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DJ Maphorisa’s ‘BlaqBoyMusic’ EP Is a Great Cocktail of Gqom & Trap

The EP features K.O., Moonchild Sanelly, A-Reece, Wichi 1080, Bontle Smith and more.

South African artist, producer, DJ and serial collaborator DJ Maphorisa's latest EP BlaqBoyMusic showcases his diversity. After producing hits for Drake, Kwesta, Shekhinah, and lots more, he ticks more names off his bucket list.


The opening song "Walk ye Phara" is a posse track featuring DJ Raybel, K.O., Moonchild Sanelly and ZuluMakhathini. It's straight gqom, something reminiscent of Maphorisa's smash hit from last year, "Midnight Starring." Moonchild does her thing with a sexually charged verse, as usual. But it's K.O. who steals the show. He sounds at home over a gqom instrumental, which is unfamiliar territory for the rapper. But, for a rapper with one of the most solid flows in SA hip-hop, it's not an unexpected feat.

"Walk ye Phara" will be the last dance song on BlaqBoyMusic until the closing song "Dali," which features Lerato Kganyago and KayLow. It's a cute, heart melting, lovey-dovey track that is both calming and bouncy.

The rest of the project is mostly trap—the bass knocks and the 808s rattle. All songs are curated collaborations, consisting of artist combinations that you wouldn't get anywhere else but here.

Read: The 11 Best South African Trap Producers

Wichi 1080, who you should know as Priddy Ugly's producer, appears on two songs. And both songs that he is featured on bear his signature eardrum-wracking bass line. The producer is also forging his lane as an artist, with an upcoming project in the works.

"She Needs It" is a family gathering as A-Reece brings out his goons from the collective he's part of, The Wrecking Crew.

Every featured artist brings it, but it's Lucasraps who dominates and steals the show with most of his verses. For example, on "Amo," he kills that triple time flow, which is so prevalent in hip-hop it's the standard. But that doesn't mean all rappers excel at it the same.

But this gathering is for more than just rappers and house artists. The singer Bontle Smith, on "Money Calling," provides laidback R&B; vocals over cloud trap production.

BlaqBoyMusic is a great gift for a fan of new school rap, with a few diversions that you'll either bump over and over again or skip for your preferred sound. It's a great listen that brings you collaborations you otherwise wouldn't have had for a long time to come.

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Uganda Has Lost Millions of Internet Users as a Result of Its Controversial Social Media Tax

The infamous tax is effectually driving Ugandans off the internet.

The number of internet users in Uganda has declined significantly since the implementation of the highly-criticized tax on social media, which went into effect in July of last year.

While the government claimed that the tax would assist in raising government revenue and help "maintain the security of the country and extend electricity so that you people can enjoy more of social media, more often, more frequently," said Uganda's Finance Minister Matia Kasaija at the time. President Museveni also suggested that the tax would help "curb gossip" online.

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Cover art for Riky Rick's "You and I"

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Every week, we highlight the cream of the crop in music through our Best Music of the Week column.

Here's our round up of the best tracks and music videos that came across our desks, which you can also check out in our Songs You Need to Hear This Week playlists on Spotify and Apple Music.

Follow OkayAfrica on Spotify and Apple Music to get immediate updates every week and read about some of our selections ahead.

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Oyinkan Braithwaite's 'My Sister the Serial Killer' Is the Lagos-Set Novel Rocking the Crime Thriller Genre

We speak with the Nigerian author about the success of her debut novel, and breaking the boundaries of "African Lit."

"I have always been drawn to dark topics," says Oyinkan Braithwaite, the 30-year-old Nigerian author behind the critical darling of a novel My Sister, the Serial Killer.

Her declaration helps explain the subject and title of her debut novel, which tells the story of Ayoola, a young woman who has developed a not-so-healthy habit of murdering her boyfriends, leaving her older sister, the book's protagonist, Korede to clean up her mess. You may have noticed it's ubiquitous cover—which features a young black woman wearing a headwrap, casually looking on as a knife-wielding hands is reflected in her sunglasses—on your timeline or at your local store. The internationally-released, Nigerian-made novel sits confidently on retail shelves previously reserved for mass-market thrillers.

The dark and humorous, Lagos-set novel is extreme—but not just because of all the murdering that happens. It also examines the extreme nature of the many things that can push people to the edge. For the sisters, it's: intergenerational trauma, abuse, the prevalence of a culture that rewards beauty above all else, as well as having to battle with their own personal shortcomings—just to name a few.

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