Manthe Ribane & Okzharp. Photo: Chris Saunders.

Defying Borders, Genres and Mediums: The Multimedia World of Manthe Ribane, Okzharp & Chris Saunders

The three artists unveil an album, short film, installation and tour around their debut full-length, Closer Apart.

Why settle for a genre or a medium when there's an entire world of creativity to draw from?

That's a defining ethos of the collaboration between Manthe Ribane, Okzharp, and Chris Saunders. Through music, performance art, video, and more, the three pull from anywhere that could possibly help create the world they're trying to build.

"What's most important is creating an experience with the different mediums that we showcase," says Ribane, a South African artist who handles vocal and performance duties.

Closer Apart, their first full length album on Hyperdub Records, finds them in progressive form, with London's Okzharp on production and Ribane singing, occasionally slipping into the Sepedi language. It's a clear vision—an individualistic project that avoids identifying too closely with any specific genre or scene, but the stark electronic beats and chanted lyrics do expose their respective roots.


Their output goes far beyond music, including a new residency in Nirox Sculpture Park at the Cradle Of Humankind, located outside Johannesburg; a short film featuring a crisp array of changing colors and scenery; and a multimedia installation in London that includes a lighting system designed specifically for it. Each manifestation includes paintings by Jonathan Freemantle, music from the album, and dancing—both previously recorded and performed live—all of which is altered a bit each time.

Every piece is developed in tandem. They repurpose the choreography, video, singing, and production as they go, using a sketch of a game plan and chunks of previously finished material, and improvise from there. This method is a deeply rooted aspect of all their work together. "That's kind of a guiding principle for us," explains Okzharp, also known as Gervase Gordon. "We like to be prepared, but in the moment you have to trust your intuition to go off plan and improvise. That's how you get the best results in everything." The music wasn't even finished when they started the film, and they worked with demos for the album. "We had to choose which songs we would use in the film and hoped that Hyperdub liked them as well," laughs Okzharp. "Luckily everything in the film made it onto the album."

The collaboration between the three started with a short film called Ghost Diamond. Saunders had brought Okzharp on to do music for the film, and then they brought Ribane on as a dancer. Saunders wanted to go through a list of dancers and Ribane was the first he had mentioned. "I wasn't aware of her beforehand, but I was like we don't need a list, let's just approach her," Okzharp recalls of her immediate impact. Pretty soon after the film they released their first EP together and started touring with Saunders doing live video. "The beginning seed for this project was a film and the music came out of that," says Ribane. "It shows the different mediums that we want to explore."


Chris Saunders is a South African photographer and filmmaker who often works with local dancers and released a book on a style called pantsula. Okzharp has family in South Africa but was raised in the UK and was previously a part of the British electronic dance music group LV. As he got older and started making friends beyond his family, he started traveling to Africa more frequently, engaging with the music there. Ribane grew up in Soweto, a township of Johannesburg, and has been creating all her life. She first performed for Nelson Mandela at 8 years old, toured with Die Antwoord as a backup dancer a few ago, and recently created outfits for Black Panther.


While Ghost Diamond was very focused on Johannesburg, using the city as a character in itself, Closer Apart and the accompanying projects are somewhat region-less. Ribane performs in a collection of settings, with themes based on color, her makeup and outfits matching each space. They range from natural scenery, to undefinable built environments, with the paintings making stealthy appearances in the background. Musically, the project is even more slippery, primarily concerned with vibe and emotion over genre or location. "Music is a global language, it's within the experience of listening to the music and how you define that moment," explains Ribane. "For me, it's just connecting with different borders of the world, not just South Africa or the UK. It's beyond us, beyond the world even."



Film
Photo by Karwai Tang/WireImage via Getty.

Michaela Coel Joins the 'Black Panther' Sequel Cast

The upcoming film, Black Panther: Wakanda Forever, is shaping up.

The sequel to the Oscar-winning Black Panther is only due to debut in July of 2022, but the production is well on its way.

The latest news out of the camp is that Michaela Coel, of I May Destroy You and Chewing Gum fame, has officially joined the cast of Black Panther: Wakanda Forever. Her character details are still under wraps but according to Variety, Coel has already joined director Ryan Coogler at Atlanta's Pinewood Studios, where production started in late June.

Coel joins original cast members Danai Gurira, Letitia Wright, Daniel Kaluuya, Winston Duke, Lupita Nyong'o, Florence Kasumba, and Angela Bassett all reprising their roles. Following the tragic passing of Chadwick Boseman, Marvel reportedly chose not to recast the role of T'Challa.

Read: How Michaela Coel's 'I May Destroy You' Makes Space For Black Creators

"It's clearly very emotional without Chad," Marvel Studios chief Kevin Feige mentions. "But everyone is also very excited to bring the world of Wakanda back to the public and back to the fans. We're going to do it in a way that would make Chad proud."

Michaela Coel's highly-lauded 2020 series I May Destroy You — which she wrote, directed, produced and stared in — received four Emmy nominations.

Black Panther: Wakanda Forever is scheduled for wide release on July 8, 2022.

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