Teck-Zilla Releases Afro Funk Remixes Of Nigeria's Biggest Songs Of 2014 [Premiere]

Nigerian-born, Montreal-based Str8 Buttah producer Teck-Zilla releases afro funk remixes of some of Nigeria's biggest songs in 2014.

The last time we heard from Teck-Zilla the Nigerian-born, Montreal-based beatsmith had released Son of Sade: An Ode, an 18-minute instrumental tape honoring both the titular British/Nigerian singer and the artist's own mother (also named Sade). Now, the Str8 Buttah founder revisits his home country with Teck Afro Bootlegs, a compilation of Afro Funk-inspired remixes of some of the year's biggest songs in Nigeria, including fast-paced, percussion-based mash-ups of Yemi Alade's "Johnny" and the Ice Prince x AKA collab "N Word Remix."

Commenting on how his Nigerian heritage influenced his latest project Teck explained, "I draw so much inspiration from my roots. It's such a boundless pool of talent and inspiration, I just had to tap some inspiration from back home." The five-track EP is a thumping, undeniably danceable mix. "This is a huge segue in terms of my Hip-Hop production style," Teck says. "Having been influenced by the incredibly talented Beatmeisters, here in the Montreal music scene, I've slowly resurrected my love for Techno/House music." On the dubstep-infused opener "Stop, Look, Listen (Gidi House Maf Guy Bootleg)" and the MJ-esque third track "Working Day & Night (Midnight In Lagos Bootleg)" show, Teck immerses himself in the techno/house scene to jumpy effect. Listen to the premiere of Teck Afro Bootlegs below. For more, grab Teck-Zilla's Sade-sampled beat tape and his Isaac Hayes-sampling "L.O.V.E." anthem.

Teck-Zilla's Teck Afro Bootlegs Tracklist:

1 Switch Bass - Stop, Look, Listen (Gidi House Maf Guy Bootleg)

2 Yemi Alade - Johnny (African Skank Bootleg)

3 Ice Prince & AKA - N Word (Merix of the Remix)

4 Working Day & Night (Midnight In Lagos Bootleg)

5 Yemi Alade- Johnny (African Skank Bootleg/No Vox)


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Olamide and Fireboy DML have been working together for three years, but the first time they sit down to do an interview together is hours after they arrive in New York City on a promo tour.

It's Fireboy's first time in the Big Apple — and in the US — and the rain that's pouring outside his hotel doesn't hinder his gratitude. "It's such a relief to be here, it's long overdue," he tells OkayAfrica. "I was supposed to be here last year, but Covid stopped that. This is a time to reflect and refresh. It's a reset button for me."

Olamide looks on, smiling assuredly. Since signing Fireboy to his YBNL Nation label in 2018, he's watched the soulful young singer rise to become one of Nigeria's most talked-about artists — from his breakout single, "Jealous," to his debut album Laughter, Tears & Goosebumps, hit collabs with D.Smoke and Cuppy, and his sophomore release, Apollo, last year.

Even while he shares his own latest record, UY Scuti, with the world, Olamide nurtures Fireboy's career with as much care and attention as he does his own, oscillating between his two roles of artist and label exec seamlessly. His 2020 album Carpe Diem is the most streamed album ever by an African rap artist, according to Audiomack, hitting over 140 million streams. When Olamide signed a joint venture with US-based record label and distribution company, Empire, in February last year he did so through his label, bringing Fireboy and any other artist he decides to sign along for the ride, and establishing one of the most noteworthy deals on the continent.

Below, Olamide & Fireboy DML speak to OkayAfrica about their mutual admiration for each other, what makes them get up in the morning and how they switch off.

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