News

Audio: Jovi 'Man Pass Man' + 'New Star'

Cameroonian pidgin rapper Jovi first caught our ear with the twsited mbira beat "Don 4 Kwat" (above) and its follow-up single, the Tabu Ley Rochereau-sampling "Pitié." Those two tracks promised a standout debut LP from the West African emcee; Humanity Is Vanishing (H.I.V.) delivers on that notion in that it's loaded with some of the cleanest and most original rap production we've heard out of Cameroon lately. Throughout the album infectious melodies are crafted out of 808s, local instruments, and the "signature bell sounds" of Le Monstre (Jovi's producer pseudonym). Buy Jovi's Humanity Is Vanishing (H.I.V.), available now on iTunes and Amazon(US/UK).

Music

6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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