News Brief

Ta-Nehisi Coates to Colbert: I Have No Hope For America

Colbert asked Coates if he had any hope for America being a better country and having better race relations. Coates said "No."

Ta-Nehisi Coates stopped by The Late Show with Stephen Colbert to talk about his upcoming book We Were Eight Years in Power.

The two started out talking about Colin Kaepernick and the recent NFL kneeling protests, which Coates thinks have been "very successful."


The topic then turned to protests, civil rights, Black Lives Matter, and Martin Luther King Jr, with Coates mentioning, "It's very similar to how people feel about NFL protests today, 60 percent of Americans disapproved of Martin Luther King specifically as a person. He didn't get killed out of nowhere."

Talk then unavoidably steered towards Trump and a notable moment came about when Colbert asked Coates if he had any hope for America being a better country and having better race relations.

This topic, by the way, is addressed by Coates several times in We Were Eight Years in Power. Throughout the book he mentions that he "hates being asked to offer white people hope of a better future in which America might become a post-racial utopia," as Vox puts it.

Coates answer to Colbert:

"No."

Interview
Photo by Toka Hlongwane.

Toka Hlongwane’s Photo Series ‘Impilo ka Darkie’ Aims to Give an Insight Into Black South Africans’ Experiences

With his latest photo series, 'Impilo ka Darkie', South African photographer Toka Hlongwane offers an imperfect but compelling insight into the lives of the people he has encountered through his travels.

Toka Hlongwane is a Johannesburg-based documentary photographer whose work often casts a lens on society's underclass. His most recent photo series, Impilo ka Darkie, shot over five years, is Hlongwane's attempt to answer two questions: what does it mean to be Black? And, above that, what is the measure of Black life?

Part of Impilo ka Darkie's appeal is that it also documents Hlongwane's growth as a photographer. As the years roll on, his composition becomes stronger, the focus on his pictures becomes much sharper and a storyline begins to emerge in his work.

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