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You Ain’t African, Meryl Streep

Abel Shifferaw pens a response to Meryl Streep after the actress' "we're all Africans really" comments at the Berlin Film Festival.

Meryl Streep in Out Of Africa


The Berlin International Film Festival’s all-white panel had a cute little debate Thursday concerning diversity and inclusion within the very much white-dominated film industry.

Meryl Streep, acclaimed American actor known for such classics as Out Of Africa, is the president of the esteemed festival's jury. The question of diversity and inclusion of people of color was raised three times, AP reports. When asked by an Egyptian reporter if she understood films from North Africa and the Arab world in general, Streep responded, “ I’ve played a lot of different people from a lot of different cultures.”

Yes indeed, Streep has, very literally and figuratively, played us.

Streep continued, "There is a core of humanity that travels right through every culture, and after all, we're all from Africa originally.” As an unconvinced crowd looked on, Streep further reiterated the point, “You know, we're all…Berliners, we're all Africans, really."

What Streep said, is, I admit, essentially correct, as we all did originate from Africa. Homo Sapiens, the modern human, what we are, first popped up in Africa and specifically what is known today, thanks to unification efforts by the likes of people like King Menelik, the nation state of Ethiopia. As an Ethiopian myself, I’m extremely proud to be from the location where modern humans originated. In fact, it’s one of my favorite talking points.

“Ethiopian food tastes like Indian food.” Someone will say.

“Naw.” I will respond. “Indian food tastes like Ethiopian food.”

“I love riding my bike.” Someone will say.

“Well, did you know that Ethiopia is the cradle of civilization.” I will respond. And so on.

Noting this truism is not in and of itself a problem, but when raised as a defense to charges of racism and white supremacy it becomes a massively flawed and highly offensive line of reasoning. The scientific community has concluded that race does not exist on a biological level but is rather a social construct. That being said, this social construct does have very real and tangible effects on our lives. To evoke this cross-racial solidarity not when black and brown people are being murdered by racist violence, but when accused of not being inclusive, is opportunistic and wrong. There are levels to this. The main being, Streep got it twisted.

The issue of a lack of diversity within Hollywood from people of color, queer folks and women has been rocking headlines and twitter feeds. #OscarsSoWhite has raised valid criticism of the overwhelming whiteness of Hollywood in addition to the snubbing of filmmakers of color on the basis of skin.

Lest we forget another comment Streep made.

"There is a core of humanity that travels right through every culture”

Perhaps this ‘core’ Streep is referring to is Europeans or the ‘West’. It seems that they have a historical affinity, if you will, for traveling, “right through every culture”. These excursions usually consist of but are not limited to: colonialism, cultural imperialism, neo-colonialism, regular imperialism, cultural appropriation, extra imperialism, stealing land, exploiting labor, and so on.

So, be cool Meryl Streep, you ain’t African.

Music
Photo by Sabelo Mkhabela.

ProVerb’s Memoir Is A Huge Slap In The Face To South African Hip-Hop

In his memoir, one of South Africa's revered lyricists ProVerb and his co-author compromise his rich story with trite motivational talk.

The Book of Proverb

ProVerb has had a strange relationship with the SA hip-hop scene. Albeit being one of the most gifted lyricists the country has ever seen, he has grown to flow less and hustle more. Despite this, his name still comes up when the greatest (South) African rappers of all time are mentioned. MTV Base placed him as the 7th in their list of the greatest SA MCs of all time in 2018 for example.

The rapper-turned-media personality dedicates a paragraph of his memoir, The Book of Proverb, to explaining his complicated relationship with hip-hop. "Although I built my brand as a hip-hop artist, I never enjoyed full support or success from it," he writes. "Music is and always will remain a pass ion, but it stopped being viable when it stopped making business sense to me. If I was given more support, I might continue, but for now, I'll focus on my other hustles."

On the cover of the book which was released towards the end of 2020 by Penguin, Verb is wearing a charcoal blazer and sporting a white ball cap, so one can be forgiven for getting into it expecting both sides of his story. This memoir, however, is too vague to be a worthy read if you aren't necessarily reading to get motivated but to be simply informed and inspired.

While a few of The Book of ProVerb's chapters touch on his rap career, most of the book is about ProVerb the man, personality and businessman. Not so much one of the country's finest lyricists. This omission is a huge slap in the face for his fans and SA hip-hop fans in general.

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