Pretoria Rapper CMJaymmotla On His 'Varsity Dreams'

Okayafrica caught up with Pretoria rapper CMJaymmotla in the lead-up to his 'Varsity Dreams' EP.

Pretoria-based hip-hop and fashion-fiend Junior Mmotla (aka CMJaymmotla) has been causing quite a stir these days, highlighting such social ills as South Africa’s ridiculous pass rates and the various struggles one encounters once the high school highs have worn off. We tracked him down to speak to us about his latest release, "Varsity Dreams," which happens to be the title track off his upcoming EP. CMJaymmotla sees it as his duty to bring something unique to an already diverse music scene, with just enough consciousness and just as much class.

Shiba for OKA: Tell us about yourself. Who is CMJaymmotla? Where are you from and how do you see yourself in the grander scheme of hip-hop in South Africa and the world?

CMJaymmotla: CMJaymmotla, real name Junior a kid from the province of Limpopo, South Africa. I’m a young creative, who looks at everything from the left side instead of the right. “Why” is my go to word, mainly because I feel we are a society that tends to accept and conform instead embracing our unique qualities... I was introduced to music production and song-writing during my high school days in Mpumalanga, where I also ended up being the local beat boxer for the poetry and rap sessions behind the town library this became something I’d pride myself in. Life changed when I was shown how to program what I could hear in my head into sequenced patterns on FL Studio.

The music I make has been met with "it sounds like its missing some elements, what is that?" Dark percussion with an almost tribal house sound, but with the old school kick and snare tradition of hip-hop still within those chants that sound misplaced… A song like "PAIN (Unamanga)" is my interpretation of how it would sound if one of the elderly men in a Khoi village would be telling a story by the fire with some rhythm in his delivery over the sounds of his surroundings and rain songs… I'm here, whether it be locally or internationally to bring a sound you can immediately identify once your palate is familiar with my flavor. The foundation of it all is in my lyrics.

OKA: How has hip-hop evolved since your first encounter with the genre? Is there anyone in particular who is killing it for you right now locally or internationally?

CMJaymmotla: Being part of what has been termed the "New School of Hip Hop" I feel there's now open range in the genre and music listeners are open to new sounds, the so called "Hip Hop purist" is finding it hard to remain rigid. Music is like technology it stays evolving... you will either move with the times or remain in limbo. Musicians like Riky Rick, Okmalumkoolkat, Kendrick Lamar, along with Pharrell Williams and Black Motion have proven within these most recent years, that sticking to your guns regardless of the dismissive nature most have in the beginning when something new is introduced to them, is key. Innovators come built with tenacity.

OKA: Tell us a bit about "Varsity Dreams." You make mention of not knowing where to go next being the least of high school graduates’ problems…

CMJaymmotla: I write life songs. "Varsity Dreams" is a song very close to home and the title track of the upcoming mixtape. I wrote the song after my application to University failed as my peers with similar grades to mine were admitted into the same tertiary institution. That's life for you. It’s a song about what I saw myself and others around me going through; that first year after high school... "high school is over, we’re a little older." The idea when recording the song was to make it sound conversational like how a rapper in a street cipher would sound, spitting his bars in the circle.

OKA: And the shooting of the video? Who was behind all of that?

CMJaymmotla: The concept for the music video was, "high school is over", showing symbols of what some youth get up to after high school, but we focused on making sure we did it in a tasteful way, to not make it seem like some awareness campaign. This is the reason why we went with the decision of not showing the girl's face in the entire video to symbolize the secretive ways of, can I say "youthful nature" that most of us after high school have seen. Rooms with styrofoam cups and empty bottles from last night’s party... The man behind the camera is very talented, he’s an old high school mate of mine called Tebello “@BLVCKTELLo” Malaza. The video was shot in Pretoria.

OKA: Fantasic. And finally, what’s next for you?

CMJaymmotla: By the end of March the full 4 track, Varsity Dreams mixtape should be online for free download, with a physical copy being released in Joburg and Pretoria. The purpose of the mixtape is to sample my music to potential supporters-- I don't like saying the word "fans'-- it makes me feel like I belittle people in a way, call me crazy. What's next for CMJaymmotla? Basically oiling the machine, more gigs getting my music out there to people... it’s early days really but its looking good!

Stay caught up with CMJaymmotla via twitter and soundcloud and look out for Varsity Dreams later this month.


Introducing OkayAfrica's 100 Women 2020 List

Celebrating African Women Laying the Groundwork for the Future

It would not be hyperbole to consider the individuals we're honoring for OkayAfrica's 100 Women 2020 list as architects of the future.

This is to say that these women are building infrastructure, both literally and metaphorically, for future generations in Africa and in the Diaspora. And they are doing so intentionally, reaching back, laterally, and forward to bridge gaps and make sure the steps they built—and not without hard work, mines of microaggressions, and challenges—are sturdy enough for the next ascent.

In short, the women on this year's list are laying the groundwork for other women to follow. It's what late author and American novelist Toni Morrison would call your "real job."

"I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else."

And that's what inspired us in the curation of this year's list. Our honorees use various mediums to get the job done—DJ's, fashion designers, historians, anthropologists, and even venture capitalists—but each with the mission to clear the road ahead for generations to come. Incredible African women like Eden Ghebreselassie, a marketing lead at ESPN who created a non-profit to fight energy poverty in Eritrea; or Baratang Miya, who is quite literally building technology clubs for disadvantaged youth in South Africa.

There are the builds that aren't physically tangible—movements that inspire women to show up confidently in their skin, like Enam Asiama's quest to normalize plus-sized bodies and Frédérique (Freddie) Harrel's push for Black and African women to embrace the kink and curl of their hair.

And then there are those who use their words to build power, to take control of the narrative, and to usher in true inclusion and equity. Journalists, (sisters Nikki and Lola Ogunnaike), a novelist (Oyinkan Braithwaite), a media maven (Yolisa Phahle), and a number of historians (Nana Oforiatta Ayim, Leïla Sy) to name a few.

In a time of uncertainty in the world, there's assuredness in the mission to bring up our people. We know this moment of global challenge won't last. It is why we are moving forward to share this labor of love with you, our trusted and loyal audience. We hope that this list serves as a beacon for you during this moment—insurance that future generations will be alright. And we have our honorees to thank for securing that future.


The annual OkayAfrica 100 Women List is our effort to acknowledge and uplift African women, not only as a resource that has and will continue to enrich the world we live in, but as a group that deserves to be recognized, reinforced and treasured on a global scale. In the spirit of building infrastructure, this year's list will go beyond the month of March (Women's History Month in America) and close in September during Women's Month in South Africa.

100 women 2020

Burna Boy 'African Giant' money cover art by Sajjad.

The 20 Essential Burna Boy Songs

We comb through the Nigerian star's hit-filled discography to select 20 essential songs from the African Giant.

Since bursting onto the scene in 2012 with his chart-topping single, "Like to Party," and the subsequent release of his debut album, L.I.F.E - Leaving an Impact for eternity, Burna Boy has continued to prove time and again that he is a force to be reckoned with.

The African Giant has, over the years, built a remarkable musical identity around the ardent blend of dancehall, hip-hop, reggae, R&B, and afropop to create a game-changing genre he calls afro-fusion. The result has been top tier singles, phenomenal collaborations, and global stardom—with several accolades under his belt which include a Grammy nomination and African Giant earning a spot on many publications' best albums of 2019.

We thought to delve into his hit-filled discography to bring you The 20 Essential Burna Boy Songs.

This list is in no particular order.

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Cover art of "Banjo".

Watch Cameroonian Drag Artist Bebe Zahara Benet's New Music Video for 'Banjo'

Video Premiere: Bebe Zahara Benet releases the colourful visuals for her latest single 'Banjo' ahead of her upcoming EP 'Broken English'.

Cameroonian drag artist Bebe Zahara Benet has just released the colourful visuals to her latest single 'Banjo'.

The single, which features on her upcoming Broken English EP, is the follow-up to several EPs she's released in the past including Face and Kisses & Feathers as well as a number of singles including "Fun Tonite", "Get Fierce (Lose Yourself)" and "Starting a Fire".

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8 South African Albums & EPs to Stream While Staying Home

Let these South African releases from Bongeziwe Mabandla, Shabaka and the Ancestors, King Monada and others hold you down during lockdown.

This month saw a number of releases from South African artists. While the COVID-19 pandemic has taken money away from a majority of artists, this could be the best time for listeners to go through the new music that was released.

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