News Brief

Watch A-Reece’s Music Video for ‘Amber Rose’

The Wrecking Crew don't sleep.

One thing you should know by now is that The Wrecking Crew don't sleep. The Pretoria hip-hop collective releases so much music it's hard to keep up.


In July, A-Reece, Wordz and Ecco released the masterpiece L3 (Long Lost Letters). Last month, MashBeatz released an album titled Thanks for Nothing. This week, A-Reece releases the song "Amber Rose," which is accompanied by a music video.

"Amber Rose" is a mellow tune that leads with moody organ keys. The song lasts for just above a minute, and sees Reece spit some sexually charged raps and give a shout to his crew.

In the video, the MC and some members of The Wrecking Crew are living their best lives as usual—rolling and smoking blunts, rolling through the city, and bowling. The video is shot by Untamed Pictures.

Watch the video below and stream the song underneath or download it here.



Read: A-Reece, Ecco & Wordz' EP Might Be the Best South African Rap Release You'll Hear This Year

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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