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Dive Into TOBi's New Music Video For 'City Blues'

The Nigerian-Canadian rapper delivers a solid jam.

TOBi is a Nigerian-born, Toronto-based rapper making music inspired by his early life move to Canada and the experiences around immigration and culture shock.

You might have previously heard his track, "Hidden Fences," closing out the finale of Insecure or gotten into his 2016 debut EP, FYi.

TOBi is now sharing the new single and music for "City Blues," which sees the rapper taking cues from Marvin Gaye's "Inner City Blues" over a beat produced by Free n Losh. It's the first taste we're hearing from his upcoming debut album due later this year.

"[City Blues is] written from one perspective within the African diaspora, pertaining to being caught between two worlds and reclaiming my ethnic identity," TOBi tells OkayAfrica. "Embracing my name has been a crucial part of my personal growth."

"I drew inspiration from the Shakespeare quote: 'All the world's a stage, and all the men and women merely players; They have their exits and their entrances, and one man in his time plays many parts.' City Blues speaks about the many roles that a human takes on at once but from my perspective," he adds.

Get into it below.


TOBi - City Blues (Official Music Video) youtu.be

Music

6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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