Labo Ethnik: An Interview With South African Label Babatunde

The Labo Ethnik, a Parisian event which features fashion & interior design, will host SA label Babatunde, we spoke with the brand's head designer.

Founded in 2007 by Yvette Taï-CoquillayLabo Ethnik was created as a way to promote both emerging and established designers from across the globe on the Parisian scene. This year the 8th edition of Labo Ethnik will also welcome interior designers, adding visual arts to the festival's roster. In the run-up to this year's installment, starting May 22, we'll feature some of the designers that'll be participating in the 2014 edition. Below, we talk with the designer of South African label Babatunde, a brand that perfectly mixes African-inspired prints with contemporary designs in their hats, caps, headbands, bow-ties and umbrellas. 

Poundo for Okayafrica: So who's behind Babatunde?

Gareth Cowden: My name is Gareth Cowden, I am from Johannesburg, SA.

OKA: When did you start considering fashion?

GC: I am a fashion stylist by trade. This is my 10th year in fashion. I was getting sick of freelancing and the instability of freelance work. So I decided to try my own thing. The obvious path was to start creating myself. I started by getting trilbies and caps made with fabric I had bought in Joburg in 2009.

OKA: Did you study fashion?

GC: Nope. Not in an institution. I studied fashion by assisting stylists and immersing myself in magazines and music videos.

OKA: Where do you find your inspiration?

GC: From the ocean, from the streets of Joburg and then from traveling when I have the opportunity. I also find some documentaries very inspiring.

OKA: How would you describe Babatunde's signature in one sentence?

GC: Bold, vibrant and conscious.

OKA: What makes it so special?

GC: Hehehe! Umm.. it’s difficult for me to say as I am a part of it. But I would speculate that most or a lot of people had not seen this interpretation of wax print before. I guess the amazing exposure we have received has also made it a bit special.

OKA: Your brand makes me think of a young hip African who blends his traditional roots with contemporary style. Do you think that you're bringing something new to the scene?

GC: It’s very difficult to say you are bringing something brand new. Most things have been done in the past. As much as I would love to say I am the first, I am sure if I dig deep enough, someone must have tried this in the past.

OKA: What's cool?

GC: African Storm Sound System, the Locrate Market in Soweto, Nana wax, snorkeling.

OKA: What makes a person stylish?

GC: A sense of comfort that is not trying too hard.

OKA: Which African singer or band would you like to see wearing one of your pieces?

GC: Probably Lagbaja. Not sure he wears hats though…

OKA: What do you think of the term 'African fashion'?

GC: It’s a tricky question to answer. Right now is such an important time for the African clothing and textile industries. The world is open to our design/fashion currently. But you don’t hear Chanel or Tom Ford going as 'European or American designers/brands.' In my opinion, African fashion is finding it’s identity at the moment. And world fashion is looking to Africa for inspiration. So I guess for now the term is ok while we hope to be discovered and make connections abroad. But, eventually, we need to move towards being ‘quality fashion’ as opposed to 'African fashion.' And we need to embrace what is African and keep supporting it when the world moves on to it’s next darling. The goal is that when that happens, Africa will be considered a quality clothing and textile industry with good relationships in place with various parts of the world.

OKA: How's it feel to be part of the Labo Ethnik's 8th edition?

GC: It’s a great honour! Unfortunately I can’t be there myself so I am a little sad. But we are excited to be involved as it is our first time and interested to see how our products are received.

OKA: What do you expect to happen from this event?

GC: I don’t have any real expectations from these kind of events. For me it is about engaging with buyers, media and individuals. You want to find out from people what they do and don’t like and see how we can improve our business.

OKA: Describe Babatunde in one word.

GC: Growing

OKA: A word about Okayafrica. Okayafrica is ...

GC: Kwaai!

Labo Ethnik will take place at 'Les Docks, Cité de la Mode et du Design' from May 22nd to May 25th 2014.


Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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