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Interview: Zimbabwe meets London with Soneni & The Soul

Check out this exclusive interview with London's African music group Soneni & The Soul on their African roots, Zimbabwe and London Afro soul infused sound.


Soneni & The Soul is an Afro Soul Band from London that recently released their debut EP, “Million Miles Away.” We caught up with Soneni, lead vocalist of the band, to learn more about the inspiration behind their music, their African roots and vision for the band.

How did Soneni & the Soul band form and what is your vision?

I met Elmo (producer/bassist in Soneni & The Soul) back in 2008. I was performing as a solo artist, and he was producing under the name Funk For The Soul. Initially, he gave me a few tracks that he thought would work well with my vocals. One of them I fell in love with instantly. It became our debut single "StarStruck," and was spun on BBC 1Xtra. We then worked to get a live band together to really take our music on the road. Boukie (our badboy drummer) has been with us for a few years now, and A-Train (super cool guitarist) is our newest member. All of us bring a range of influences to the musical table, which are incredibly complimentary and help to create our unique and refreshing sound.

Our vision is to create and share music with a message, while putting on fun and passionate performances that leave such an impact, that they want to come back for more!

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 Your songs "Love my London" and "A Place Called eKhaya" express the notions of identity and the quest for home that many of us can relate. How did you learn to embrace London as your home while also identifying with your Zimbabwean roots?

If I'm absolutely honest, I began to appreciate London more when I travelled outside the city. I'm still yet to visit a city as culturally diverse as London. The first half of my life epitomized cultural diversity in such a way that it was just normal to me. I grew up in a part of North London called Stoke Newington, and there was such a mix of people from Africa, the Caribbean, as well as Turkey, Asia and so forth.

In my verse on "Love My London," I say I'm "still grateful my parents chose this land, where opportunity is hard to miss like Mayweather's fist." In America, musicians often gravitate towards New York for their big break. In Southern Africa, it's been Jo'burg that had the jobs and opportunities for decades. In the United Kingdom, it's London. I became more aware of this in my early 20's, when I see artists traveling from all parts of the UK just to get a slice of what London has to offer. Yet I was blessed to be born with it on my doorstep, to the point that it took going to other places where opportunities - let alone other ethnicities - are so sparse, that I then became more appreciative of where I was.

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Still as I point out in "A Place Called eKhaya," being African, let alone Zimbabwean, wasn't always easy growing up. I grew up in an era where being African was something you got dissed for. So that piece addresses that, alongside a conflict that I've faced later on in life of being born in London, but not really counted as being from here due to being a second-generation immigrant. At the same time, when I visited South Africa a few years back - I loved it and yet was simultaneously saddened at feeling like an outsider; a visitor. I'd definitely say it's taken me many years of soul searching to find the myself within all of this. It's also been really interesting to talk to others who can relate to having the same cultural catch-22.

During 2012's London Olympic & Paralympic Games, I'd never felt so proud to be a Londoner and at the same time I'm finding myself embracing my Zimbabwean heritage more (through songs like "Siyahamba") and it's a beautiful thing to be embraced by members of the Zim music scene and diaspora as well. It's all falling into place at the right time, and I feel that our music is a real reflection of that fusion as well.

How do you feel about new music from Africa and the Diaspora? Are there any artists from Africa you would like to collaborate with?

Music is so exciting right now. I am learning about new artists from Africa and new music from across the vast Diaspora every day. My favorite part is the fact that there aren't any boundaries. People are experimenting with different sounds, collaborating with different artists, and ultimately African music is marking its place beautifully on the global map at an inescapable pace. It'd be an absolute dream to work with the legend that is Hugh Masekela, whose music I grew up listening to alongside that of Miriam Makeba. I am also really feeling Black Coffee.  The snippets I've seen of his Africa Rising DVD look amazing.

These days I'm listening to more Zim artists including Synik and Tehn Diamond. There are also the bigger afrobeats artists such as Sarkodie and Tiffany, who are most definitely blazing their own trail for African music. With the age of information technology, a collab is only an internet connection away, so the potential for the growth of African music is excitingly infinite.

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What is next in store for Soneni & The Soul?

Right now, we're in the midst of our Million Miles Away EP promo tour, so gigging A LOT. We'll have our own event in Camden (London) on Feb 27th featuring special guests, as well as headlining the legendary music venue that is The Bedford on March 12th. We're also getting new shows confirmed, so it's all incredibly exciting for us. The hope is to expand the tour across the UK, move out into Europe, and then internationally in the long term.  We'd also love to start working on our next EP at some stage, so do watch this space!

>>>Download: Soneni & The Soul’s EP Million Miles Away

 

Courtesy of Jojo Abot.

Let Jojo Abot's New Afrofuturistic Video Hypnotize You

The Ghanaian artist releases the new video for "Nye VeVe SeSe," an entirely iPhone-recorded track.

Jojo Abot is rounding out a strong year which has seen her tour South Africa, release the NGIWUNKULUNKULU EP and work with institutions like the New Museum, Red Bull Sound Select and MoMA on her art and performances.

Jojo is now sharing her latest music video for "Nye VeVe SeSe," a song featured on her iPhone-only production project, Diary Of A Traveler.

"Nye Veve Sese is an invitation to let go of the burden of pain and suffering that keeps us from becoming our best and greatest selves," a statement from Jojo's team reads. "Asking the question of why pain is pleasurable to both the one in pain and the source of the pain. Often time the two being one and the same."

Watch her new "meditative piece," which was shot in Bedstuy, Brooklyn, below.

Jojo Abot will be playing her final US show of the year in New York City alongside Oshun on October 26 at Nublu 151. Grab your tickets here.

A Nigerian Label Is Suing Nas For Not Delivering a Good Verse

M.I and Chocolate City filed a lawsuit in New York State Supreme Court claiming Nas didn't deliver the verse they wanted.

Nigerian star M.I and his label home Chocolate City are suing Queenbridge legend Nasir Jones.

In the lawsuit, which was filed in the New York State Supreme Court, Nas and Mass Appeal Records' Ronnie Goodman are accused of ripping off Chocolate City after they'd paid the rapper $50,000 for the verse.

According to the lawsuit, back in 2013, Nas and Goodman agreed to contribute a verse to a track from M.I. The stipulations were that Nas was supposed to mention "M.I, Chocolate City, Nigeria, Queens, New York—NAS's hometown—, Mandela, Trayvon Martin, and the struggles of Africans and African Americans" in his verse.

Nas did, in fact, deliver a verse but it didn't mention any of the subject matter Chocolate City had asked for.

The Nigerian label requested that the Queens rapper to re-record the verse, which now three year later, has never happened despite them delivering the $50,000 payment. Hence, that's why they're now suing him, they mention.

It's not all fighting words, though, as Chocolate City is very complementary to Nas in the lawsuit calling him "a highly respected lyricist in the music industry" and writing that they wanted a verse from him "because of NAS's exceptional talent as a lyric writer."

Unfortunately that talent and lyricism was no where to be found in the verse they got, in the eyes of Chocolate City and M.I.

Revisit M.I's "Chairman" above.

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Photo courtesy of TEF.

5 Things We Learned From the TEF Entrepreneurship Forum

Over 1,300 African entrepreneurs, business leaders and policymakers attended the 3rd Tony Elumelu Foundation Entrepreneurship Forum in Lagos—here are the highlights.

The Nigerian Law School in Lagos, Nigeria, was transformed into a buzzing enclave of substantial conversation, intentional encouragement, and unbeatable energy.

The third Tony Elumelu Foundation Entrepreneurship Forum was the most inclusive gathering of African experts in business, entrepreneurship and policy, where all 54 African countries were represented with more than 1,300 attendees. These entrepreneurs and thought leaders are innovators across a diverse array of sectors like agriculture, technology, healthcare, fashion and energy/power generation.

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