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“I leave my art to breathe. I don't apply no pressure,” Black Sherif shares one of his many philosophical principles with me in the OkayAfrica offices. The 21-year-old Ghanaian newcomer has only been professionally releasing music since 2019 but he has already become the youngest singer to win Artist of the Year at the 2023 Vodafone Ghana Music Awards.

He reacts to the news with a boyishly shy grin: “It’s mad.”

Last October, his breakthrough album The Villian I Never Was cemented him as a rising talent to watch. The sonic palette of his debut showcased an eclectic fusion of drill, Afrobeats, reggae, and hip-hop. Critical acclaim abounded, as well as collaborations with the likes of Popcaan and Burna Boy.

For as long as the West has smeared Africa with allegations of archaic laws and culture, Black Sherif has become the young bright Black star of what has been derogatorily referred to as the “dark continent.”

Uniting the Diaspora

Three nights earlier I had the opportunity to witness his electrifying stage presence firsthand. Palladium Times Square, New York City — stop number one of Black Sherif’s headlining tour and a long way from Konongo. Usually, concerts will open with a lesser-known artist from the same label, this one had about 20 acts.

From Nigeria and Ghana to Liberia and New York City, the diaspora united on and off stage. No one quite knew when the main act would arrive but the audience was too pleasantly tipsy to notice how much time had passed. At one point it seemed like the hosts were plucking attendees from the audience to perform — a real communal affair. Still, the crowd became restless waiting for Blacko, whose name they cheered in between pulls of smuggled cigarettes and blunts. When he burst on stage with a raucous performance of “Kwaku the Traveller,” the security guards were too enraptured to catch those health code violations.

Even without the pyrotechnics, Black Sherif commanded the stage with the combined energy of the 20 preceding artists.