In Conversation: Glory Edim on Her Debut 'Well-Read Black Girl' Anthology and Her Discovery of Self Through Fiction
We catch up with the Nigerian-American author and founder of the book club-turned-community, Well-Read Black Girl, about her debut anthology, this year's Well-Read Black Girl Festival and more.
Over the past three years, Glory Edim, the founder of Well-Read Black Girl, has managed to foster an intentional community of black women who love all things black literature. Her brainchild has evolved from a book club, to an expansive online community, to a festival and now, to a hard-cover collection of must-read essays from black women authors she admires.
The Nigerian-American author and community builder recently celebrated the release of her debut anthology, Well-Read Black Girl: Finding Our Stories, Discovering Ourselves, at the second annual Well-Read Black Girl Festival at Pioneer Works in Brooklyn. The event was filled with vibrant, intergenerational energy from black women who gathered to celebrate Edim and to celebrate each other. The festival opened up with intention setting, a music performance, with a keynote from Patricia Smith of Teahouse of the Almighty, who Edim wanted to highlight for attendees who did not have the poet and author on their radar.
One question connected the day-long conversations and workshops: When did you first see yourself in literature?
Edim answers the question through her curated anthology, which features a collection of essays by prolific black women writers on the importance of recognizing the need to have the opportunity to find oneself through literature. Featuring Jesmyn Ward, Lynn Nottage, Tayari Jones, Gabourey Sidibe and more, the Well-Read Black Girl anthology is the reason we turn to books.
We caught up with Glory Edim to learn more about her experience curating the anthology, her reflections on year two of the Well-Read Black Girl Festival and what she has in store for her community and readers next.