Cinema Africa: John Barker on the South African Political Satire 'Wonder Boy for President'

South African director John Barker in conversation following the world premiere of Wonder Boy for President at the Durban International Film Festival

In the ninth installment of Okayafrica’s Cinema Africa series, we sit down with South African director John Barker following the world premiere of his political satire mockumentary feature, Wonder Boy for President, at the 37th Durban International Film Festival.

South Africans are about to become very familiar with the face and name of an ambitious new presidential hopeful. The candidate is actually the brainchild of an all-star team of South African comedians. Director John Barker’s full-length political satire, Wonder Boy for President, tells the story of a charismatic, albeit naive young man from the Eastern Cape (played by a hilarious Kagiso Lediga) who’s coerced into running for president by two shady ANC politicians (Ntosh Madlingozi and Tony Miyambo).

Stylistically, the mockumentary isThe Office set at the ANC’s Braamfontein branch. Shooting took place over the course of five years, and during that time the cast and crew managed to pull off miraculous undercover shoots at some of South Africa’s biggest political events and rallies. The likes of Zuma, Malema, Ramaphosa, Zille, Vavi and Shivambu all make cameo appearances.

With municipal elections coming up in August, the Wonder Boy team is plotting a real-life political campaign in conjunction with the film's 29 July opening in 35+ cinemas across South Africa. I caught up with Barker following the world premiere of Wonder Boy for President this past weekend at the 37th Durban International Film Festival.

Alyssa Klein for Okayafrica: How would you describe Wonder Boy for President to those that might not be so familiar with South African politics?

John Barker: It’s a political satire based on the current political landscape. It’s inclusive of all the parties.

How did the project come together?

Five years ago we went to the Mangaung conference, which is the conference that Jacob Zuma was reinstated for another four years. He was actually quite unpopular at the time, and coming from the great leaders like Nelson Mandela and Thabo Mbeki and with the ANC being such a great party, we felt like “honestly, is that the best guy we can get to lead our country?” Out of all these amazing leaders––females and males––is that really the best? We examined it and we said “no he’s not.” So for some reason, there’s a problem. There’s a problem with leadership. And then all the other things happened subsequently. The corruption got worse, Nkandla got worse, there were rape allegations. For us it’s just an awful representation of what we can do. We can have amazing leaders, and he’s just not one of them. It was nothing vindictive to the ANC at all, we just felt that our president wasn’t great and we wanted to make a film about it. As filmmakers we felt it’s necessary to comment on our surroundings, our society, and the zeitgeist, the political, that we needed to comment about those things and so we decided to make the film.

What about funding?

Because of the nature of the film, everyone turned us down for funding. So we went to all the established places that normally give money, and they turned us down. And I realised very soon that there’s no way this movie is going to get money from those traditional places. We’d have to go and get private investors to get involved. Surprising enough, no one really wanted to get involved. No one wants to touch the subject. And I think that shows in the fact that there’s only one political satire film at the moment in South Africa, ours. I would have thought there would be more. But it’s a tricky subject, people don’t want to do it. So it was hard to find funds.

Kagiso Lediga as Wonder Boy. Courtesy of Wonder Boy for President

What do you think the role of satire should be in South Africa?

Well I think there should be far more of it. There’s certain projects we’ve worked on that have been closed down, certain programs that have been closed down, so it’s obviously a threat to the political parties and the people in power. But I think it has a very important role.

What impact do you hope the film will have here?

Well, the reason that we chose to go before the elections is because we do want to have some kind of impact. There was a debate about whether we should go afterwards, because if we go before it will be seen as DA propaganda, which it’s not like that at all. We’ll get that criticism, but we’re prepared to take that and rather try and influence... For our little community of filmmakers, this is our way of saying “can we change the political landscape? Can we have a say on what happens?” So yes, we would love it to have some kind of influence. And the box office would be cool, but the priority is not the box office for us. It’s really about this, it’s about people talking about it and people having discussions around politics. We just wanted to be those guys that put that film out there in a funny way talking about serious issues but making it in a way that’s still entertaining for people to have a look at.

John Barker, director of Wonder Boy for President

Can you speak at all on the upcoming Wonder Boy campaign?

We’re going to have Wonder Boy’s face on posters on the street poles all over South Africa. We’re going to play in the mockumentary style and have Wonder Boy as this guy. He’s going to have his manifesto and it’s going to be released. We’re going to try and take Wonder Boy to all the campuses. We want everyone to vote for him.

Would you vote for Wonder Boy?

[Laughs] I’d vote for Wonder Boy absolutely.

Keep up with Wonder Boy for President on Facebook and Twitter.


Introducing OkayAfrica's 100 Women 2020 List

Celebrating African Women Laying the Groundwork for the Future

It would not be hyperbole to consider the individuals we're honoring for OkayAfrica's 100 Women 2020 list as architects of the future.

This is to say that these women are building infrastructure, both literally and metaphorically, for future generations in Africa and in the Diaspora. And they are doing so intentionally, reaching back, laterally, and forward to bridge gaps and make sure the steps they built—and not without hard work, mines of microaggressions, and challenges—are sturdy enough for the next ascent.

In short, the women on this year's list are laying the groundwork for other women to follow. It's what late author and American novelist Toni Morrison would call your "real job."

"I tell my students, 'When you get these jobs that you have been so brilliantly trained for, just remember that your real job is that if you are free, you need to free somebody else. If you have some power, then your job is to empower somebody else."

And that's what inspired us in the curation of this year's list. Our honorees use various mediums to get the job done—DJ's, fashion designers, historians, anthropologists, and even venture capitalists—but each with the mission to clear the road ahead for generations to come. Incredible African women like Eden Ghebreselassie, a marketing lead at ESPN who created a non-profit to fight energy poverty in Eritrea; or Baratang Miya, who is quite literally building technology clubs for disadvantaged youth in South Africa.

There are the builds that aren't physically tangible—movements that inspire women to show up confidently in their skin, like Enam Asiama's quest to normalize plus-sized bodies and Frédérique (Freddie) Harrel's push for Black and African women to embrace the kink and curl of their hair.

And then there are those who use their words to build power, to take control of the narrative, and to usher in true inclusion and equity. Journalists, (sisters Nikki and Lola Ogunnaike), a novelist (Oyinkan Braithwaite), a media maven (Yolisa Phahle), and a number of historians (Nana Oforiatta Ayim, Leïla Sy) to name a few.

In a time of uncertainty in the world, there's assuredness in the mission to bring up our people. We know this moment of global challenge won't last. It is why we are moving forward to share this labor of love with you, our trusted and loyal audience. We hope that this list serves as a beacon for you during this moment—insurance that future generations will be alright. And we have our honorees to thank for securing that future.


The annual OkayAfrica 100 Women List is our effort to acknowledge and uplift African women, not only as a resource that has and will continue to enrich the world we live in, but as a group that deserves to be recognized, reinforced and treasured on a global scale. In the spirit of building infrastructure, this year's list will go beyond the month of March (Women's History Month in America) and close in September during Women's Month in South Africa.

100 women 2020

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If you're having a tough time recalling the last movie you watched from Djibouti, it's likely because you have never watched one before. With an almost non-existent film industry in the country, Lula Ali Ismaïl, tells a beautiful coming of age story of three young female Djiboutian teenagers at the cusp of womanhood. Dhalinyaro offers a never-before-seen view of Djibouti City as a stunning, dynamic city that blends modernity and tradition—a city in which the youth, like all youth everywhere, struggle to decide what their futures will look like. It's a beautiful story of friendship, family, dreams and love from a female filmmaker who wants to tell a "universal story of youth," but set in the country she loves—Djibouti.

The story revolves around the lives of three young friends from different socio-economic backgrounds, with completely varied attitudes towards life, but bound by a deep friendship. There is Asma, the conservative academic genius who dreams of going to medical school and hails from a modest family. Hibo, a rebellious, liberal, spoiled girl from a very wealthy family who learns to be a better friend as the film evolves and finally Deka. Deka is the binding force in the friendship, a brilliant though sometimes naïve teen who finds herself torn between her divorced mother's ambitions to give her a better life having saved up all her life for her to go to university abroad, and her own conviction that she wants to study and succeed in her own country.

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Stogie T just shared a deluxe version of his 2019 EP The Empire of Sheep titled EP The Empire of Sheep (Deluxe Unmasked). The project comes with three new songs. "All You Do Is Talk" features fellow South African rappers Nasty C, Boity and Nadia Nakai. New York lyricist appears on "Bad Luck" while one of Stogie T's favorite collaborators Ziyon appears on "The Making."

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