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Film: Neil Drumming's 'Big Words' Starring Jean Grae

Review of 'Big Words' a film by Neil Drumming, Slamdance film festival official selection and screened at New Voices in Black Cinema film festival.

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Big Words, comes to us bearing the signature of Neil Drumming, a longtime journalist for publications such as Wired, The Washington Post,Vibe, Rolling Stone, Essence and Vanity Fair, as well as a former staff writer for The Atlantic and editor at Entertainment Weekly, Drumming started his career covering the hip-hop scene, having grown up listening to the groups of rap’s golden era in the 1990s. The nostalgic soundtrack of his teenage years was one of the factors that led him to jump into the film world and write the script which forms the basis of his first feature film while he was still at EW. Though lacking any formal training in film, his work as an arts and culture critic gave him the exposure he needed to make the leap into the world of production. The intelligence of his decision was corroborated when Big Words was included in the official section of this year’s Slamdance Film Festival in Utah

Bearing the marks of such easily recognized references as Lawrence Kasdan’s The Big Chill (1983) and Stephen Frears’ 2000 adaptation of Nick Hornby’s novel High Fidelity, Big Words deals with longing for a brighter past still full of promise and dreams. In a world where a hopeful future has been eclipsed by grey reality, music is the space where memories are revived. On the night of Obama’s election in 2008, a group of three old friends from Brooklyn get together after a long time. Now in their mid-thirties, James, John and DJ Malik were once a promising rap group called DLP (Down Low Poets) but in the intervening years, they have fallen out of touch.  We follow them in the hours running up to their encounter. On the morning of the election, James (Gbenga Akinnagbe, best know as Chris Partlow in The Wire), now a successful gay publicist, is approached by a young assistant at his firm (Zachary Booth), who wants to write about his father’s story as a music producer.

We later discover how important this figure was in the breaking up of the band, and in the unraveling of the subsequent events. Terry, aka DJ Malik (Darien Sills-Evans), lives a miserable life dedicated to complaining about contemporary hip-hop music, smoking weed, and playing video games in his room, while his girlfriend Bree (MC Jean Grae) supports them working as a security guard. Constantly yearning for the old good days, he has become a burden to his friends and colleges, who witness his inability to react to the changing times and emerge from this cycle of inactivity and despair. Meanwhile, John (Dorian Missick), former MC Wordsmith, aka “Big Words,” gets fired from his job and meets Annie (Yaya Alafia aka Yaya DaCosta), a beautiful stripper and promising but undiscovered singer. In some of the best dialogue of the movie, she will force him to face his demons, provoking the first meeting of the rap group in a decade.

The way each character deals with his own memories of a time full of uncertainty explodes in one of the last sequences. Nevertheless, with a mix of humor and restrained drama, the director refuses to give clear answers about what exactly has happened in the past or what will come after the sun rises again. A night, even one charged with symbolism and hope like the historical evening of November 4th 2008 that carried Obama to the White House, can’t erase or even bend the course of three complex lives weighed down by their previous experiences.  Yet the director’s choice of an open-ended approach should not suggest pessimism or lack of confidence in human nature; instead, he leaves room for hope to peer through.  Change, he suggests, is possible for those willing to fight for it — and there are glimmers of a happy ending in the movie’s parting shots.

The realistic conversations guarantee that the story is tautly structured and take care of post-production, where Drumming's lack of experience might have made itself known. The first-time director brought together the talents of a seasoned crew, headed up by cinematographer Cliff Charles.  Together, they render up a classic story of friendship, love, and growing up. With the passion for hip-hop as its driving force, Big Words gives us pause to reflect on the ambivalent consequences of following your dreams in a highly competitive art scene, as well as on the inexorable passage of time and the responsibility that comes along with it.

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Image via Wikimedia Commons

Nollywood Actress, Funke Akindele, Arrested for Throwing Party During Coronavirus Lockdown

Naira Marley, who was also in attendance, has also turned himself in according to local reports.

Star Nigerian actress, Funke Akindele, and her husband, rapper JJC Skillz, were arrested on Monday after hosting a party at their home which violated Lagos' coronavirus lockdown order.

The actress came under fire over the weekend, when footage of a party she threw for her husband's birthday began circulating on social media. The clips showed several people, including fellow Nollywood actress Eniola Badmus and Nigerian rapper Naira Marley, gathered inside of Akindele's Lagos home. According to a report from Pulse Nigeria, Marley also turned himself in on Monday for attending the function and will be arraigned.

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"Kata" single cover.

Listen to Tekno's New Single 'Kata'

The Nigerian artist and producer returns with a melodic banger just in time for the weekend.

Nigerian artist Tekno is back with his second single of the year, "Kata."

The heavyweight artist and producer delivers a melodic track that sees him singing about his devotion to his lover over drum-filled production from Phantom. The track features subdued vocals from. the artist, and a beat that's easy to move along to. The song follows the track 'Beh Beh' which he released earlier this year.

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Justice Mukheli. Courtesy of Black Major/Bongeziwe Mabandla.

Interview: Bongeziwe Mabandla's New Album Is a Calm Meditation On Relationships

We speak with the South African artist about his captivating new album, iimini, love cycles, and the unexpected influence of Bon Iver.

"I've been playing at home for so many years and pretending to be having shows in my living room, and today it's actually happening," Bongeziwe Mabandla says, smiling out at me from my cellphone as I watch him play songs on Instagram Live, guitar close to his chest.

Two weekends ago, Mabandla was meant to be celebrating the release of his third album, iimini, at the Untitled Basement in Braamfontein in Joburg, which would no doubt have been packed with some of the many fans the musician has made since his debut release, Umlilo, in 2012. With South Africa joining many other parts of the world in a lockdown, those dates were cancelled and Mabandla, like many other artists, took to social media to still play some tracks from the album. The songs on iimini are about the life and death of a relationship—songs that are finding their way into the hearts of fans around the world, some of whom, now stuck in isolation, may be having to confront the ups and downs of love, with nowhere to hide.

The day before his Instagram Live mini-show, Mabandla spoke to OkayAfrica on lockdown from his home in Newtown about the lessons he's learned from making the album, his new-found love for Bon Iver, and how he's going to be spending his time over the next few weeks.

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Lueking Photos. Courtesy of emPawa Africa.

Interview: GuiltyBeatz Proves He's Truly 'Different'

The Ghanaian producer talks to us about his debut EP, Different, the massive success of "Akwaaba," producing for Beyoncé and more.

GuiltyBeatz isn't a new name in the Ghanaian music scene. A casual music fan's first introduction to him would've likely been years ago on "Sample You," one of Mr Eazi's early breakout hits. However, he had scored his first major hit two years before that, in the Nigerian music space on Jesse Jagz' and Wizkid's 2013 hit "Bad Girl." In the years to come, the producer has gone on to craft productions for some of Ghana's most talented artists.

In the years to come, the producer has gone on to craft productions for some of Ghana's most talented artists, having worked with the likes of Efya, Pappy Kojo, Sarkodie, R2Bees, Stonebwoy, Bisa Kdei, Wande Coal, Moelogo and many more over the last decade. The biggest break of the talented producer's career, however, came with the arrival of his own single "Akwaaba".

In 2018, GuiltyBeatz shared "Akwaaba" under Mr Eazi's Banku Music imprint, shortly afterwards the song and its accompanying dance went viral. The track and dance graced party floors, music & dance videos, and even church auditoriums all around the world, instantly making him one of Africa's most influential producers. Awards, nominations, and festival bookings followed the huge success of "Akwaaba." Then, exactly a year later, the biggest highlight of his career so far would arrive: three production credits on Beyoncé's album The Lion King: The Gift.

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