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Ladysmith Black Mambazo Win Their 5th Grammy Award, But There’s a Small Problem

They won for their album Shaka Zulu Revisited: 30th Anniversary Celebration.

The South African isicathamiya group, which gets a nomination almost every year, bagged their fifth Grammy award last night.


The group won under the Best World Music Album category for their album Shaka Zulu Revisited: 30th Anniversary Celebration.

This is really great. Black Mambazo are legendary, and the group has gone through two generations of members. They deserve all the good shit. But it's 2018, can we do away with the World Music label? The Grammy committee should, by now, know better than to wholesale categorize all music from outside the US under one umbrella genre.

And while, it's great for the acappella group to keep bagging Grammys, it shows just how little research goes behind music from other continents.

For instance, Afrobeats is the most visible and popular African genre at the moment, and it travels worldwide–especially to the US and the UK. So the genre not being recognized says a lot about the Grammys.

Listen to Shaka Zulu Revisited: 30th Anniversary Celebration below and download it here.

Read: The Grammys Don't Care About African People (Yeezy Voice)

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Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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