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"Mafa Mafa" cover art.

Davido, Peruzzi, Dremo and The Flowolf Team Up for New Track 'Mafa Mafa'

Check out a new one from Davido's label DMW.

Now is a better time than ever to take in new music, and thankfully, some of our favorite artists have been delivering.

Nigerian stars Davido, Peruzzi, Dremo and The Flowolf inked up for the new collaborative track "Mafa Mafa," under Davido's record label DMW, which launched back in 2018. The song features mostly rapping as the artists trade verses back and forth in Yoruba. "Mafa" is a Yoruba saying that loosely translates to "don't pull it."

Davido originally teased the song with a short dance video shared last week.


It's Davido's latest collaboration in a long list of them since the start of the year. Earlier this month, he featured on Angel's 'Blessings' remix, with French Montana. Before then he released the music video for '1 Mili' which featured a wedding between he and his fiancé Chioma Rowland. On Friday Davido shared that he and his son are currently self-isolating after Rowland tested positive for coronavirus.

The artist was also forced to postpone his North American tour due to the outbreak. We're glad that the artist appears to be remaining positive through it all, and is choosing to share new music with fans nonetheless.

Listen to 'Mafa Mafa' below. For more new tracks coming from Nigeria , check out or list of the Best Nigerian songs of the month.

Mafa Mafa youtu.be


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6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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