Courtesy of Barbican Art Gallery

In 'Purple,' John Akomfrah Confronts Climate Change Head On

The Ghanaian-born artist's new show at London's Barbican Gallery is a frightening sensory experience.

Purple is John Akomfrah's ambitious rendering of the effects of climate change and a special commissioned by the UK's Barbican gallery. The Ghanaian-born, London-based filmmaker has created a six channel video installation, each one laced to the next, for which he combined myriad archival footage with newer ones, harmonised by a sweeping orchestral score.

Akomfrah's previous work, Vertigo Sea (2015), was a three screen installation which addressed the industry of whaling but also the role of the sea in migration and slavery. The film is part of Akomfrah's substantial and weighty body of work that includes "Auto Da Fe" (2009) for which he was awarded the Artes Mundi prize for 2017, the international award for visual artists held every year in Cardiff, UK.

Purple addresses the anthropocene, the geological time period characterised by human influence on the planet that has led to mass extinction of plant and animal life, rising sea levels and changing weather patterns. The Anthropocene is itself a modification of the Holocene which covers the entirety of human presence on earth, and, unlike the former, is formally recognised by the International Union of Geological Sciences (IUGS).

Courtesy of Barbican Art Gallery

Courtesy of Barbican Art Gallery

Purple runs to a full hour and consists of six parts each of which is prefaced with evocative titles - "Into The Petrified Waters", "The Toxic Body and a Love Story", "The Liquid Spirit of Things", "The Alien in the Body", "Oh Earth What Changes Hast Thou Seen" and "The Winter of Our Discontents" —a structure which makes digestible a subject of such scale and importance its total impact on the planet still beggars belief.

Akomfrah has chosen a pointillist approach to make "Purple", using film clips lasting mere seconds and from disparate sources, from a television assembly plant to Greenpeace activism, from swarming locusts to those of the great Ghanaian leader Kwame Nkrumah on official engagement, all of which the viewer is encouraged to accept as a seamless whole by sweeping orchestral arrangements.

Courtesy of Barbican Art Gallery

Akomfrah does not present authoritative scientific facts on the ecological destruction of climate change, or anything by way of an argument on what an appropriate response ought to be.

If "Purple" was not primarily designed to be a sensory experience, it succeeds well enough as one - helped by active recollection from the different memories and thoughts each image and their sum total bring to the fore.

Watching the film could also be a cerebral experience depending on the viewer's prior knowledge of the discourse around climate change, and familiarity of experimental filmmaking.

Courtesy of Barbican Art Gallery

The most obvious framing device Akomfrah has deployed is the depiction of the human life cycle using shots of babies at the moment of birth and laterly shots of a cemetery (with blooming purple flowers).

The title "Purple" was chosen for its artificial nature, being a combination of red and blue, both natural colours. The anthropocene is believed to be artificial because it is "man-induced" and not an accident of nature.

The easy reasoning crystallizes a gargantuan concern which required clever film making inventions from Akomfrah to have /be rendered past the heart and intellect, and aimed for the senses and the existential.

Purple is showing until January 7th at London's Barbican gallery.

John Akromfah, Courtesy of Barbican Art Gallery

Still from 'Road to Yesterday'

Kayode Kasum’s Quarantine Watchlist

From 'Wives on Strike' to 'Goodwill Hunting' here's what the Nigerian filmmaker is watching while stuck at home in Lagos.

Kayode Kasum, like most filmmakers, has been stagnated by the coronavirus pandemic. The director behind the blockbuster Sugar Rush and the critically acclaimed Oga Bolaji was working on the post-production of his upcoming movies, The Fate of Alakada: Party Planner and Kambili—a collaboration between FilmOne Entertainment and Chinese Huahua Media— when the Nigerian government announced the lockdown order.

While post-production on Alakada has concluded, the stay-at-home orders have delayed work on Kambili. "Since the team cannot meet at a single point, we are moving hard drives left and right," he says to me over the phone from his home in Lagos. "It is a challenge, but the beautiful thing about a challenge is, when you make it work, it is fulfilling."

Still from 'Kambili'

Kasum has turned to books and films for an escape from the unpleasant realities of the pandemic. "I have been reading Elnathan's books: Born on a Tuesday and Becoming Nigeria," he tells me. "I have also been reading film directing books, Directing Actors by Judith Weston." However, Kasum longs for the movies. "I miss going to the cinemas; I miss that experience," he says. "There are times during this pandemic that I'm like 'na wa o, I wish I can go to the cinema.'"

Below are five films he recommends you watch during this pandemic.

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