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Ghana's #OccupyFlagStaffHouse Movement Hits Accra On Republic Day

Okayafrica reports on a social media-driven #OccupyFlagStaffHouse movement hitting Accra on Ghana's Republic Day.

In the early hours of July 1st, Republic Day in Ghana, a mass of about 500 Ghanaian citizens decked in red and black gathered in hopes of staging a peaceful protest at the front gates of the Flagstaff House, the official residence and office of President John Dramani Mahama. The social media-driven movement, which is operating under the #OccupyFlagStaffHouse moniker, was spearheaded by Ghanaian tweeters in an attempt to ignite change in governmental policy-making by drawing wider attention to the worsening economic conditions of the West African nation.


The delegation, led by a non-partisan civil society known as the Concerned Ghanaians for Responsible Governance (CGRG), marched with a petition in hand that outlined a myriad of social ills meant for the incumbent president to address, including nationwide power outages and fuel shortages, the incessantly depreciating value of Ghana’s cedi, the current high cost of living, non-existent job opportunities, and a lack of necessary funding allocated to the upkeep of social infrastructure (among numerous others).

The fact that the march took place on Ghana's Republic Day, the 54th anniversary of Ghana severing colonialist ties with Britain and the election of its first president Dr. Kwame Nkrumah, gives the movement a significant place in Ghana’s democratic process—a symbolism that was by no means lost on the organizers behind the demonstration. An official statement from CGRG member Nana Akwasi Awuah reads:

“The focal point of convergence is directly opposite the main gates of the Flagstaff House, right across the street. We chose this venue because we want to register our dissatisfaction and frustration with the status quo right at the doorstep of power. We also chose this date because it is on this day in history that we started choosing our own leaders for responsible governance as a sovereign state. We do not seek a regime change, nor do we wish to see the country plunge into chaos. After all, this is the only place we can and do call our home!”

An official request by the CGRG to hold the protest at the Flagstaff House was initially denied by the Ghana Police Service, though they later rescinded the decision on the grounds that the demonstrators would need to relocate to the Efua Sutherland Children’s Park, and only appointed leaders of the march would be granted access to the Flagstaff House to present the petition. All routes to the Flagstaff House were cordoned off by the police so organizers quickly diverted the crowd to the studios of nearby television station, TV3.

The petition was eventually received on behalf of the president by his Deputy Chief of Staff Valery Sawyer, who attempted to reassure the crowd that President Mahama was indeed aware of and sympathetic to their concerns. The official #OccupyFlagStaffHouse petition outlining the harsh economic atmosphere under Mahama’s government is currently gaining steam on Change.org, with almost 2000 signatures amassed so far. Read the full petition here and check out our gallery (via #OccupyFlagStaffHouse twitter users) of the peaceful action in Accra this morning above.

Interview

Interview: The Awakening of Bas

We talk to Bas about The Messenger, Bobi Wine, Sudan, and the globalized body of Black pain.

The first thing you notice when you begin to listen to The Messenger—the new investigative documentary podcast following the rise of Ugandan singer, businessman and revolutionary political figure Bobi Wine—is Bas' rich, paced, and deeply-affecting storytelling voice.

Whether he is talking about Uganda's political landscape, painting a picture of Bobi Wine's childhood, or drawing parallels between the violence Black bodies face in America and the structural oppression Africans on the continent continue to endure at the hands of corrupt government administrations, there is no doubt that Bas (real name Abbas Hamad) has an intimate understanding of what he's talking about.

We speak via Zoom, myself in Lagos, and him in his home studio in Los Angeles where he spends most of his time writing as he cools off from recording the last episode of The Messenger. It's evident that the subject matter means a great deal to the 33-year-old Sudanese-American rapper, both as a Black man living in America and one with an African heritage he continues to maintain deep ties with. The conversation around Black bodies enduring various levels of violence is too urgent and present to ignore and this is why The Messenger is a timely and necessary cultural work.

Below, we talk with Bas aboutThe Messenger podcast, Black activism, growing up with parents who helped shape his political consciousness and the globalized body of Black pain.

This interview has been edited for length and clarity.

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