Photos

Legendary Ghanaian Photographer James Barnor's Portraits Of Post-Colonial Ghana & Black London's 'Swinging Sixties'

Ghanaian photographer James Barnor's portraits of post-colonial Ghana and Black London's 'Swinging 60s' showcased in a new exhibition and book

James Barnor, Drum cover girl Marie Hallowi, Rochester, Kent, 1966. Courtesy Autograph ABP.


“My studio was at a spot where everything happened in Accra…where young and old people met from various backgrounds…free to talk about everything and anything."

-Pioneering Ghanaian photographer, James Barnor

The work of pioneering Ghanaian photographer James Barnor spans over six decades and two continents. Through his street and studio portraits, Barnor captured Accra and London in some of their most transitionary times– Ghana on its path to independence, and London as it grew into a cosmopolitan, multicultural metropolis.

Born in Accra in 1929, Barnor began his career by opening a portrait studio in Jamestown, Accra. Ever Young, as it was called, was frequented in the early 1950s by a diverse clientele that ranged from civil servants and dignitaries to teachers, yoga students, performance artists and newlyweds.

During his time in Accra, Barnor was commissioned to photograph key figures and moments in Ghanaian history, like Kwame Nkrumah as he pushed for pan-African unity, and then U.S. Vice President Richard Nixon when he attended Ghana's Independence ceremony in March 1957.

Barnor was also the first photojournalist to work with the Daily Graphic, a newspaper brought to Ghana by the British media group the Daily Mirror, and was regularly commissioned by the South African anti-apartheid journal Drum magazine.

In 1959, Barnor relocated to London, where he documented the "swinging sixties" with a focus on the dynamic African diasporic experiences in the city at the time.

Today, Barnor is retired and lives in Brentford, London. In 2009, he began working with the London-based arts agency Autograph ABP, who presented a preview of his first major solo exhibition at Harvard, before launching the full retrospective in London.

This week, Ever Young, an exhibition named after Barnor's legendary studio, opens at Paris' Galerie Clémentine de la Féronnière in partnership with Autograph ABP. The features more than eighty prints of the photographer's street and studio portraiture, and is accompanied by the release of an all-new, 176-page book of Barnor's street and studio portraiture from the 1950s to 1970s.

‘Ever Young’ runs October 8, 2015, through November 21, 2015, at the Galerie Clémentine de la Féronnière in Paris, France. Find out more details on the show via Autograph ABP. The 'Ever Young' book is available on Galerie Clémentine de la Féronnière's website, and will also be available to order on Amazon.

James Barnor, Untitled #4, Sick-Hagemeyer shop assistant, Accra, 1971. Courtesy Autograph ABP.

James Barnor, Selina Opong, Policewoman #10, Ever Young studio, Accra, c. 1954. Courtesy Autograph ABP.

James Barnor, Breakfast with Roy Ankrah aka “The Black Flash”, Accra, c. 1952–53. Courtesy Autograph ABP.

Interview

This Compilation Shines a Light On East African Underground Music

We talk to a few of the artists featured on the Music For the Eagles compilation from Uganda's Nyege Nyege.

Nyege Nyege, a label in Kampala, Uganda is channelling the confidence brimming over a whole continent. Africa is no longer the future. For dance music, its time is right now.

Music For the Eagles is a compilation released in conjunction with Soundcloud to showcase the best new acts that East Africa has to offer outside the mainstream. A new wave of artists firmly blasting non-conformist energy for you to spasm to. Music that takes you places. Otim Alpha's high BPM wedding frenzy of incessant rasping vocals accompanied by feverous violin will have you clawing the walls to oblivion. Anti Vairas' dancehall from a battleship with super galactic intentions doesn't even break a sweat as it ruins you. FLO's beautiful sirens call, is a skittish and detuned nursery rhyme that hints at a yearning for love but reveals something far more unnerving. Ecko Bazz's tough spiralling vocal over sub-bass and devil trap energy is an anthem that can only be bewailed. And Kidane Fighter's tune is more trance-like prayer. These are only some of the highlights for you to shake it out to.

We got to chat with a few of the artists featured on the Music For the Eagles compilation as they took a break from the studio below.

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