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Watch the Trailer for Wale's New Studio Album 'Wow...That's Crazy'

He says this sixth studio album will be his last.

This year has been a phenomenal year for Nigerian artists both on the continent and those part of the diaspora. Nigerian-American rapper, Wale, recently took to social media to announce that he'll be dropping his sixth studio album Wow...That's Crazy on the October 11th. This new project comes after he released three singles this year including "Gemini (2 sides)", "BGM" and "On Chill", a track he worked on with Jeremih. While fans are excited by news of the upcoming project, Wale has indicated that this will be his last album.


The album trailer for Wow...That's Crazy is definitely an interesting one. Titled "Label Me Crazy", it shows the artist speaking to his therapist in what is his second session. After the therapist asks him why he's come in to see her, Wale tells her that it's because of the woes he's been experiencing with his record label but won't say whether the problem lies with him or with them when she probes further. Shortly after his response, three versions of the artist appear and sit beside him to which the therapist quips, "Y'all doing too much." The trailer ends with the title of the upcoming album as well as its release date.

Speaking about his new album, Wale said that, ""[T]his album is my most personal by far. The majority of my time making it I just knew it would be my last."

Watch the trailer for Wow...That's Crazy below:


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Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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