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Shaunté Gates The Land Of, 2018 24 x 24 in.Digital Print on Aluminum Image courtesy of the artist.

5 Black Artists You Can't Miss at Prizm Art Fair 2018

In its sixth edition, Prizm examines the connection between narratives in Africa and its diaspora through varying degrees of currency.

"I hope Oprah comes," says Mikhaile Solomon, founding director of Prizm Art Fair, with a laugh.

She just might.

Prizm has become one of the most anticipated events during Art Basel Miami, highlighting artists and works from the African diaspora and emerging markets. "Every year, it grows in leaps and bounds," Solomon says, as the fair turns six this year.

This edition will highlight 63 artists representing 15 countries—from Ethiopia to Trinidad and Tobago. The fair is set to feature eight galleries—most of which are black owned—along with five multi-disciplinary parts: "Prizm Preview," "Prizm Panel," "Prizm Film," "Prizm Perform" and "Prizm 6."

"This year, is very rooted in activism and the through line is the idea of currency and the different layers of currency," she says.


The works will explore spiritual, social, cultural, political currency through the special sections curated by Solomon and artist William Cordova. Cordova's exhibit, Transceivers: channels, outlets, and forces will explore the connections between futurism, ritual and the folkloric. Solomon's The Dark Horse will focus on re-appropriation, reclamation and creating an inclusive future.

The fair has curated a diverse group of conversations about using art, media and tech to discuss the implications of redlining, art preservation in communities and the meaning of art. Solomon says it's especially critical that Prizm integrates these themes, considering both the national and international socio-political climate.

"I constantly think about the kind of world we are potentially bringing our kids into, it's a lot to process," she says. "Artists have a very profound way of visually and viscerally addressing these issues. They create visual ironies that people can not ignore."

Below, we've picked the 5 must-sees you can't miss at Prizm this year. Check out the full program here.

Life Is Fare by Sephora Woldu

Directed and written by Sephora Woldu, Life is Fare is a Tigrinya and English feature film that highlights three different perspectives of Eritrea. It's Woldu's first feature length film that was 4 years in the making. Woldu told the Brooklyn Film Festival: "As a first generation Eritrean American, I am fascinated by the experiences of a growing Eritrean population worldwide—those living inside and outside of Eritrea—and the disconnect that naturally forms from our distance with each other. Culture adapts with the movements and locations of its people, and Life is Fare is my cultural response to the absurdity of wondering if preserving what it means to be Eritrean clashes with actual realities of Eritrean people."

Alexis Peskine

Alexis Peskine is a visual artist who was born and raised in Paris. He is of Afro-Brazilian and Jewish-Russian descent and explores these identities in his work. He creates these intricate portraits with nails as his medium. Peskine has said that "the nails presents the suffering of our people but also their resistance and resilience."

Image via the artist's Instagram.

Helina Metaferia

Helina Metaferia's work is interdisciplinary. It ranges from performance, video, collage and installation. The Ethiopian-American artist said she is "interested in using art as an excuse to have meaningful conversations about time, space and belonging."

Out of the roots of my head, 2018 Collaged paper 37 x 25 in. Image courtesy of PRIZM Art Fair.

Shaunté Gates

Shaunté Gates is a painter and mixed media artist, from Washington, D.C. He describes his work as a collision between fantasy and reality. In order to make these two themes harmonize, Gates marries painting and photography "through a fantastic lens," he stated. The aim is to capture an allegory of psychological effects on society due to the implementation of propaganda via mass media, economic, and political structures."

Shaunté Gates The Land Of, 2018 24 x 24 in.Digital Print on Aluminum. Image courtesy of the artist.

Lillian Blades

Lillian Blades is a Bahamian mixed media artist, currently based in Atlanta, Georgia. She creates large-scale assemblages that can transport you to a sandy Caribbean beach, a vast ocean or the inside of a seamstress' studio.

Lillian Blades, Abundancescape, 48 x 32 in.Mixed media assemblage. Image courtesy of September Gray Gallery PRIZM Art Fair.

Prizm Art Fair runs from Monday, December 3 to Sunday, December 9 at the Alfred I. Dupont Building in downtown Miami. Check out their website for more information.

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The Best Ghanaian Songs of 2018

Here are the 23 best Ghanaian tracks of the year featuring La Même Gang, KiDi, Juls, Efya, Sarkodie, M.anifest, Kwesi Arthur, Kuami Eugene and many more.

Welcome to our inaugural list of the Best Ghanaian Songs of the Year.

The big name artists have made impressive showings in 2018, as did a swathe of newcomers who are making commendable strides towards their debut projects and establishing their identities. Even more refreshing is the emergence of emo raps in the music of La Même Gang. Friction between Sarkodie and Shatta Wale may divide fervent fans but it's made for some energetic competition and debates in what's been a big year's harvest of soundscapes, styles and good fun.

Read along for our selection of the Best Ghanaian Songs Of 2018. Listed in no particular order. —Sabo Kpade

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The Rain Prayers by Simphiwe Ndzube. Photo by Jalil Olmedo.

This Exhibition is Uniting the Artistic Traditions of Mexico and Southern Africa

Crossing Night, is a first of its kind exhibition, creating dialogue between the two regions.

It's mid-morning in Oaxaca de Juarez, Mexico and the walls of ex-convento Santo Domingo de Guzman reverberate as a local marching band begin their procession playing, Hamba Kahle Mkhonto we Sizwe (Go well Spear of the Nation). One of several iconic songs of the Apartheid struggle in South Africa, sung as a custom by mourners at the funerals of members of the African National Congress's armed wing—the song was also famously sung at the funeral of Nelson Mandela.

The marching band was met by local Calenda dancers outside, before continuing their procession through the streets of Oaxaca onto the San Pablo Cultural Centre as part of the Grand Opening of Hacer Noche (Crossing Night). Although the significance of the song was lost on many, some South Africans included, the depth of the music appeared to touch the core of much of its audience.

Hacer Nocer is a program of exhibitions in Oaxaca Mexico, focused on art practices of Southern Africa. The event comprised of a month-long artistic residency program and a week-long educational program with talks open to the public, culminating in an exhibition of work by artists from Angola, South Africa and Zimbabwe. Ambitious in its conception and intended scope, Hacer Noche is the first exhibition of its kind in Mexico. The term Crossing Night alludes to themes of death, night journeys and the event coinciding with the Mexican festival of Dia de los Muertos (Day of the Dead). The exhibition touches upon the shared histories of slavery, colonisation and postcolonial narratives as part of the DNA of both regions.

Hacer Noche ExposicionesPhoto by Jalil Olmedo

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Still from YouTube.

Watch Davido's New Music Video for 'Wonder Woman'

The video features cameos from several accomplished Nigerian women.

Davido has had a pretty solid 2018, but he's not done yet.

Today the singer shared his latest music video for the single "Wonder Woman," dedicated to powerful women.

In the video, Davido pays tribute to several wave-making women. The music video is notably reminiscent of Drake's "Nice for What" video from earlier this year, as Konbini points out.

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