Film

Ugandan Disney Exec on Bringing 'Queen of Katwe' to Life

Tendo Nagenda, Disney’s executive vice president of production, speaks on the commitment to tell stories authentically with 'Queen of Katwe.'

“Genius ability lies everywhere, it’s very abundant in Africa as well,” Tendo Nagenda says.


It was an ESPN feature by the former senior Sports Illustrated writer, Tim Crothers, that moved Nagenda, Disney’s executive vice president of production, to facilitate the Queen of Katwe. “What I saw is a genuine underdog story and something that was as relatable as Cinderella—which is another movie I worked on.”

Nagenda worked on Disney’s latest production about the Ugandan chess prodigy Phiona Mutesi which chronicles the teenager’s triumphs despite her harrowing experiences in childhood, including her father passing from AIDS and growing up in a slum, with no guarantees of a full meal. By the time she was 11, Mutesi had won the women’s junior championship and continued to dominate the competition for three more years. 2009 was the first time the chess champion ever boarded a plane or slept in her own bed, at a hotel, during a trip to Juba, Sudan where she took the cup. Experiences that Crothers captures in the 2012 book: Queen of Katwe.

On the responsibility to make believable stories, Nagenda shares: “There’s a commitment to telling stories authentically. We shot in Africa—in Uganda and South Africa. All the children in the film had never acted before and were from Katwe. That was a big thing for Disney to commit to using untrained actors—to make sure we trained them.”

Tendo Nagenda. Photo courtesy of Liquid Soul Marketing Agency.

One of the most conspicuous details in the cast line-up is that Oscar winning actress Lupita Nyong’o (12 Years A Slave) and Oscar nominated actor David Oyelowo (Selma) are not Ugandan. “We wanted to hire the best actors to portray these parts—Oyelowo as the coach Robert Katende, and Nyong’o as Phiona’s mother Nakku Harriet. I think authenticity goes deeper than this specific country. If you start to dig in on that level, you’d have to find someone who can act and attract a worldwide audience. Lupita and David can bring an authenticity in their portrayal because both have spent significant time in the region and got a sense of Uganda.”

Oyelowo was in Uganda to film The Last King of Scotland and Lupita attended the Maisha Film Lab, which was founded by the film’s director Mira Nair (Salaam Bombay!), long before Hollywood catapulted her to the A-List.

Star power aside, Nagenda notes that this film is indeed authentic, explaining: “This is a story about people raising themselves up—nobody comes to their rescue from the West, we thought that was a very important thing to do.”

Speaking on the importance of having Africans in corporate side of show business, Nagenda states: “When we are able to bring our point of view to it, we are able to show how stories from that point of view connect us to the rest of the world as opposed to separate us.”

Photo by Edward Echwalu.

A-List, African, Hollywood heavyweights are so few you’d be forgiven for thinking that no African executives exist. Nagenda is a Ugandan-Belizean professional who was U.S. born, but lived in Uganda as a 12-year-old. “We stayed for a year-and-a-half but it changed my world view. It helped me understand the things that Uganda, Africa, had in common with the rest of the world.”

On the importance of the soundtrack and working with a team that understands the region, Nagenda says: “The director [Mira Nair] is particularly attuned to music and it plays a big part in all of her films—she really took pains to ensure we were accurately representing music from the region.” The soundtrack includes new, old and trending stars including: Davido, Alicia Keys and Afrigo Band—to name a few.

Phiona’s story is a reminder of that “gifts in young people live everywhere. It doesn’t matter where you’re from,” according to Nagenda. Come September 23, Uganda’s biggest film to date will remind audiences that excellence too can be found in Katwe. Or as Nagenda put it: “It’s a movie from Africa for the world.”

Interview

In Conversation: Abiola Oke With David Oyelowo Part 3

Award winning actor David Oyelowo dialogues with OkayAfrica CEO Abiola Oke. This is part 3 of 3.

This is the third and final of our discussion with David Oyelowo. Read part 1 of the conversation here. Read part 2 here.

Keep reading... Show less
Interview

In Conversation: Abiola Oke With David Oyelowo

Award winning actor David Oyelowo dialogues with OkayAfrica CEO Abiola Oke.

This is part 1 of a three part discussion. Read part 2 here. Read part 3 here.

Keep reading... Show less
popular
Photo by Hamish Brown

In Conversation: Lemn Sissay On His New Book About Re-claiming the Ethiopian Heritage Stolen From Him by England’s Foster Care System

In 'My Name Is Why,' the 2019 PEN Pinter award winner passionately advocates for children in the institutional care system, and in turn tells a unique story of identity and the power in discovering one's heritage.

It took the author Lemn Sissay almost two decades to learn his real name. As an Ethiopian child growing up in England's care system, his cultural identity was systematically stripped from him at an early age. "For the first 18 years of my life I thought that my name was Norman," Sissay tells OkayAfrica. "I didn't meet a person of color until I was 10 years of age. I didn't know a person of color until I was 16. I didn't know I was Ethiopian until I was 16 years of age. They stole the memory of me from me. That is a land grab, you know? That is post-colonial, hallucinatory madness."

Sissay was not alone in this experience. As he notes in his powerful new memoir My Name Is Why, during the 1960s, tens of thousands of children in the UK were taken from their parents under dubious circumstances and put up for adoption. Sometimes, these placements were a matter of need, but other times, as was the case with Sissay, it was a result of the system preying on vulnerable parents. His case records, which he obtained in 2015 after a hardfought 30 year campaign, show that his mother was a victim of child "harvesting," in which young, single women were often forced into giving their children up for adoption before being sent back to their native countries. She tried to regain custody of young Sissay, but was unsuccessful.

Whether they end up in the foster system out of need or by mistake, Sissay says that most institutionalized children face the same fate of abuse under an inadequate and mismanaged system that fails to recognize their full humanity. For black children who are sent to white homes, it often means detachment from a culturally-sensitive environment. "There are too many brilliant people that I know who have been adopted by white parents for me to say that it just doesn't work," says Sissay. "But the problem is the amount of children that it doesn't work for."

Keep reading... Show less
News Brief
(Screenshot from "Every Woman" video)

Check out Cameroonian Crooner Vagabon’s New Ode to Female Power

The singer dropped a video for new single "Every Woman" today, shot by fellow Cameroonian director Lino Asana.

Cameroonian-born singer-songwriter Laetitia Tamko, better known as her stage name Vagabon, has been spoiling us with delights as of late. First, the crooner teased us with two singles, "Flood" and "Water Me Down" from her forthcoming sophomore album, Vagabon, a work she wrote and produced herself. And today, she surprised us with a new single and video for "Every Woman"—a track Tamko claims is the "thesis of the album," as per a press statement reported by The Fader magazine

Keep reading... Show less

get okayafrica in your inbox

news.

popular.