News Brief

Listen to Cassper Nyovest’s New Trap Banger ‘Ksazobalit’

"Ksazobalit" is here.

South African rapper Cassper Nyovest just released the single he promised earlier this week. Titled "Ksazobalit," the song will definitely be a staple in clubs and radio.


It takes inspiration from Migos, with the hook delivered as a one-line chant. This has been Nyovest's style of hooks for his singles for a while; remember "Doc Shebeleza" and "Tito Mboweni."

"Ksazobalit" offers nothing new or mind-blowing from the rapper. He's flaunting his riches and telling his rags-to-riches story as usual, with lines like:

"I came up from the dirt/ and I tripled my worth/ It's a gift and a curse/ But it could have been worse"

This one is poised to get big; it ticks all the boxes of a Nyovest hit—a catch hook, lofty lines and a beat that knocks hard. And fans are already eating it up.

Listen to "Ksazobalit" below:

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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