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South Africans Are Trying to Figure Out Why Nigerian Musicians Prosper More Globally Compared to Their SA Counterparts

South Africans want answers.

The release of Burna Boy's latest album, aptly titled African Giant, has opened a rather robust conversation on South African Twitter. The Nigerian star's album isn't only great, but it boasts features from US superstars Future, YG, Jorjia Smith and Jeremih and Damian Marley among African icons such as M.anifest and Angelique Kidjo. This is becoming a norm for Nigerian artists. For instance, Davido dropped a single featuring Chris Brown on the same day. Wizkid is on Jeezy's 2017 album Pressure. The Nigerian popstar's Sounds From The Other Side project featured the likes of Trey Songz, Drake, Major Lazer and Ty Dolla $ign.

South Africa, which also has one of the biggest music industries on the continent, has had a reasonable number of contemporary artists rubbing shoulders with US superstars and get a bit of shine. From Nasty C's collaborations with French Montana, A$AP Ferg, and upcoming ones with No I.D. and T.I., to Cassper Nyovest working with Black Thought, The Game, Talib Kweli and many others, South Africa has refused to get left behind. There are plenty other examples, including Saudi, Sjava, Yugen Blakrok and Babes Wodumo appearing on the Black Panther soundtrack last year, and recently Busiswa and Moonchild Sanelly appearing on the Lion King one, curated by Beyoncé.


But, beyond collaborations and notable brief moments, Naija artists are a thing in the US and the UK. Compared to recent South African ones, Nigerian artists have released albums that get serious recognition worldwide.

In the last few days, South Africans on Twitter have been scratching their heads, wondering just what it is that Nigerians get right that they don't. The reasons have varied, from how Nigerians make "authentic" African music, to how South African artists aren't united.

Read: It Will Take More Than an 'Authentic African Sound' for South African Artists to Blow Up Globally

The frustrations come from the fact that, in the 70s, 80s and going into the 90s, South Africa had a reasonable number of internationally recognized musicians—think of the likes of Hugh Masekela and Miriam Makeba (alongside Fela Kuti of course). Masekela even managed to score a Billboard chart topper with "Grazing in the Grass" in July 1968. Nigerians, are however, frequenting similar platforms in present day more than South Africans, and in larger numbers than their contemporary South African counterparts.

Last year, when we interviewed Kiddominant, he told us he felt Afrobeats would be mainstream in the US "in three years" (he wasn't far off). We asked him why he thought Nigerian artists have a tendency to succeed globally. His answer was:

"I think, as Nigerians, we work 10 times harder than the average African. Trust me, it's in our DNA, we are hustlers, man. So it's the extra mile artists are going pushing their music. And also the fact that in places like the UK and the States, the population of Nigerians there is very high. So we share our music with people around us, eventually it spreads out."

Below are some tweets from South Africans (and Nigerians) trying to make sense of just why SA artists aren't as big as Naija artists globally.








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Watch the First Episode of Flame’s Documentary Series ‘Welcome To My Life’

Flame takes fans behind the scenes in his new documentary series.

From interviews to smoking sessions, performances, studio sessions and a visit to the hair salon, Flame gives fans a glimpse into his life and adventures.

The South African hip-hop artist and producer shared the first episode of an ongoing documentary series titled Welcome To My Life. The first episode, which he shared today, shows Flame and his affiliates—the likes of Ecco, Mellow and others—going about their business.

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uSanele Releases a New Project ‘uMvelase’ Featuring ASAP Shembe, Windows 2000, Manelisi and Others

Listen to uSanele's new project 'uMvelase.'

South African hip-hop artist uSanele's recently released project is titled uMvelase. "This project," says the artist, "is in honor of my father and family, abakwa Mthembu; all my siblings, extended family and my roots in the heart of KZN, kwaNongoma. It is a calling—if you will—a completion of my journey and all things coming full circle."

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Photo courtesy of CSA Global.

In Conversation with Congolese NBA Player Emmanuel Mudiay: 'I want more African players in the NBA.'

The Utah Jazz player talks about being African in the NBA, supporting basketball in the DRC and how 'everybody knows about Burna Boy'.

Inspired by his basketball-playing older brothers, by second grade, Emmanuel Mudiay already knew that he wanted to play in the American National Basketball Association. Then in 2001 his family, fleeing the war in Democratic Republic of Congo, sought asylum in the United States.

In America, Mudiay saw basketball as a way for him to improve his situation. After impressive high school and college careers, he moved to China to play pro ball. Picked 7th overall in the 2015 NBA draft, the now 23-year-old guard has made a name for himself this season coming off the bench for the Utah Jazz.

Mudiay attests to the sport having changed not only his life but that of his siblings. Basketball gave them all a chance at a good education and the opportunity to dream without conditions. Now he wants to see other talented African players make it too.

We caught up with him to talk about his experience as an African player in the NBA, his hopes for basketball on the African continent and who he and his teammates jam out to in their locker rooms.

This interview has been edited for length and clarity.

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University lecturer and activist Doctor Stella Nyanzi (L) reacts in court as she attends a trial to face charges for cyber-harassment and offensives communication, in Kampala, on April 10, 2017. (Photo by GAEL GRILHOT/AFP via Getty Images)

Jailed Ugandan Activist, Stella Nyanzi, Wins PEN Prize for Freedom of Expression

The outspoken activist, who is currently serving a prison sentence for a poem she wrote about the president's mother's vagina, won for her resistance "in front of a regime that is trying to suppress her."

Stella Nyanzi, the Ugandan academic, activist, and vocal critic of President Yoweri Museveni has been awarded the 2020 Oxfam Novib/PEN International award for freedom of expression, given to writers who "continue to work for freedom of expression in the face of persecution."

Nyanzi is currently serving a 15 month sentence for "cyber harassment" after she published a poem in which she wrote that she wished "the acidic pus flooding Esiteri's (the president's mother) vaginal canal had burn up your unborn fetus. Burn you up as badly as you have corroded all morality and professionalism out of our public institutions in Uganda."

According to the director of PEN International, Carles Torner, her unfiltered outspokenness around the issues facing her country is what earned her the award. "For her, writing is a permanent form of resistance in front of a regime that is trying to suppress her," said Torner at the award ceremony.

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