Photo: Facebook/KOKOKO!

KOKOKO! Is the Raw, Alternative Sound of Kinshasa

This ambitious project marries modern Congolese music with the gritty punk of 1970s New York.

KOKOKO! and their innovative, handmade dance tunes come out of the burgeoning city of Kinshasa.

The ambitious new project marries two distinct worlds, fusing the modern metropolitan landscape of Kinshasa's raw and underground alternative sounds against the no-wave and post-punk integrity of 1970s New York. The band's more energetic tracks boast the uncompromising attitude of early Grace Jones records and the cosmopolitan spunk of Talking Heads' seminal, coke-fueled LP, Remain In Light.

KOKOKO! consists of French producer Xavier Thomas (aka Débruit) and a team of rambunctious musicians from the Ngwaka neighborhood, including vocalists Makara Bianko and Love Lokombe. The physicality and punk-spiritedness of Bianko's performance stems from his weekly residency gigs in the Lingwala neighbourhood, where dancers and musicians equipped with self-designed instruments make magic.

That same DIY integrity seeps into the music of KOKOKO!, where guitars are created from coffee cans and unique percussive kits are recycled from water jugs. The band employs these distinct, urban sounds in both studio recordings and live performances, tapping into the energy of Kinshasa's rampant party scene and growing soundsystem culture.

Following KOKOKO!'s explosive debut EP, Tokoliana / L.O.V.E., the band returned with another two-track release of exciting new music titled Tongos'a / Likolo late last year. Producer Débruit (who previously shared an album of gorgeous songs recorded in and inspired by the city of Istanbul) exercised his sharp wit for electronics and house-aligned rhythms on the first EP, but the second effort makes a concerted effort to subdue some of those synthetic inclinations.

Originally written and performed by Love Lokombe as a solo acoustic number, "Tongos'a" pairs African dance pop with deconstructed noise rock for a shockingly synergistic combination. Its lyrics are no less provocative, stressing the importance of proper and thorough love-making that doesn't let up until the early morning.

B-side effort "Likolo" flips the lyrics of a traditional Bateke funeral song, reconfiguring its somber meaning as something hopeful and spiritually-enlightened. Lyrics that loosely translate as "we are all naked bodies under the sky / we all know how it's going to end" work to unpack the irony and dark humor of death and mortality–as it's seen through the members of KOKOKO!. It's subversive, wonderfully complex songs like this one that highlight the bright future of this exceptional Congolese project.

Photo credit should read KELVIN IKPEA/AFP via Getty Images

The Netherlands Returns Nigeria's Centuries-Old Stolen Artefact

The Netherlands has returned to Nigeria a 600-year-old stolen artefact, the Ife Terracotta, which has been received by Nigeria's Minister of Information and Culture, Alhaji Lai Mohammed.

According to The Guardian Nigeria, the Netherlands has returned a 600-year-old artefact to Nigeria. This comes after the artefact was reportedly smuggled using fraudulent papers through Ghana to the Dutch country. Netherlands ambassador to Nigeria, Harry van Dijk, handed over the Ife Terracotta to Alhaji Lai Mohammed, Nigeria's Minister of Information and Culture. The repatriation of the small but "priceless" Ife Terracotta has been a long journey considering it was reportedly smuggled out of Nigeria in 2019.

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