Popular

South Africans Are Trying to Figure Out Why Nigerian Musicians Prosper More Globally Compared to Their SA Counterparts

South Africans want answers.

The release of Burna Boy's latest album, aptly titled African Giant, has opened a rather robust conversation on South African Twitter. The Nigerian star's album isn't only great, but it boasts features from US superstars Future, YG, Jorjia Smith and Jeremih and Damian Marley among African icons such as M.anifest and Angelique Kidjo. This is becoming a norm for Nigerian artists. For instance, Davido dropped a single featuring Chris Brown on the same day. Wizkid is on Jeezy's 2017 album Pressure. The Nigerian popstar's Sounds From The Other Side project featured the likes of Trey Songz, Drake, Major Lazer and Ty Dolla $ign.

South Africa, which also has one of the biggest music industries on the continent, has had a reasonable number of contemporary artists rubbing shoulders with US superstars and get a bit of shine. From Nasty C's collaborations with French Montana, A$AP Ferg, and upcoming ones with No I.D. and T.I., to Cassper Nyovest working with Black Thought, The Game, Talib Kweli and many others, South Africa has refused to get left behind. There are plenty other examples, including Saudi, Sjava, Yugen Blakrok and Babes Wodumo appearing on the Black Panther soundtrack last year, and recently Busiswa and Moonchild Sanelly appearing on the Lion King one, curated by Beyoncé.


But, beyond collaborations and notable brief moments, Naija artists are a thing in the US and the UK. Compared to recent South African ones, Nigerian artists have released albums that get serious recognition worldwide.

In the last few days, South Africans on Twitter have been scratching their heads, wondering just what it is that Nigerians get right that they don't. The reasons have varied, from how Nigerians make "authentic" African music, to how South African artists aren't united.

Read: It Will Take More Than an 'Authentic African Sound' for South African Artists to Blow Up Globally

The frustrations come from the fact that, in the 70s, 80s and going into the 90s, South Africa had a reasonable number of internationally recognized musicians—think of the likes of Hugh Masekela and Miriam Makeba (alongside Fela Kuti of course). Masekela even managed to score a Billboard chart topper with "Grazing in the Grass" in July 1968. Nigerians, are however, frequenting similar platforms in present day more than South Africans, and in larger numbers than their contemporary South African counterparts.

Last year, when we interviewed Kiddominant, he told us he felt Afrobeats would be mainstream in the US "in three years" (he wasn't far off). We asked him why he thought Nigerian artists have a tendency to succeed globally. His answer was:

"I think, as Nigerians, we work 10 times harder than the average African. Trust me, it's in our DNA, we are hustlers, man. So it's the extra mile artists are going pushing their music. And also the fact that in places like the UK and the States, the population of Nigerians there is very high. So we share our music with people around us, eventually it spreads out."

Below are some tweets from South Africans (and Nigerians) trying to make sense of just why SA artists aren't as big as Naija artists globally.








From Your Site Articles
Interview

Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

Keep reading... Show less

get okayafrica in your inbox

popular.

The 7 Best Nigerian Songs of the Month (July)

Featuring Olamide, Lady Donli, Omah Lay, Adekunle Gold, Falz and more.