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Image courtesy of MDQ.

​Muthoni Drummer Queen's 'She' Is A Spirited Celebration of Womanhood

MDQ's new concept album is a true Afro-feminist record and a victory for herself and Kenyan music in general.

Muthoni Drummer Queen has been paving the way for "alternative" artists in Kenya for years. The multi-talented artist and entrepreneur has always pushed boundaries for the non-conformists to exist and find a way to prosper in a country where gospel is arguably still the most popular genre of music.

A spirited celebration of womanhood from different perspectives, She is a 12-track concept album that has been produced, packaged and wrapped ready to cross-over to the rest of the world.

Musically, it is bolstered by the signature style of Swiss producers GR! And Hook who teamed up with MDQ again for the full length of the album. Together they were able to cultivate a contemporary sound that flawlessly blends elements of hip-hop, blues, dancehall, retro-soul, future R&B, as well as distinct African rhythms.

Kicking off the LP is "Million Voice," a powerful single dedicated to the millions of ordinary, everyday people doing whatever it takes to put bread on their table and create a meaningful impactful life. Her reggae-style delivery on the chorus is hard-hitting. Singing loud and clear, MDQ has arrived. One couldn't ask for a better way to start the album.

The follow up track is the bouncy socio-politically charged "Kenyan Message" which served as the debut single for the album. Not only does this track stir up a discussion about the incompetence of Kenyan leaders, but it also showcases her laudable skill as an emcee.

"Suzie Noma" is where the fun really begins! The dancehall flavored tune is a feel good jam that celebrates the beauty of female friendship and empowerment all over the world. The party spills over into "Lover," a bubbly, synth-heavy tune about coming into fullness of sexual expression as a woman.

"To be a woman is a full time job for half the pay and even then, not always." This quote from "Dear Mathilde" addresses double standards that women are objected to. In this engaging spoken word manifesto, she shatters the traditional social constructs and expectations that come with being a woman, especially in Africa. In summary ladies: be you, and fearlessly so.

She pays homage to the iconic Maya Angelou poem with "Caged Bird," a poignant femme chant tackling the inter-generational struggle.

Image courtesy of MDQ.

Although initially unintended, MDQ realized mid-production that she was in fact "channeling a prismatic array of stories about women."

This album isn't just a victory for MDQ, it's a victory for Kenyan music in general. For the local scene, it's two steps in the right direction. It continues to prove that with good branding and the right resources, Kenyan creatives are able to produce world class level work which can be on par with the rest of the world.

It illustrates the level of mastery that can be achieved when Kenyan artists are given the opportunities to express themselves fully and unapologetically.

Though it carries a substantial message with each song, She still manages to be optimistic, playful and radio-friendly. The balance of fierce and fun, perhaps, is what makes it a true Afro-feminist record.

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Image: Nabsolute Media

Reekado Banks Recalls The Carnage of The #EndSARS Protests In Single 'Ozumba Mbadiwe'

The Nigerian singer pays his respects to those lost during last year's #EndSARS protests.

Nigerian singer and songwriter Reekado Banks is back with a track that is as socially important as it is a banger. It seems fitting for the singer's first solo release of the year to be a tribute to his fellow countrypeople fighting for a country that they all wish to live in. The 27-year-old Afrobeats crooner has returned with endearing track 'Ozumba Mbadiwe', honoring the one-year anniversary of the #EndSARS protests that saw the Nigerian government authorize an onslaught of attacks on Nigerian citizens for their anti-government demonstrations.

The protests took the world by storm, additionally because the Nigerian government insists that none of the police brutality happened. In an attempt to gaslight the globe, Nigerian officials have come out to hoards to deny any and all accusations of unlawfully killing peaceful protesters. Banks mentions the absurd denials in the track, singing "October 20, 2020 something happened with the government, they think say we forget," in the second verse. Reekado's reflective lyrics blend smoothly and are supported by the upbeat, effortless Afrobeat rhythm.

In another reflective shoutout to his home, 'Ozumba Mbadiwe' is named after a popular expressway on Lagos Island that leads to the infamous Lekki Toll Gate where protesters were shot at, traumatized, and murdered. Although packed with conscious references, the P.Priime produced track is a perfect amalgamation of the talents that Reekado Banks has to offer; a wispy opening verse, a hook to kill, and an ethereal aura to mark this as a song as a hit. On "Ozumba Mbadiwe," all the elements align for Reekado's signature unsinkable sound to take flight.

Check out Reekado Bank's lyric video for his single 'Ozumba Mbadiwe'

Reekado Banks - Ozumba Mbadiwe (Lyric Video) www.youtube.com

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