Film
Photo courtesy: Akinde Oluwatobi

Protestors face off with Nigerian police officers.

'We Are Tired' Follows Peaceful Demonstrations Against Rising Rape Cases In Nigeria

This short documentary follows young people in Ibadan as they join nationwide demonstrations to demand action against an incessant record of horrific rape cases.

On the 27th May of this year, Vera Uwaila Omozuwa, a 22-year-old microbiology student at the University of Benin in Nigeria was gangraped and murdered in an empty church in Benin city. Widespread protests broke out across the country as this brutal crime opened up societal sores of the rampant and increasing cases of violence against women in the country, especially sexual violence and the state's apathy in ensuring justice is served. A few days later, 19 year old Barakat Bello a student of the Institute of Agriculture, Research and Training, Ibadan, was gang-raped and murdered in her home.

These and other gruesome injustices against women in Nigeria were the motivation behind a peaceful demonstration by youth in Ibadan demanding justice for the countless victims of rape and other acts of violence against women. Young filmmaker, Akinde Oluwatobi (Tobi), found out about the planned demonstrations on Twitter under the hashtag #WeAreTired and decided to film the protests.

In a conversation with OkayAfrica, Tobi discusses his short documentary, the larger context of this work and the importance of telling this story at this time.


Photo courtesy: Akinde Oluwatobi

What are the main events that unfolded at the demonstration that you captured in the film?

I saw the hashtag trending on twitter and decided I wanted to film the protests. I attended the demonstrations as a bystander and asked the protestors if it was fine for me to film them. They agreed. The demonstrations initially started on the streets then moved to a state-owned radio station. They were hoping to reach a larger audience with their message. As the group was still negotiating entry with the guards at the entrance, a young teenage hawker came to sell soft drinks to the group. One of the security guards slapped her telling her she had no right to be near the premises. The protestors demanded an apology from the management at the station for the incident. What this really showed though was how systematic and normalized violence against women in our society is. The guard clearly did not see the irony of him slapping the young girl at a protest demonstrating violence against women.

What was your inspiration for telling this story at this time?

The protests and ongoing discussions were quite timely. While the issue of sexual violence against women was the main motivation behind the protests, #wearetired has been used to highlight several other societal issues that are reaching a climax during this difficult time of COVID and resulting in the type of demonstrations that we are seeing. To contextualize the two major rape cases that inspired the protests, one has to also understand all the other ways that state brutality and complacency in the issue has led to this place. A few days after Uwa's murder, the national assembly approved an exorbitant amount of money to repair the national assembly while cutting down the education budget. COVID has adversely affected people's livelihoods, but at the same time the government has raised the price of fuel. Nigeria is now known as the poverty capital of the world, with more than 70% of its population living in poverty. Nigerians are tired for many reasons and this was one of the other major ways that they feel the state has failed its people.

Beyond that though, the protests are about holding the state accountable, but also highlighting the dysfunctional way that our society treats the issue of sexual violence against women. While the state does very little to bring perpetrators to justice, sometimes in society, rape is not really considered a crime, but more of a moral issue. Some families will try to find a way to amicably resolve the issue, thus further victimizing the survivors who can't even seek justice. The protests are about forcing our society to look at this ugly truths that it would much rather keep buried.

Photo courtesy: Akinde Oluwatobi


Who were the other contributors to the film?

There were excerpts from a poem by Ocean Young Celebrating Childhood and the jazz music was from taken from Gil Evans' Where Flamingos Fly. The poetry was read by Amaka Obioma.

Where can people find the film?

The film is available for free viewing on Vimeo.

Watch "We Are Tired" by Tobi Akinde below.

Style
Image courtesy of Daily Paper

Wekafore Releases Fela Kuti Inspired Collab With Daily Paper

The one-of-a-kind 'The Spirit Don't Die' capsule collection celebrates African heritage and a hope for a brighter future.

Amsterdam-based African streetwear brand Daily Paper has joined Nigerian fashion brand Wekafore in creating a unique capsule collection of note. The 'The Spirit Don't Die' collection is inspired by fashion and Nigerian activism icon Fela Kuti, but celebrates the bountiful beauty, potential, and heritage of Africans.

Nigerian designer Wekaforé Maniu Jibril, owner, and designer of the Wekafore brand has been hot since his 2013 debut. The brand has gone on to become a great success within the realm of West African fashion. Wekaforé represents a newer, more fearless generation of African designers and their latest collaborative collection tells the tale.

Daily Paper x Wekaforé 'The Spirit Don't Die' collectionImage courtesy of Daily Paper


The two popular brands share a rich history and intention to further African fashion's reputation in the world, as well as as a shared desire for raw necessity, organic growth, and authentic community engagement, development and, support. The fashion brands are making it known that street and casual wear are more than we once thought - fashion can be inclusive and fun. The stars truly aligned to bring us this partnership guided by similar core values and the hunger to celebrate Africa and her diasporas through fashion.

The Fela Kuti-inspired collection is filled with distinctive and bold pieces, honoring Africa's past while paving the way towards the future. Wekafore is known for their clear integration of West Africa's 1970's cultural golden age, and this limited collection speaks to those themes, making it a no-brainer to dedicate the line to the legendary King of Afrobeat, whose style never disappointed. It's clear to see how Kuti's influence inspired the exciting and vibrant creative renaissance seen in the collection. On using Kuti as his muse, Wekaforé says, "Like Fela, the pieces are very punk, very psychedelic, and very African at the same time. And that represents me 100%. And I think being able to speak that way through a platform like Daily Paper is a testament to contemporary African consciousness."


Image courtesy of Daily Paper

Daily Paper x Wekafore 'The Spirit Don't Die' Collection

Check out more of Daily Paper x Wekafore's collection 'The Spirit Don't Die' collection here.

get okayafrica in your inbox

popular.

6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.