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Listen to The Busy Twist's Addictive Remixes of 1970s Angolan Tracks

From the upcoming London Luanda Remix Series.

About 10 years ago, Analog Africa released their initial Angola Soundtrack, a compilation of gems from late '60s and early '70s Luanda. Now, those songs are getting new life courtesy of London-based production duo The Busy Twist.

These psychedelic Angolan guitars and rhythms get revisited in London Luanda Remix Series, a new 4-track release that sees the UK producers digging into the original Analog Africa archives and injecting these throwback sounds with new percussive energy.

Today, we're premiering the London Luanda standout "Africa Ritmo - Olha O Pica," a potent remix made for the dance floor.

"The first time I listened to Angolan folk music was after discovering one of Analog Africa's compilations of '70s Angolan folk," mentions one of the members of The Busy Twist.


"I was immediately hooked by the richness and melancholy feel of the old distorted electric guitars. This was so different to all the kuduro and other music I had known to come from Angola, so I wanted to highlight my perspective of this music and bring out these elements in way that could be played across dance floors but still kept the feeling behind the original songs."

Listen to our premiere below and look out for London-Luanda Remix Series coming out June 3 on Galletas Calientes Records. Pre-order here.

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6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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