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#OKAYAFRICADC South African House Fiesta Live Mix

Jamming to the latest tunes from the motherland in the #OKAYAFRICADC live African mix.


#OKAYAFRICADC was back at it again! This live African mix was recorded at club Tropicalia in Washington D.C, this past Wednesday. #OKAYAFRICADC was created in the name of promoting the latest music and culture coming from Africa and its diaspora. Our party commands the capital’s dancefloor with resident spinner DJ Underdog providing sounds that are mind-wide and foot-friendly and, for this installment, Jahsonic accompanying the mood of the night. The DJs painted the sonic wall with the best South African underground tracks from the motherland. If you love house music, this mix was dedicated to you! Spread love!

PS: Afrobeat, kwaito, kuduro, zouk, soukous, azonto, kukere, coupe decale and hip life were not exempt from this past Wednesdays festivities. What will be lacking are pretensions, commercial radio nonsense, and egos. Learn more about Okayafrica Wednesdays by following our Facebook and Twitter. No track list available......it was a long night!

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Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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