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The Music Of William Onyeabor Live On The Tonight Show

The 'Atomic Bomb' band with David Byrne, Sinkane, the Lijadu Sisters and more perform William Onyeabor classic 'Fantastic Man' live on The Tonight Show.


Three decades after the fact, the music of William Onyeabor has officially reached late night television audiences. Last night the Atomic Bomb band hit The Tonight Show to perform their rendition of Onyeabor's funky-synth anthem "Fantastic Man." Decked in Onyeabor's signature cowboy hat look, the live tribute supergroup ensemble brought the sort of bubbly spirit we've grown to expect from Who Is William Onyeabor mania. Luaka Bop founder and Talking Heads frontman David Byrne led the non-egotistical ego trip along with the Lijadu Sisters on the mics up front, musical director Sinkane and a bouncy Money Mark on keys, and LCD Soundsystem's Pat Mahoney on drums. The Tonight Show performance comes in the lead-up to the stateside premiere of ATOMIC BOMB! The Music Of William Onyeabor, a two-night live spectacle in tribute to the music of the Nigerian synth-funk "mystery man." If you're in NYC, catch the Atomic Bomb band at BAM this weekend as a part of Red Bull Music Academy New York or head to Luaka Bop for details on the San Francisco (5/6) and L.A. (5/8) shows.

Film
(Youtube)

10 African Films That Deal With Protest Culture & History

African countries have a long history of protests and demonstrations against forces of oppression, and this has been represented significantly in cinema.

Around the world, Nigerians in the diaspora have picked up the mantle of protesting peacefully against police brutality and violence. These gatherings are a direct extension of the nationwide protests that were brought to a tragic halt in Lagos after soldiers of the Nigerian army fired guns at peaceful protesters at the Lekki tollgate venue.

African countries have a long history of protests and demonstrations against forces of oppression and this has been represented significantly in cinema. This list, while not an exhaustive one, attempts to contextualize this rich cinematic history, tracing the complex and diverse ways that protest culture have been reflected in African film. From influential classics that are now considered required viewing to fascinating portraits of individual resistance, these films are proof that the struggle continues, regardless.

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