Style

First Look: Awale Studio's Handmade, Ivorian Summer Collection

We give you an exclusive first look of Awale Studio's newest collection, "ETE89."

ABIDJAN—Awale Studio is a dynamic, Abidjan-based clothing line offering clean and colorful apparel inspired by everyday life in Côte d'Ivoire.


The studio gets its name from the popular board game by the same name, played across several West African nations. Awale also means "love one another" in the Dida language spoken in the Gôh-Djiboua district of the country.

The fabrics used are made from cotton cultivated in Khorogo, in north Côte d’Ivoire and are hand-spun and woven by local men and women.

With its vibrant hues and breezy tie-dye designs, the brand's latest collection captures the radiant essence of Abidjan's central district and the dreamy appeal of an "endless summer."

Today, we present an exclusive first look of Awale Studio's newest collection, "ETE89."

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Photo courtesy of Awale Studio.

Music

6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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