Uju Tell South African Love Stories Over Jazz, Rock & Funk In Their New EP

Categorizing Uju's music is near impossible.

The music that South African outfit Uju makes is near impossible to categorize.

It has elements of soul, funk, jazz, East Coast hip-hop, and even rock, among other genres. Lead singer Ntuthu Ndlovu’s Zulu vocals also give the music an authentic South African feel.

Her vocals shape-shift from a piercing soprano to a semi baritone to fit the songs she's singing over at a particular time. She sings mostly about relationships, admitting the lyrics are semi-biographical.  

On their thirdEP, LUJULILE, Uju carry on this exploration and fusion of genres. Below we chat to Ntutu about the EP, which is their first release since 2010’s Free album.

Take us through LUJULILE.

The EP has been seven years in the making. We parted ways with Sony music about four years ago, and have had to finance the album ourselves. We worked with different people at different stages of the production. An initial recording was done last year for a movie project, but those recordings did not make it to the final product. What you hear now was produced by the band with Mpho Hlahla providing the technical support at Jaspa studios in downtown Johannesburg. This process took us just over four months from guides through to recording and eventually post-production and mastering.

What's the concept of the project?

The concept was really just a need to record and document the band’s repertoire that was written and performed over the last seven years. It also captures the metamorphosis of Uju from a seven-piece to a five-piece band, and eventually the current version as a stripped down and raw four-piece. We don’t look at the EP as a project in the traditional sense of a conceptual design with a deliberate beginning and end. It’s more of a need to mark a point in the legacy of Uju and the music we create at different stages in the band’s life.

Your music has rock, funk, jazz and other influences. What's behind your choice of sound on LUJULILE?

The influences you hear are generally a reflection of each of the four individuals’ own references. It isn’t necessarily a deliberate attempt to achieve a particular sound. It’s more of a snapshot of where we all are creatively at any given time and it evolves with our changing tastes and artistic experiences.

What more can we expect from Uju this year?

The digital launch of the EP at the beginning of August is the first step towards releasing the music into a broader audience. This will take the form of becoming more active on social media, traditional media and hopefully working towards radio airplay. We will also tour the album through a series of gigs, starting in Johannesburg and surrounds. As the music spreads, we will expand our live performances to other parts of the country. We also intend to take the music internationally to Europe and other parts of the world. However this is subject to us securing a partner and dependent on how the music is received.

Listen to LUJULILE below, and keep up with Uju on Facebook, SoundCloud and their website.


Interview: Wavy The Creator Is Ready to See You Now

The multidisciplinary Nigerian-American artist on tapping into all her creative outlets, creating interesting things, releasing a new single and life during quarantine.

A trip canceled, plans interrupted, projects stalled. It is six months now since Wavy the Creator has had to make a stop at an undisclosed location to go into quarantine and get away from the eye of the pandemic.

The professional recording artist, photographer, writer, fashion artist, designer, and evolving creative has been spending all of this time in a house occupied by other creatives. This situation is ideal. At least for an artist like Wavy who is always in a rapid motion of creating and bringing interesting things to life. The energy around the house is robust enough to tap from and infuse into any of her numerous creative outlets. Sometimes, they also inspire trips into new creative territories. Most recently, for Wavy, are self-taught lessons on a bass guitar.

Wavy's days in this house are not without a pattern, of course. But some of the rituals and personal rules she drew up for herself, like many of us did for internal direction, at the beginning of the pandemic have been rewritten, adjusted, and sometimes ditched altogether. Some days start early and end late. Some find her at her sewing machine fixing up thrift clothes to fit her taste, a skill she picked up to earn extra cash while in college, others find her hard at work in the studio, writing or recording music.

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