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The Weeknd Discusses His Ethiopian Heritage

Abel Tesfaye, aka The Weeknd, discusses his Ethiopian heritage and the impact it's had on his sound in a new interview with Pitchfork.


Photo by @kalen_hollomon via Facebook.

Abel Tesfaye, aka The Weeknd, has taken over the airwaves with his experimental R&B sound. His latest album Beauty Behind the Madness, is sitting comfortably at the top of the Billboard 200, and his swift transformation from cult superstar to international pop star has been a common area of discussion in the music sphere. Much less talked about, though, is the singer's Ethiopian heritage, which he credits for having a profound impact on his craft.

In a recent interview with Pitchfork, the musician discusses how his Ethiopian upbringing shaped him artistically. "My mother, my grandmother, my uncles would play Ethiopian artists like Aster Aweke and Mulatu Astatke all the time in the house. They would drink coffee, eat popcorn, and listen to the music. It’s such beautiful music, but I didn’t realize how beautiful it was until I left that head space.That’s why I feel like my singing is not conventional" said the musician. "The feeling in my music and in my voice is very Ethiopian and very African and much more powerful than anything, technically. There are songs like “Gone” where I don’t even know what I’m saying—I let my voice do all the talking. I’ll probably do an album like that one day where it’s not lyrics at all, just melodies and great production. Maybe the next one, I don’t know. That’s the Ethiopian side of me." He also spoke about his affinity for Amharic poetry,  "Ethiopian poetry is a different language. I can speak and understand [Amharic], but I can’t understand their poetry. When my mother would translate—it’s the most beautiful thing ever."

The singer went on to express his appreciation for his mother country and his desire to visit, "I’ve never been back home to Ethiopia, but when I do go I’m going to make it very special." Read the full interview here and listen to his Amharic-inspired single "Gone" below. Also worth checking out is Okayafrica contributor Hannah Giorgis' previous Pitchfork piece The Weeknd's East African Roots.

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Photo by KOLA SULAIMON/AFP via Getty Image

#EndSARS: 1 Year Later And It's Business As Usual For The Nigerian Government

Thousands filled the streets of Nigeria to remember those slain in The #LekkiTollGateMassacre...while the government insists it didn't happen.

This week marks 1 year since Nigerians began protests against police brutality and demanded an end to the Special Anti-Robbery Squad (SARS). The #EndSARS protests took the world by storm as we witnessed Nigerian forces abuse, harass and murder those fighting for a free nation. Reports of illegal detention, profiling, extortion, and extrajudicial killings followed the special task force's existence, forcing the government to demolish the unit on October 11th, 2020. However, protestors remained angered and desperate to be heard. It wasn't until October 20th, when soldiers opened fire on demonstrators at Lekki tollgate in the country's capital, Lagos, that the protests came to a fatal end. More than 56 deaths from across the country were reported, while hundreds more were traumatized as the Nigerian government continued to rule by force. The incident sparked global outrage as the Nigerian army refused to acknowledge or admit to firing shots at unarmed protesters in the dead of night.

It's a year later, and nothing has changed.

Young Nigerians claim to still face unnecessary and violent interactions with the police and none of the demands towards systemic changes have been met. Fisayo Soyombo the founder of the Foundation for Investigative Journalism, told Al Jazeera, "Yes, there has not been any reform. Police brutality exists till today," while maintaining that his organization has reported "scores" of cases of police brutality over this past year.

During October 2020's protests, Nigerian authorities turned a blind eye and insisted that the youth-led movement was anti-government and intended to overthrow the administration of current President Muhammadu Buhari. During a press conference on Wednesday, in an attempt to discredit the protests, Minister of Information and Culture Lai Mohammed hailed the Nigerian army and police forces for the role they played in the #EndSARS protests, going as far as to say that the Lekki Toll Massacre was a "phantom massacre with no bodies." These brazen claims came while protesters continued to gather in several major cities across the country. The minister even went on to shame CNN, Nigerian favorite DJ Switch as well as Amnesty International, for reporting deaths at Lekki. Mohammed pushed even further by saying, "The six soldiers and 37 policemen who died during the EndSARS protests are human beings with families, even though the human rights organizations and CNN simply ignored their deaths, choosing instead to trumpet a phantom massacre."

With the reports of abuse still coming out of the West African nation, an end to the struggle is not in sight. During Wednesday's protest, a journalist for the Daily Post was detained by Nigerian forces while covering the demonstrations.

According to the BBC, additional police units have been set up in the place of SARS, though some resurfacing SARS officers and allies claim to still be around.

Young Nigerians relied heavily on social media during the protests and returned this year to voice their opinions around the first anniversary of an experience that few will be lucky enough to forget.



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How CKay's 'Love Nwantiti' Became the World's Song

Nigerian singer and producer CKay talks to OkayAfrica about the rise of his international chart-topping single "Love Nwantiti," his genre-defying sound and the reasons behind this era of afrobeats dominance.