Video

Stromae Performs His Cesária Évora Tribute 'Ave Cesaria' On A Moving Truck In San Francisco

Stromae continues to take America, this time performing his Cesária Évora tribute "Ave Cesaria" on a moving truck in San Francisco.


Today, Stromae shared the latest installment in his 'Stromae Takes America' video series. This time, the singer finds himself in San Francisco on his way to the Golden Gate Bridge to perform his infectious Cesária Évora tribute "Ave Cesaria" along with his talented 4-man band. The group lay down the track in the back of a moving truck surrounded by hills and lush greenery before getting pulled over by state troopers who warn them about not wearing seat belts, and then proceed to ask the band to perform for them. Stromae and the band deliver by performing a spirited rendition of the string-filled tune live from their pickup truck. Peep the colorful clip via Billboard below. In just a few hours, Stromae will take the stage at New York City's Madison Square Garden alongside special guests Jidenna and Janelle Monáe for the sold-out final show of his North American tour.

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Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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