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Trevor Noah is the First African to Sell Out New York's Madison Square Garden

The South African comedian, who's currently on his 'Loud and Clear' tour, continues to make major moves.

This past weekend, South African comedian and host of The Daily Show, Trevor Noah, put on a show at New York's Madison Square Garden as part of his "Loud and Clear" tour. Noah's show was completely sold out, the first time an African has ever achieved this. He now joins the exclusive list of Hollywood A-list comedians such as Eddie Murphy, Chris Rock, and Kevin Hart, who have all previously sold out their own shows at Madison Square Garden.


Related: Watch 2019 Miss Universe, Zozibini Tunzi, on 'The Daily Show with Trevor Noah'

Over the past two weeks, South Africans have had a lot to celebrate. From the Springboks winning the 2019 Rugby World Cup, Sho Madjozi and John Cena hanging out on the Kelly Clarkson Show to Noah's recent history-making, these achievements have been important to the many people living in a country plagued by gender-based violence, corruption, rising poverty and unemployment as well as widening inequality.

Taking to social media, Noah thanked his fans for coming out and told them he hadn't wanted the memorable night to end.

The "son of the soil", as he is affectionately known, has been making major career moves since taking over from previous host of The Daily Show, Jon Stewart. Noah's memoir Born a Crimebecame an international bestseller, has been awarded countless awards including several NAACP Image Awards, an Emmy nomination and according to Forbes, is now the fourth highest paid comedian in the world. And of course, who can forget his unforgettable Xhosa speech at the Oscars earlier this year?

Noah has come a long way and it's unsurprising that South African are thrilled by his achievements. Take a look at how some of them have reacted on social media.





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Photo by Oupa Bopape/Gallo Images via Getty Images

South Africa Shocked After DJ Sumbody's Fatal Shooting

The popular Amapiano pioneer, DJ Sumbody, was tragically killed in Johannesburg.


News recently broke that the well known South African Amapiano music producer Oupa John Sefoka, popularly known as DJ Sumbody passed awaythis past Sunday, November 20th.

The family reported that specific details of DJ Sumbody's passing could not be released because the issue was a part of a larger, ongoing investigation.

"Artist and musician DJ Sumbody has died. Details of his untimely death cannot be released but the artist allegedly ran into an unfortunate incident that led to his passing in the early hours of Sunday morning, November 20 2022," the family released in a statement, according to News24.

According to several unconfirmed reports, the renowned South African DJ was traveling on Woodmead road in Johannesburg when gunmen attacked his vehicle with a hail of bullets, which instantly killed him and one of his bodyguards.

He was en route to perform at an event in Woodmead for the All White Veuve Clicquot Picnic on Sunday. Apart from being an Amapiano pioneer, DJ Sumbody was a creative force in the South African entertainment industry. In the early hours of Sunday, Sumsounds Music, his management team, confirmed the news.

DJ Sumbody was a pioneer of the well-known viral Amapiano sound, a word that translates to "the pianos" in Zulu and is an eclectic genre that started in South Africa in 2012 and fuses house, jazz and lounge music for a unique sonic experience.

During the pandermic, OkayAfrica featured him in the pieceDJ Sumbody Is Ensuring Amapiano Stays Alive During Times of Coronavirus and Social Distancing.

Social media users went online to share their shock about the unfortunate event.

Music

Listen to Sho Madjozi's New Single 'Toro' Featuring DDG

The talented South African rapper Sho Madjozi comes through with a confident new track.

South African rap star Sho Madjozi just shared her latest single, "Toro," featuring DDG via Epic Records.

The critically acclaimed artist first burst into the music scene in 2017 and became an act to watch because of her unique flow, and her keen eye for vibrant fashion styles that fused traditional African attires with modern spins.

"Toro" is the rapper's first English release since "John Cena," a record that quickly became a viral sensation after its release. Over the years, the rapper has continued to push the envelope and sonically break barriers by experimenting with her flow, cadence, and structure. On this record, fellow Epic Records signee DDGalso makes an appearance, and the two ride the wave of the beat in a memorable way.

The song has a noticeable Amapiano beat, a genre increasingly gaining traction on the modern African music scene. While talking about the song, Sho Madjozi shared that it speaks to the complexity of human relationships and how the bad endings of relationships, both platonic and romantic, can be an eye-opening experience.

" 'Toro' is short for 'Mtoroki,' meaning an 'escaper.' I've escaped bad managers, bad lovers and still come out as me," Sho Madjozi mentions. "I even defy convention because I say and do what I like. However, this music video is part 1 of this story. The thing around my neck stands for my gift—the thing that has given me my success. The video makes a statement about how isolating fame can be: how friends, managers, etc., have backstabbed me. By the end of this video, I'm disillusioned with fame and wishing I didn't have this gift at all because it's made me lose touch with closest to me and probably even myself."

So far, Sho Madjozi has received a lot of critical acclaim, awards, and recognition, including "Favorite African Star" at the Nickelodeon Kids Choice Awards, "Best New International Artist" at the BET Awards, "Entertainer of the Year" from Forbes, and more.

The music video for "Toro," also released earlier today, chronicles a dance party that initially starts with people having a good time until chaos breaks out. Watch the clip below.

Sports
(Photo by via Getty Images)

The Other African Footballers in the World Cup

There are five African teams in the World Cup, but there are at least 54 players on other teams who were either born in Africa, or have African ancestry.

Cameroon, Ghana, Morocco, Senegal and Tunisia are the five African teams in the World Cup in Qatar, but there are at least 54 players on other teams who were born in Africa or have African ancestry.

This is, of course, the result of the African diaspora, the movement of people from the continent towards the rest of the world. But the stories of how African players or their families got to the other side of the world are not always so stereotypical as one might imagine. The world cup, besides a month of football, is also a way to find out about how humans move through the world. Here are a few:

One of the most talked about stories in this tournament is that of Breel Embolo, who was born in Yaoundé, Cameroon, but represents the Swiss national team and refused to celebrate after scoring against his country of birth last week. Embolo scored the only goal in the 1-0 Switzerland victory. It was the first goal he ever scored in a world cup, and the video of it went viral. But it wasn’t because of his technique, it was because he refused to celebrate.

Embolo moved to France when he was six years old because his mom, who had separated from his dad, went to study there. She met a Swiss man and married him, and the family eventually moved to Switzerland when the now Monaco forward was still a kid. So when he scored for his adopted country against Cameroon, he decided to stop and hold his arms up while his teammates celebrated around him.

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Arts + Culture
Photo: Courtesy Wangechi Mutu and Vielmetter Los Angeles, taken by Robert Edemeyer

A Massive Exhibition of Wangechi Mutu's Work Is Heading to the New Museum

A specially-commissioned art piece from the Kenyan-born, Brooklyn-based artist will be part of the major overview of her work.

In what is set to be one of the largest showings of the artist's work, the New Museum in New York will present “Wangechi Mutu: Intertwined,” from March 2 – June 4, 2023. The art works will cover the entire museum, occupying the three main floors, including the lobby, and the building’s glass façade, where a new piece that's been commissioned will be displayed.

Earlier this year, eight of Mutu’s sculptures were installed at the Storm King Art Center in upstate New York, showcasing her current practice in earth and bronze material.

Mutu’s upcoming New Museum exhibition is curated by Vivian Crockett, Margot Norton, Allen and Lola Goldring and Ian Wallace. According to the curators, “Intertwined” will chronicle Mutu’s recent sculptural development, and connect it to her long standing expression and exploration of the legacies of colonialism, globalization, in African and diasporic cultural traditions.

The upcoming exhibition will highlight some of Mutu’s earlier art, as well as her most recent artistic outputs, which are primarily made from Nairobi-sourced wood, soil and bronze.

“Intertwined” will give art lovers the opportunity to see and appreciate the thematic progression of Mutu’s work, and get a sense of how New York-based art institutions have influenced the scope of her artistry over time.

Different floors at the museum will carry various parts of Mutu’s multi-dimensional work. The second floor, for example, will draw connections between the artist’s collage-based practice and her work in sculpture, including 'Yo Mama' (2003), originally commissioned by the New Museum in 2003 for the exhibition “Black President: The Art and Legacy of Fela Anikulapo-Kuti.”

This exhibition on the second floor will also underscore some of her more recent work, which experiments with collages in corporeal, mechanical, and botanical forms. The third floor will continue to explore the fluidity of Mutu’s work and how her pieces have evolved over time.

The fourth floor will tie a collection of Mutu’s collages from the 'Subterranea' series (2021–22) with her most recent large scale bronze art.

In a statement, Crockett said Mutu’s work has wrestled with themes and complex artistic principles that make it even more important for the future of art as a whole. “Mutu’s work has long been characterized by a sense of permeable boundaries and hybridity, invested in the complex encounters of bodies, sites, and structures. Her work grapples with contemporary realities and proffers new models for a radically changed future informed by feminism, Afrofuturism, and interspecies symbiosis,” said Crockett.

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