of his hooks, and raps mostly about the struggles of growing up, as illustrated on his singles “Rolling Stone” and “Fly Away,” both of which got him airplay on stations like Ukhozi FM and Gagasi FM.

Shane Eagle

Courtesy of Shane Eagle

Age: 20

Shane Eagle has bars. For days. Check him out dropping some alongside ProVerb, Reason and Kwesta on DJ Switch’s latest single, “Now Or Never.” Or on Priddy Ugly’s “Pray.” His collaboration with BigStar Johnson, “Way Up,” is also a banger of note. The Joburg-based rapper made the top 10 of The Hustle, Vuzu TV’s hip-hop contest. He didn’t win, but just after the show he was snatched by JR’s FeelGoodMusic label. Shane Eagle’s proven his rapping skills over and over again. He promises to be here for a long time, and it will be exciting to see what he'll become in the near future.


Photo: Andiswa Mkosi

Age: 23

BlaQ-Slim is not a rapper’s rapper. His fanbase is mostly cool kids who party it up on Long Street on a Friday and grab a bite at Neighbourhood. Last year, he was a permanent fixture on the lineup for the Ikasi Experience series, where the crowd would lose their composure when he performed his hit, “Hai Sho Bhowzey.” To prove he wasn’t a one-hit wonder, he dropped “Man Of The Year” featuring the rapper BoolZ. The song’s video was played on Channel O. BlaQ-Slim is one of the many young’ns who are changing Cape Town hip-hop, with a new sound and kasi slang. The rapper has opened for big names such as K.O., Cassper Nyovest and AKA, and performed at the iPotsoyi Spring Festival, among other major events.


Courtesy of Clara-T

Age: 22

Clara-T is a rappity rap rapper from Durban. She raps mostly over boom bap production, but throw a trap banger her way, she will tear it apart. In 2014, she was crowned Best Lyricist at Durban’s Original Material Awards. The rapper has also appeared on The Corner Cypher at the South African Hip Hop Awards. Cee The Clara-T, her debut EP, was released in 2013. She's on the verge of releasing her long-promised follow-up, a mixtape titled Late Blooming. She recently released the tracklist, which includes features with notable names in Durban hip-hop like Nasty C, Sky Wonder, Project Kay, among others. From the singles she’s been dropping, one of them being the breezy “City,” it’s safe to have our expectations high.

Devour Ke Lenyora

Courtesy of Devour Ke Lenyora

Age: 24

Devour’s been at it for a minute. She released her debut mixtape, Preludes, in 2011. She dropped a stellar verse on the remix for Joburg rapper Kay-E’s popular song “Bona Re Etsang” in the same year. In 2013, she performed at Back To The City and appeared on The Corner Cypher at the SAHHAs. She featured on Kenyan rapper Xtatic’s 2015 mixtape, Let Me Explain. We’re hoping the reason Devour has been quiet recently is because she’s putting final touches to Vinegar Lakes, a project she promised a few years ago. The scene can do with more of that confidence and that laidback delivery. Devour feels herself and convinces you to do the same when she raps.


Courtesy of PinCode

Age: 21

In 2012, PinCode was crowned the Cape Town King of Street Rap by one of the biggest street hip-hop movements, Slaghuis, which was responsible for putting street-centric emcees like Pro, F-Eezy, Siya Shezi on the map. PinCode went against the best street rhymers of the Mother City, and was the last man standing. He was 17 at the time. He had already garnered a buzz in the spaza scene, with street hits like “Unlocker,” which sent heads in a frenzy in park jams and sessions. PinCode’s style is flow-based, he’s facile-tongued, and tells a story without beating about the bush. His 2014 mixtape, Unlocker, saw him prove he wasn’t just a one-hit wonder––he demonstrated all his emcee dynamics, and delved into various topics. Given a potent PR team and the right guidance, PinCode could be rubbing shoulders with the likes of Nasty C and A-Reece.

Espacio Dios

Courtesy of Espacio Dios

Age: 17

Espacio Dios is mysterious. So is his music. This 17-year-old from the Northwest province raps and croons over spacey pads and filtered drums–his music drips of emotion–think along the lines of Drake and pre-popstar The Weeknd. Reverbs and echoes on his vocals add to the heavenly feel of his music–he is a craftsman who understand his abilities and sound well. Espacio is relatively new, but he's raking SoundCloud plays by the dozens. His latest EP, Backseat Galaxy, is tied by a monolithic production style, and personal stories in the lyrics.

Sabelo Mkhabela is a writer from Swaziland, currently based in Cape Town. He also drops award-winning tweets as @SabzaMK.


This Is What Rotimi's 'Walk With Me' EP Listening Party Looked Like

The Nigerian singer held an intimate listening party on the eve of the release of his new EP, 'Walk With Me,' at Brooklyn's Okay Space.

Walk With Me, Rotimi's new and highly anticipated EP, dropped Friday—giving us a seven-track peek into who the singer and actor truly is sonically.

The night before, the Nigerian-American crooner gathered over 100 tastemakers and day-one supporters to Brooklyn's Okay Space—the shared gallery space between Okayplayer and OkayAfrica—for an intimate listening party celebrating the release, as well as his music video for "Love Riddim" which also dropped this week.

The night was simply a vibe—folks enjoyed libations and bites from The Suya Guy, with sounds by DJ Tunez. Rotimi opened the gathering up with a thoughtful prayer, with the music video reveal to follow. The singer then walked the audience through each track from Walk With Me, opening up about the creative process of how each track came to life.

Following, Rotimi engaged in an even more in-depth Q+A session with OkayAfrica's arts and culture editor, Antoinette Isama, where he touched on his experience touring with Wizkid back in 2011, his thoughts on the continued rise in popularity afrobeats is having in mainstream music, his hopes for the future and more. Tunez then ran the EP back when the party ensued, as the project is full of tracks that are worthy of being on repeat.

Listen to Walk With Me below, and be sure to take a look at photos from the listening party by Nerdscarf Photography.

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CANNES, FRANCE - MAY 16: Director Ladj Ly and Almamy Kanoute attend the photocall for "Les Miserables" during the 72nd annual Cannes Film Festival on May 16, 2019 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

How To Survive Cannes Film Festival As a Black Filmmaker

A film festival is intense by nature, but Cannes is a whirlwind.

Cannes Film Festival is one of the world's most prestigious gatherings bringing celebrities, filmmakers and actors claiming to celebrate the world's best film. Although the festival is way behind Sundance or the London Film Festival regarding diversity efforts, it remains the place to be if you're a filmmaker—especially a Black one.

I, myself, am a Black French filmmaker who was invited to Cannes as part of their scheme for young film lovers—3 Days in Cannes—open to anyone between the ages of 18 and 28. The scheme, which launched in 2018, requires young hopefuls to write a cover letter showing their passion for film. It ultimately gives young people the opportunity to discover the international selection of films showed at Cannes.

READ: Black Women Are the Future of French Cinema—When Will Cannes Catch Up?

Being in Cannes for the first time was a wonderful experience, but it can be tough to navigate as a Black filmmaker if you're not prepared for it. So, here are top tips.

1) Don't be a person of color—especially if you're Black (Just kidding. But still.)

Cannes is a beautiful, posh city in the south of France. It is part of the Provence Alpes Côte d'Azur, an administrative region where the far right party Rassemblement National (formally known as the National Front) hits record-breaking highs. Despite the fact that the festival is incredibly international, at times it can feel pretty racist, like a sunny, idyllic version of 1960s Alabama, where a party of more than one Black person gets routinely rejected from some clubs/bars/restaurants. On top of that, the staff and some of the security working at the festival can be incredibly aggressive and rude to you and in French. If you don't understand it, it's even more confusing.

To avoid it, try to stick to the official Cannes parties, or hang out in international hotels like the Miramar or the Radisson Blu Hotel—which are used to an international crowd. You can also stick to parties at the various country pavilions near the Film Market.

2) Stick to the African Pavilion

At the festival, most countries have their own pavilion. But because the festival believes Africa is a country, all 54 countries are gathered in one pavilion. This pavilion also includes the Caribbean, since Jamaica, as life would have it, is also an African country. In the African Pavilion, there was even talk on how to submit films if you're a filmmaker of Indian descent (despite the fact that India had its own pavilion).

You're not African? That's okay, no one cares. Pan-Africanism is still alive, I guess? Thankfully, out of the many pavilions, I did find the African Pavilion was the best one the most welcoming and whose schedule was the most open and clear. Because Cannes is such an exclusive festival, most of the parties and talks won't be communicated outside of those who are supposed to attend.

The African Pavilion, however, requires you to sign up to their newsletter. You then access their app where you can see the schedule, the talks to attend and the party they planned. The only downside is that they were understaffed, so some talks and events were cancelled last minute and with limited communication.

If you're a Black French filmmaker, speaking English is a must to get the most out of the pavilion. If you're an English-speaking filmmaker, try to make friends or meet people who speak French, as some of the talks/discussions might not have professional interpreters.

Also, go to the events organized by diversity in Cannes. Now, if you're a Black filmmaker who would rather not stay in the community for fear of being pigeonholed? Unless you're part of a talent scheme run by the festival...good luck getting others to support you.

3) Be ready to WAIT to see films and to party

On average, I waited 1 hour 40 minutes for each film I wanted to see in the official selection program. And I purposely chose not to see the famous ones like the Pedro Almodóvar or Quintin Tarantino's films. I also waited almost two hours to see a film from the Un certain regard selection and didn't get in—despite my pass. Now, Un certain regard has the most highly sought after films, even more so than the Competition, because they tend to select the best among indie international films. To get in for sure, you need a "Un certain regard" pass, so they need to invite you themselves. Even if you have a ticket at the counter, you might not get in unless you wait two hours (standing) or choose to attend the early screening or the late ones (and still, you should be ready to wait 1 hour for these).

You need a pass AND a ticket to see the films from the official selection and walk the red carpet up to the Grand Théatre Debussy. For the ACID, Director's fortnight, Semaine de la critique, and the Official selection's films not shown on the red carpet, you just need a pass—and to be ready to queue for at least 45 minutes.

I wouldn't recommend getting the Cannes cinephile pass as it has a low priority. I saw people waiting 2 hours to see a film and not getting in, while people with professional Black passes arriving 10 minutes before the screening walking past them. Because the Cannes festival is for professionals, they have, unfortunately, priority over members of the public.

Now, with the parties at Cannes, word on the street is that they are not as legendary as they used to be. Even if you get invited to one, you still need to wait an hour. It's not because they are over capacity, but rather they feel the need to pretend that they are. Unless you're a VVIP. And if you're one, why are you reading my article?

Anyway, despite not being as glamorous as they used to be, they remain so exclusive that if your name is not on the list, you might need to sell your first born to attend.

Thankfully, you can avoid it by being smart. When I arrived in Cannes, I was dead set on going to parties to network. Since almost all of them are invite only, I went to the parties at the pavilions, like the UK one, the American one (which costs 20 euros because Americans are always about their money) and the African Pavilion—that were kind enough to facilitate networking by introducing me to fellow filmmakers. God knows how talking to strangers and building new relationships can be difficult, and they made it easier.

4) Make friends with distributors or people working for the Mayor's office

The whole point of the festival is to sell films. Tickets are sparse for most people, so some badge holders wear their Sunday Best and stand outside the grand theater, holding signs asking for tickets. It makes sense that distributors are incredibly powerful, since they have the power to buy and sell films internationally. They are given way too many tickets that should be given to people waiting for hours outside.

So, if you make friends with distributors, they will always have a handful of spare tickets, even for the big ones that everyone wants to see. They also have tickets for the big parties as well. Press badge holders also have priority since they are responsible for a film good or bad media coverage. So they have a handful of tickets too.

People working for the Mayor's office also have tickets because they work closely together since the festival brings so much revenue to the city. Make friends with them, as well as film students and you'll get tickets. Don't know where to find them? Social media is your friend.

There is also another way to get tickets to films: the staff. For example, I couldn't get tickets to see Mati Diop's Atlantiques. I walked to the ticket counter and saw a Black woman with a great hairstyle. My instinct KNEW I had to tag along. I asked her if she needed help. She was looking for the same tickets. We asked someone at the ticket office if they could help. They said they had nothing. But one of the staff members saw us and said she could try to help us. She came back with two tickets and that's how I got to see the film. I got lucky and was cunning. So be nice with the staff, they can help.

5) Be ready for anything

A film festival is intense by nature, but Cannes is a whirlwind. Since you're spending so much time waiting and walking from venues to venues, you won't have time to eat unless you bring food you've made before hand. You're not allowed to eat inside the theaters and if you walk the red carpet, you food is thrown out beforehand. You can try buying food and drinks in the morning and finish it by the time you walk the red carpet. I'd advise buying it at a supermarket like the pricey Monoprix. Or the nearby McDonald's. It's cheap, warm, almost always open and a great way to socialize! Young filmmakers, as well as those from Britain and the States will come to McDonald's to eat since it's one of the places they know best. Why not strike up a convo there?

Also, don't forget your power bank. Your phone will get out of battery for sure, especially if you post content on social media.

Finally, despite its reputation, the festival is incredibly badly organized. You will be told that your badge is not allowed to watch films at other selections, or you would be given the wrong directions and will be lost in the croisette on your way to see an obscure film.

Chill, be ready to walk and use Google Maps. And enjoy!


Julie Adenuga: "There Are Young Artists In Nigeria Who Are Changing the World"

In an exclusive interview, the Beats 1 radio presenter opens up about her Nigerian heritage, documenting Homecoming in Lagos, and London being an important hub for afro-fusion sounds.

Julie Adenuga sits at the intersection of two continents.

As an affable tastemaker who transforms banal interviews into engaging conversations with some of the most famous artists in the world, Julie is leading the global dialogue on new music from her daily radio show, which broadcasts to over 100 countries.

The North London native of Nigerian descent hails from a musical family, her brothers are artists Skepta and JME, and has risen from the underground as a self-taught presenter on former pirate radio station Rinse FM to being one of three lead DJ's with her Beats 1 show on Apple Music.

A champion of homegrown talent in the UK and across the African diaspora, Julie is a purveyor of the afro-fusion genre, as is evident in her recent Homecoming documentary, which captured the fresh innovators from the Lagos music scene, and her DON't @ ME club nights, which has featured Ghetts, Lady Leshurr and The Compozers as residents.

Chosen as one of OkayAfrica's 100 Women celebrating extraordinary women from Africa and the diaspora, we speak with the presenter and broadcaster on owning her Nigerian identity, the responsibility of spreading afrobeats and why London is a key location for the genre.

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