Film

Ugandan Transgender Rights Take Center Stage In Documentary Film 'The Pearl of Africa'

'The Pearl of Africa' is a new documentary from Swedish filmmaker Jonny von Wallström focusing on Ugandan LGBTI activist Cleopatra Kambugu


Ugandan transgender activist Cleopatra Kambugu

The Pearl of Africa is a forthcoming documentary feature that follows 27-year old student and transgender activist Cleopatra Kambugu as she openly transitions in her native Uganda where earlier this year parliamentarians sought, albeit unsuccessfully, to make her very existence a crime punishable by death. Earlier this year, Kambugu was publicly outed on the front page of Ugandan tabloid magazine Red Pepper soon after President Yoweri Museveni signed the reprehensible Anti-Homosexuality Act into law. Forced into hiding with other LGBTI Ugandans to avoid mob attacks and arrest, Cleo lost her job and eventually relocated to Nairobi, Kenya.

Filmmaker Jonny von Wallström shadowed Cleo for 18 months amidst mounting anti-gay discrimination as she worked towards improving the welfare of  Uganda's LGBTI community. In an essay written for the Huffington Post, von Wallström indicated that his impulse behind the creation of the film was to show other LGBTI Ugandans that they are not alone while "tell[ing] a story that humanizes the trans community" in an effort to change the prejudiced perceptions held by many. To avoid drawing attention to Cleo and the project at large, von Wallström moved into the Kampala apartment that Cleo shared with her boyfriend Nelson to create a moving, personal portrait of an African woman's desire to navigate her gender expression and identity on her own terms.

Cleo Kambugu and her boyfriend, Nelson

Although the Anti-Homosexuality Act was struck down by the Constitutional Court of Uganda in August, the continued persecution of Uganda's LGBTI community has left its members fraught with anxiety at the possibility of being the target of a hate crime with no hope for legal or social protection. The film was completed recently amid talk of a new anti-homosexuality bill being drafted by the Ugandan Parliament. This new bill, titled The Prohibition of Promotion of Unnatural Sexual Practices Bill of 2014, extends the criminalization of queerness by the Ugandan government set in motion since 2009 to include landlords who provide housing to "suspected homosexuals" and civil rights groups working to promote LGBTI equality in Uganda.

The Pearl of Africa will be rolled out in seven short episodes starting December 8th on Huffington Post, Youtube and Ryot News. For more information on the feature length project, follow the film on Facebook and Twitter. Stream the trailer and a short teaser from the The Pearl of Africa below.

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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