Photos

Beatenberg Brings South Africa to Okay Space at Mumford & Sons' 'Johannesburg' Pop-Up Exhibition

Take a look at images from the evening featuring a live, intimate set from Beatenburg and portable studio from Found Sound Nation.

The sun from the hot, Brooklyn Saturday—days before the official start of summer—couldn't even stand the heat coming from Okay Space at the one of many finales of Mumford & Sons' 'Johannesburg' South African Experience Pop-Up Exhibition.


Walking in—right across the illuminated photos of Mumford & Sons and the squad who featured on their new mini-album that released this week: The Very Best, Baaba Maal and Beatenberg—was a portable studio set up by Found Sound Nation. There, with the help of Freshlyground's Kyla-Rose Smith and emcees from Cape Town's township, Nyanga, attendees were invited to lay down instrumentals, freestyles and vocals and see the process of the cypher come to fruition.

Those who joined us at Okay Space weren't just there to check out the art show that was well received by visitors all week, but to also experience a live, intimate set from Beatenberg. Cooling down during the evening with Extra Pale Ale and IPA craft beers from our friends over at Atlanta's Sweetwater Brewing Co. (who's been in the NYC for three months and is available for purchase in the metro area), the group's small league of fans and curious listeners alike gathered around the trio to hear the soothing Cape Town sound.

Senegalese living legend, Baaba Maal, came by to hear his friends' set too, as he signed vinyl copies of  'Johannesburg' and soaked in well wishes (I definitely had a fangirl moment too—as he convinced me that it's high time I take a trip to Dakar) from fans. Mumford & Sons member Winston Marshall also popped in to chill with fans hang out in the pop-up space.

Soon after the group performed their hits including, "Pluto," "Rafael" and "Beauty Like A Tightened Bow," drummer Robin Brink hooked his laptop up to the speakers, filling the room with a banging South African house set until the doors closed.

Take a closer look into the evening with the images below, brought to you by, Jammi York Photography:

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Photo by Jammi York Photography.

Featured
Portait by: Bamby Diagne

Spotlight: Bamby Diagne's 'Afrogile' Is An Ode to The Beauty of African Hair

Through a series of portraits, the project celebrates Afro hair and the beauty of the Black woman.

In our 'Spotlight' series, we highlight the work of photographers, visual artists, multimedia artists and more who are producing vibrant, original work. In our latest piece, we spotlight Bamby Diagne, a Paris based Senegalese portrait photographer channeling his own process of growth, self-discovery and a lifelong alliance with Black women through his art. The name 'Afrogile', stems from a wordplay between "Afro", "Agility" and "Fragility". Framed as 'An ode to the beauty of African hair', Bamby and his talented team have created a projected bathed in optimism, African resilience and identity. Read more about the passion and importance of his work below, and stay up to date with the artist on Instagram and on his website.


Responses have have been edited for length and clarity.


Describe your background as an artist and the journey you've taken to get it to where it is today.

I was born and raised in Dakar, Senegal before moving to Paris at the age of 8. As long as I remember, I have always been attracted to images, whether it be drawings, sculptures, photos, videos, basically anything visual. My mother was a painter and an interior architect. Some of my most vivid memories from my childhood and adolescence are those times when she used to come back home with a new piece of art she had drawn. I'm also a huge fan of manga, I used to draw a lot in my teens and all these inspirations ended up rubbing off on my digital work. I progressed to photography and video after initially starting out in graphic design at the Internet and Multimedia Institute. I fell in love with my first camera through urban exploration 4 years ago and from then I never left it.

What are central themes in your work and how have you told the story this time around?

As an artist, it is now more than ever, a critical time to engage and start speaking out on subjects that matter to me. Black women have always been an inspiration to me. Growing up in Dakar, where most of the social decisions within the family were made by the mothers and grandmothers, I always had the utmost respect and admiration for their role even though it is not as recognized and highlighted on a bigger scale. Image and representation plays a big part in the way we perceive ourselves and our place in society because we compare ourselves, whether it be consciously or unconsciously, to the people we see. Photography is a portal, and I am fully aware of its powerful influence on perception.

I never really had a central theme on which to base my visuals and that's something I tend to want to change. For a long time, I have explored myself through photography. I liked what I was doing and I didn't really wonder why this or that visual spoke to me, I let myself be carried away by what I saw and what my instincts dictated. Visualizing my creation beforehand now helps me get more satisfied with the final result. It is only in my last few series that I have been trying to bring more of a social dimension to my work. Whether it's diverting current events and making them a subject of discussion, or doing a more introspective work in relation to my own perception of the microcosm that surrounds me.

Can you talk about your use of colours, hairstyles and jewellery in this project?

I had the chance to work with the talented Oldie Mbani, Shenna Rochas and Aurore Jorgensen on the make up, hairstyling and accessories respectively. It is in consultation with them that I created the overall aesthetics of the project. The whole concept of Afrogile revolves around hairstyles and the use of objects as accessories on them, that's why the rest of the tones had to be neutral enough, close to the body colours. We were looking for an elegant aesthetics and it is quite naturally that we chose for each model, clothes which corresponded most to their identity, to the aura which they exude.

Aurore Jorgensen did me the honor of lending me the handmade jewels of her brand Soleils d'Afrique for the occasion. 'Cauris' are one of the most famous symbols of Africa. They represent power, prosperity and fit perfectly with the positive and enthusiastic note I wanted to bring to the project.

How has the pandemic affected you creatively?

The pandemic as well as the multiple confinements were a wake-up call for me. For a long time, I have taken in the things of daily life, the will to want to gain an audience, develop a certain clientele as a self-entrepreneur, improve my visibility etc... Paradoxically, it is this planetary event that is supposed to be anxiety-provoking and the source of many economic problems that took me out of this survival mentality. I was brought back to myself, forced to refocus and redefine my goals, my passions, my life choices. That's when I decided to see things differently, to change my priorities and focus more on my well-being instead of betting my future on decisions with arbitrary consequences. It is precisely at that moment that I shifted my thought process, both in terms of my vision of the profession I practice but also in terms of the time and energy I would devote to myself, which inevitably led to new inspirations and a rebirth of my passion for photography.


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