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Video: Mr Eazi On How He's Helping Young African Artists Grow

In 'Moments With: Mr Eazi,' the buzzing Nigerian star tells us about Banku music, being a serial entrepreneur, and how he's been pushing young African artists through his emPawa initiative.

Mr Eazi stopped by our offices in New York City during a packed round of promo around his new emPawa platform.

The Nigerian star sat down with OkayAfrica and spoke in-depth about his early days, how his friends all pooled money to help him get started, how his famous 'hat' look came about, the blend of Ghanaian & Nigerian sounds that make up Banku music and more recent things like collaboration with J Balvin and Bad Bunny.

Watch our Moments With video with Mr Eazi below.

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Asa 'Lucid' cover.

The 14 Songs You Need to Hear This Week

Featuring Asa, Patoranking x Busiswa, $pacely, Vagabon, Shane Eagle and more.

Every week, we highlight the cream of the crop in music through our Best Music of the Week column.

Here's our round up of the best tracks and music videos that came across our desks, which you can also check out in our Songs You Need to Hear This Week playlists on Spotify and Apple Music.

Follow our SONGS YOU NEED TO HEAR THIS WEEK playlist on Spotify here and Apple Music here.

Check out all of OkayAfrica's new playlists on Spotify and Apple Music.

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Photo by Polly Irungu

Photos: A Night of ‘Cocoa and Color’ at Okay Space for Tony’s Chocolonely and Joshua Kissi’s ‘Reframed’ Exhibition

The exhibition, currently showing at Okay Space Gallery, advocates for fair practices in the West African chocolate industry.

What happened when cocoa hero Tony's Chocolonely and creative wonder kid Joshua Kissi rolled up to the Okay Space on the same night? Chocolate-y magic and sweet enlightenment. The two entities have been working together on a project called REFRAMED: Cocoa and Color aimed at shifting the perspective on the West African cocoa farmers who make Chocolonely's delectable bars.

The project kicked off its first US exhibition with us at the Okay Space Gallery in early October, where brightly colored chocolate bars of all sizes covered the tables as attendees had their pick of a variety of Tony Chocolonely's chocolate. Anywhere you looked, there was chocolate and smiles. The only time folks stopped munching on chocolate was to take a bite of the fantastic cuisine—jollof rice, fried plantains and beef skewers—from Gold Coast Catering and plantain ice cream from Kelewele NYC. The room was packed with a diverse and wonderful crowd, excited to interact with Kissi's work and curious about learning how the chocolate brand was focused on empowering Africans and African economies. DJ GFlamee created the perfect atmosphere with tunes that highlighted the region and made a Thursday feel more like a Friday.

The highlight of the night, however, was a live Q&A session between Joshua Kissi and Dena White, Tony Chocolonely's head of marketing for the US. Kissi created the concept and took photos of the people in Ghana and the Ivory Coast working to create the chocolate the world adores. Together, they discussed the methods and importance of Tony Chololonely's fight to end slave labor in the cocoa industry. It was illuminating to have the session with the faces of those being honored surrounding us, looking on, being included in something that has long been swept under the rug.

While the chocolate has all been gobbled up, Kissi's striking photos will stay on display at the gallery until October 31st.

Check out some of the action from the event below, with photos by Polly Irungu.

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Photo (c) John Liebenberg

'Stolen Moments' Uncovers the Namibian Music That Apartheid Tried to Erase

The photo exhibition, showing at the Brunei Gallery in London, highlights artists from Namibia's underground scene between 1950-1980, a time of immense musical suppression prior to its independence.

Before its independence in 1990, a whole generation of Namibians were made to believe that their country had no real musical legacy. Popular productions by Namibian artists from previous eras were systematically concealed from the masses for nearly 30 years under the apartheid regime—which extended to the country from South Africa following German colonization—depriving many Namibians of the opportunity to connect with their own musical heritage.

"Stolen Moments: Namibian Music Untold," a new exhibit currently showing at London's Brunei Museum at SOAS University of London, seeks to revive Namibian musical traditions that the apartheid regime attempted to erase.

"Imagine you had never known about the musical riches of your country," said the exhibit's curator Aino Moongo in a statement of purpose on SOAS' site. "Your ears had been used to nothing but the dull sounds of the country's former occupants and the blaring church and propaganda songs that were sold to you as your country's musical legacy. Until all at once, a magnitude of unknown sounds, melodies and songs appear. This sound, that roots your culture to the musical influences of jazz, blues and pop from around the world, is unique, yet familiar. It revives memories of bygone days, recites the history of your homeland and enables you for the first time to experience the emotions, joys and pains of your ancestors."

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