Video

Watch Yasiin Bey Perform a New Song with BADBADNOTGOOD Live in Cape Town

Yasiin Bey fka Mos Def reveals footage from his surprise performance with BADBADNOTGOOD at the Cape Town International Jazz Festival.

Something is up over in Yasiin Bey land. We already know the rapper/actor formerly known as Mos Def has had his share of legal troubles this year. In January, Bey was arrested at the Cape Town International Airport while attempting to leave South Africa using a World Passport. Shortly after, he took to Kanye West’s official website to announce his imminent retirement from the music industry and Hollywood and revealed that his final album will be out before the end of the year.


And while we haven’t heard much about said album since then, we know for a fact Bey’s been hitting the studio in Cape Town (yes, he’s still there). In May, the rapper shared a new cut produced by his longtime collaborator and A Country Called Earth co-founder, Ferrari Sheppard. The track, titled “N.A.W.,” turned out to be the first of Bey and Sheppard’s drops under the moniker Dec 99th. Later that month came “Tall Sleeves,” followed by “Local Time” in June. All three tracks have been on the seriously experimental side.

Alongside the new music, Bey’s also been making moves on Facebook with a series of sporadic photo shares and Dec 99th material. And perhaps as recently as this week, he’s finally changed the name of the page from "Mos Def Official" to "Yasiin Bey."

So what does it all mean? Will Bey’s final album double as Dec 99th’s debut? We’re still guessing. But in the meantime, Bey’s now shared some footage from his surprise appearance with Canadian jazz outfit BADBADNOTGOOD at this year’s Cape Town International Jazz Festival in April. The clip, which the rapper posted a few hours ago via A Country Called Earth, sees Bey perform what appears to be a new Dec 99th song, “Arcade,” as Sheppard paints to his stage right.

In an interview with Between 10and5 in April, BBNG explained how the Bey collaboration came about. “We got an email from someone that works with him the first night we got in, asking if we’d be willing to perform a couple songs with him at our show,” the band said. “Of course we said yes, then the next night we went to meet up with him. After a couple rehearsals we figured out what to play, and ended up doing 6 songs. 3 by him, as well as two Rodriguez songs, and ‘Buggin Out’ as a tribute to Phife Dawg.”

Watch Bey perform “Dec 99th - Arcade” live in Cape Town with BBNG below.

Interview

Interview: The Awakening of Bas

We talk to Bas about The Messenger, Bobi Wine, Sudan, and the globalized body of Black pain.

The first thing you notice when you begin to listen to The Messenger—the new investigative documentary podcast following the rise of Ugandan singer, businessman and revolutionary political figure Bobi Wine—is Bas' rich, paced, and deeply-affecting storytelling voice.

Whether he is talking about Uganda's political landscape, painting a picture of Bobi Wine's childhood, or drawing parallels between the violence Black bodies face in America and the structural oppression Africans on the continent continue to endure at the hands of corrupt government administrations, there is no doubt that Bas (real name Abbas Hamad) has an intimate understanding of what he's talking about.

We speak via Zoom, myself in Lagos, and him in his home studio in Los Angeles where he spends most of his time writing as he cools off from recording the last episode of The Messenger. It's evident that the subject matter means a great deal to the 33-year-old Sudanese-American rapper, both as a Black man living in America and one with an African heritage he continues to maintain deep ties with. The conversation around Black bodies enduring various levels of violence is too urgent and present to ignore and this is why The Messenger is a timely and necessary cultural work.

Below, we talk with Bas aboutThe Messenger podcast, Black activism, growing up with parents who helped shape his political consciousness and the globalized body of Black pain.

This interview has been edited for length and clarity.

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