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Frances Bodomo's 'Afronauts': What Became of the Zambian Space Program?

Young African Filmmaker Frances Bodomo's film 'Afronauts' will tell an alternative story of the 1960s Space Race


Diandra Forrest as Matha

Back in the 1960s, at the height of the Cold War, the US and the Soviet Union were in a frantic race to launch their respective countrymen into space. Contrary to what the dearly departed Gil Scott-Heron thought at the time though, whitey was not the only one trying to get up on the moon: in Zambia, shortly after independence, grade school science teacher Edward Makuka Nkoloso's dreams of space travel led him to establish the new nation’s very own space academy in an old farmhouse 7 miles ouside of Lusaka.

Nkoloso was serious about the mission. He applied for a £7M grant from UNESCO, assembled a motley space crew comprising a 17 year old girl called Matha and two cats, and trained them by rolling them down hills in oil drums. The fantastic story has already inspired photographer Cristina de Middel and now young filmmaker Frances Bodomo will unpick the mysteries of this crew in her short film Afronauts. On her Kickstarter page she says:

“I am extremely excited to tell an underdog story from the perspective of exiles and outsiders, the people who most need the promises of the space race. The people whose stories are lost or silenced to an iconic mainstream history that documents fact. What do you do when you can't get "out there”?”

Bodomo’s short Boneshaker (2012) starring Oscar nominee Quvenzhané Wallis has been selected for a slew of major festivals including Sundance 2013 (where we reviewed it), and she’s clearly a director whose star is rising. Click through to her Kickstarter page to learn more and support an exciting and unique project. To quote the young director, support young black/African filmmakers and bid farewell to "Hollywood-funded pity parties on film!"

Interview

Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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