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Kelela: "White People Don't Understand. Black People Don’t Have The Space To Suck"

Kelela gets real in a cover story for The FADER ahead of the release of her debut album "Take Me Apart."

Kelela laid down the truth with some choice words about her journey to releasing her upcoming debut album, Take Me Apart, in a recent cover story for The FADER.

After years of feeling as if it was "too late" to start her career, Kelela, a second-generation Ethiopian American, finally built the courage to write her first song when she was 25 years old.


The courage that she gained helped her to overcome self doubt and to persevere over misogynoir (the intersection of racism and sexism directed at black women).

The album title, Take Me Apart, demonstrates the importance she places on honest self-expression, and her belief that everyone should take risks.

Kelela knows that it's not easy and that it takes courage.

She told The FADER's Lakin Starling, “When you demand somebody take you apart, then you're the boss. It's so strong. You must have a lot of confidence to say that comfortably. It feels risky, I feel my heart pound a little bit harder, but that's who I am."

She's particularly attuned to how this struggle falls upon black women in the music industry, for whom the stakes are particularly high. It's not necessarily that black people are more "artistically inclined," she said. "It's because we don't have the space to suck."

The album, which was produced by Jam City, is true to Kelela's affinity for electronic music, but is also "fully grounded in R&B's brave emotional honesty," according to The FADER.

At a time when dishonesty goes unchecked more often than ever, this type of straight talk is unfortunately rare. We're glad to have Kelela and Take Me Apart is right on time.
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Stormzy Snags His First TV Lead Role in BBC Drama 'Noughts & Crosses'

The series is set in a world where black people are the ruling class, while white people deal with discrimination and prejudice.

Stormzy has landed a lead role in a drama developed by BBC and Roc Nation, Variety reports.

He's set to play Kolawale in Noughts & Crosses, an adaptation of novels from Bajan-British author Malorie Blackman. His character is a newspaper editor and was created solely for the TV series.

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Listen to Ibibio Sound Machine's New Album 'Doko Mien'

A blend of electronic sounds and '70s West African disco.

Ibibio Sound Machine are back with their latest album, Doko Mien.

The UK-based group, fronted by Nigerian singer Eno Williams, expertly blend electronic sounds with West African influences, taking cues from '70s West African disco.

They just dropped their latest single, "Wanna Come Down," which the band describes as an "infectious jam from the album that mixes disco, '80s electro with English and Ibibio language lyrics." Doko Mien, the title of the group's new album. means "tell me" in Ibibio.

"Music is a universal language, but spoken language can help you think about what makes you emotional, what makes you feel certain feelings, what you want to see in the world," mentions Eno Williams.

Listen to Doko Mien below and catch Ibibio Sound Machine on their North American tour (dates below).

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At Least 60 People Killed In Fatal Bus Collision In Ghana

Several people are mourning the victims as well as the tragic loss of life that has occurred throughout the continent this month.

A head on collision of two buses early Friday morning in the Bono East region of Ghana has killed at least 60 people, according to the AFP.

The fatal accident took place on the Kintampo-Techiman highway in Kintampo—an area just under 300 miles north of Accra—after which one of the buses caught on fire.

The devastating accident has left several others with serious injuries. "Most of the passengers in both vehicles died at the spot. A number of them with varying degrees of injuries have been rushed to hospital," a police spokesperson told BBC Africa.

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