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Spoek Mathambo On Segregation In South Africa's House Scene

Spoek Mathambo sits down with Boiler Room's Thristian bPm to talk about segregation in the South African house scene, the optimism among SA youth and being an ambassador on the international stage


After the Studio Africa London launch, Okayafrica favourite and one of Joburg's finest Spoek Mathambo sat down with the Boiler Room's Thristian bPm for i-D magazine. As well as talking about the influence Chicago House and UK Garage on South African kwaito he surprises a slightly apprehensive Thristian by revealing that he's comfortable with being received as an ambassador for South African music, explaining that he uses the international stage (like his Studio Africa/Boiler Room set) to rep South Africa. Spoek also touches on some socio-political issues including the enduring segregation of South Africa’s house music scene; the optimism he feels as a young South African and why he decided to stop emulating US and European music styles. Check out some quotes and the video itself below and, for a throwback, click through to the Okayafrica TV interview.

On the class & racial segregation in SA's house scene:

"There's the drama even with the house scene: is it commercial house, is it deep house and [if you're] fancy, sophisticated and upwardly mobile it's cool to like deep house, and then there's the ghetto house of Pretoria and whatnot." [...] South Africa's so ridiculous about race that we have a whole race for people that are mixed race: and that's a thing, coloured people are a [separate] thing.

"And the way music will relate to it is that they'll say: well this is house music for coloured people, house music for white people, house music for Indian kids, house music for black kids. But I am excited for the breakdown, where influences can just spread and everybody can just enjoy the same stuff....But within South Africa, loving and appreciating the same stuff, which doesn't happen yet"

Music
Image: Nabsolute Media

Reekado Banks Recalls The Carnage of The #EndSARS Protests In Single 'Ozumba Mbadiwe'

The Nigerian singer pays his respects to those lost during last year's #EndSARS protests.

Nigerian singer and songwriter Reekado Banks is back with a track that is as socially important as it is a banger. It seems fitting for the singer's first solo release of the year to be a tribute to his fellow countrypeople fighting for a country that they all wish to live in. The 27-year-old Afrobeats crooner has returned with endearing track 'Ozumba Mbadiwe', honoring the one-year anniversary of the #EndSARS protests that saw the Nigerian government authorize an onslaught of attacks on Nigerian citizens for their anti-government demonstrations.

The protests took the world by storm, additionally because the Nigerian government insists that none of the police brutality happened. In an attempt to gaslight the globe, Nigerian officials have come out to hoards to deny any and all accusations of unlawfully killing peaceful protesters. Banks mentions the absurd denials in the track, singing "October 20, 2020 something happened with the government, they think say we forget," in the second verse. Reekado's reflective lyrics blend smoothly and are supported by the upbeat, effortless Afrobeat rhythm.

In another reflective shoutout to his home, 'Ozumba Mbadiwe' is named after a popular expressway on Lagos Island that leads to the infamous Lekki Toll Gate where protesters were shot at, traumatized, and murdered. Although packed with conscious references, the P.Priime produced track is a perfect amalgamation of the talents that Reekado Banks has to offer; a wispy opening verse, a hook to kill, and an ethereal aura to mark this as a song as a hit. On "Ozumba Mbadiwe," all the elements align for Reekado's signature unsinkable sound to take flight.

Check out Reekado Bank's lyric video for his single 'Ozumba Mbadiwe'

Reekado Banks - Ozumba Mbadiwe (Lyric Video) www.youtube.com

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