Audio

This Angolan Singer Is Recreating Classic Semba Songs With a Twist

Toty Sa’Med wants to introduce a new generation to the classic sounds of semba—the prototypical genre at the heart of modern Angolan music.

Angolan singer Toty Sa’Med took on the task of introducing a new generation to the classic sounds of semba—the prototypical genre at the heart of modern Angolan music—with his first solo EP Ingombota.


The project’s title, which means “a place of refuge for the persecuted,” is named after the district in Angola’s capital, Luanda, where Sa’Med was born. The EP features both original recordings by the artist and reinterpretations of classic semba songs.

The idea to “rescue old sembas” came about after producer Kalaf Epalanga (of Buraka Som Sistema), heard Sa’Med perform some of the genre’s older cuts live. The two collaborated to produce the six soul-stirring tracks on Ingombota.

“What makes it cool to embrace the old semba is the fact that, through this, a group of young Angolans are willing to know their history, its poets, and their languages. And there's nothing cooler than knowledge,” says the musician.

Toty Sa'Med. Photo: Luaty Almeida.

The lead single, "Mona Ki Ngi Xiça," is a cover of an Angolan bolero, originally sung by Bonga. Sa’Med adds warm vocals and melodious guitar riffs to deliver a gorgeous blues and jazz-inflected rearrangement of the song. The single comes with an accompanying music video which sees the singer offering a calming performance in a stripped-down studio.

The fact that Sa’Med is recreating older semba cuts, doesn’t make his music any less refreshing.

Get familiar with the vintage sounds of Angola, through the re-imaginings of Sa’Med, and peep the music video for “Mona Ki Ngi Xiça” above.

Photo by Meztli Yoalli Rodríguez

Dying Lagoons Reveal Mexico’s Environmental Racism

In the heart of a traditionally Black and Indigenous use area in Southwest Mexico, decades of environmental destruction now threatens the existence of these communities.

On an early morning in September 2017, in a little fishing village in the Pacific coast of Oaxaca, called Zapotalito, thousands of dead fish floated on the surface of the Chacahua-Pastoría lagoons. A 7.1-magnitude earthquake, which rattled Mexico City on September 19, was felt as far down as Zapotalito, and the very next morning, its Black, Indigenous and poor Mestizo residents, who depend on the area's handful of lagoons for food and commerce, woke up to an awful smell and that terrible scene of floating fish.

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